Wednesday, October 12, 2016

Mommy Where Do Minions Come From? Part 1

Mommy Where Do Minions Come From? Part 1

Uploaded by sharon watts on 2016-09-12. Please listen to this clip, just the part of the lecture where Alan Watts discusses the lie and myth of history.
Don’t Panic! 
As it turns out film making is the real business of the Twin Military Towers of “Anglo American Might”.
Everything you think you know is probably wrong but it’s going to be all right. Please be patient and please keep an open mind as you read through this entire article.. Nothing is at it seems. Welcome to a  21st century digital  illuminated manuscript.
Do You Think You Are Free From Propaganda? Do you think the NEWS and Hollywood are independent from the Government?
Ever hear about The Defense Information School? “The Defense Information School or DINFOS, is a United States Department of Defense (DoD) school located at Fort George G. MeadeMaryland. DINFOS fulfills the Department of Defense's need for an internal corps of professional journalists, broadcasters, and public affairs professionals.” This was formed in 1946! The purpose of this school is to brainwash our minds. Don’t believe us? Please keep reading or check out the article index. Please keep an open mind, everything we think we know is probably wrong, we will explain why we make this claim. This is but the tip of the proverbial iceberg.
Did you ever read or hear about any of these other absurd stories about the ‘War to End all Wars’? What we think of wars and history is more lie than not. Did you know film makers have been faking so-called real war footage for years?  Ever read or hear about the Ghost Army and all the rest? Please keep reading this article.

"What do you do
When history stops in its tracks?"

Please excuse any typos - spell check is evil. We will correct them as we find them. Thank you- AAMorris staff
Most of what we know is wrong. News, wars and history are made of lies more so than not. We have to pan the the proverbial gold from the “sands of time”.

Please see the article index for a list of articles that explain the various forms of fakery we have been subject to for centuries. As it turns our at the highest levels, Hollywood, the NEWs and the Music Industry and the Military are one and the same and have always been. These systems are in service to the same aristocratic global crime ring that the banking and the rest of the system work for.
The master magician/artful creators have crafted and woven fairy tale and history into a tapestry of mythic unity we call culture.
The image and character Jesus Christ is but one version of a long line of solar divinity figures, like the astro-theoogical divinity, Apollo the Sun God. The Son of God and The Sun God are one and the same figure, with the difference having to do with birth. Apollo is born a royal and is akin to the concept of the mythic Pharaoh. This is the divine right of kings imposed unnaturally and artfully onto humanity. This is the basic pyramid scheme structure of both the ancient and modern feudal wage slave based system we all inhabit.
Jesus is supposed to be of common birth and he himself a son of a craftsman or carpenter. Jesus was a craftsman or mason himself.
"The Ancient Greek noun tektōn (τέκτων) is a common term for an artisan/craftsman, in particular a carpenter or wood-worker or builder. The term is frequently contrasted with an iron-worker, or smith (χαλκεύς) and the stone-worker or mason (λιθολόγος)."
Jesus is supposed to return at the end of time to redeem the world of man. We can see how this refers to art being used to enlighten and free the human imagination whereas art has been historically used to enslave human imagination in service of the long standing Global Royal Mafia Ring Con Job/ Criminal Racket. Art used in this fashion is represented in the Bible by the Seven Headed Dragon or Hydra. This art serves the Pharaoh or Solar King, who only thinks and pretends he is God. The Pharaoh is the unnatural and artificial ruler who Moses seeks to free his people from. We must do the same today. 
Jesus represents the natural human revealed. Humans are artists by nature. We craft illusions or lies and deceptions easily. We lie to ourselves and others and in doing so we wittingly or unwittingly do the work of the yellow journal minions of the 666 Multimedia beast. The work of the beast is meant to blind and bind us. It is designed to reinforce the social structure so we do not see we do not need all these layers of government and taxation. History, the news and wars are literally crafted with the intent of tricking us into believing we need the protection of these various institutions when we do not. This is a racket and crime. The news is state run and at the highest levels so is all of the entertainment and so-called 'NEWS' industry.
The symbol of the Messiah refers to you. If you wake up to the realization that you are naturally free and that history is more lie than not, you are the "Messiah". You are your own authority and no one else's. You are naturally free to do with yourself as you like, but what you may not do is force your will on others. This is the sin and the real crime. This is what we allow governments to do. The returned Messiah is not meant to be an external authority. If you are waiting for someone to come save you and for someone to come and have a spiritual experience for you, you are making a huge mistake. You are your own authority. This is your natural birthright. Constitutions are meant to define the rights of the governments not you. The bill of rights is designed to restrict our rights, not grant them.
The internet is the greatest library humanity has ever had, we should use it to free ourselves thought continuing self education
We call the seven headed monster the 666 Multimedia Beast and it is now online and interactive. This same beast can be turned into the Seven Colored Rainbow and can be used as a bridge to free our minds from the shackles of history. The beast is the news, radio, talk show,  and entertainment industry. The beast is the University system and religious institutions, the beast is the banking system, business and government structure. The beast is the Military Industrial Complex in all its glory and forms.
A Real Stockholm Syndrome indeed!
Want to bet this contract is standard practice?
The images of the celebrities are very controlled and highly manipulated. There are layers of illusion woven with some small doses of  truth and this creates the biography and persona of the so-called film, television, news, pop, music or other sort of celebrity "Star".
We are supposed to look up to those people as successful examples of human beings. We are supposed to emulate their behavior. We must avoid this sort of idolatry. We must learn to ignore the messenger and learn to appreciate reading the message.
We think we know who the famous people really are, but we only know what we are shown and told. We know nothing about these people and their real lives. We only know the propaganda or public relations noise.
We can not be sure we know who is who.
"Real World" Contracts
“When signing the contract, cast members also agree that producers can humiliate them, portray them “in a false light,” and even hire “actors who may or may not resemble” them to achieve whatever ends they’d like. So, even if you’re a saint, they can make you look like the devil. MTV also gets blanket rights to all contestants’ experiences “which occur, will occur, or have occurred at any time… (my ‘Life Story’).” That means if you tell the producers a story that happened in your past, they can work it in any way they want. It sounds like something straight out of an Orwellian novel.”
This is A Song About Colors
The 666 Multimedia Beast Just Loves Colors! Oil Paintings, bright colored mosaics, color posters and color photographs, colored costumed, colored wigs and colored robes, colored foods and wine. Color film and color television and the trillions of colors of digital video and high frame rate video games. Huge colors type proclaiming colorfully worded headlines.
There’s good reason why colors are so important to the costuming of the Royals. There’s good reason why tie dyes never go out of style and rainbows and led screens are so amazing to look at.
Human beings love looking at colorful objects.
Of all our senses, the sense of sight is the most overlooked as our primary means of interacting with our environment. The sense of sight is also the means of our mental imprisonment. The visual medium is the medium of the social control system. This is why the Yellow Journal Blueprint emphasizes the use of colorful imagery, The original Wizard of Oz film is famous for starting off in black and white and then going full color, and then back to black and white at the end, much like the song Stairway to Heaven would go from acoustic to electric and back to acoustic again. A form of the Hobbit’s “There and Back Again”, or ‘Coming Full Circle”.
Of course we can use the same means of imprisonment to free ourselves. We can learn to see through the art that imprisons our minds. 
"Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.[3]
Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]
  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system."
Human beings love color so much that we tend to tattoo colorful imagery on our bodies, wear colorful makeup and clothing. Some of us color our hair in rainbow shades of fun. And there’s nothing wrong with any of this. We enjoy looking at the natural world of flowers and tress and colorful birds and all sorts of wonderful sun rises and sun sets. Our natural world is filled with incredible beauty and we are fortunate enough to possess the sense of sight.
What most of us might not realize is how important and overlooked is the power of sight to effect our own behavior. We monkey or copy the behavior of those we see. We tend to dress like those we admire, or at least we are encouraged to adopt visual patterns of behavior of the celebrities who are sold to us as representatives of our culture. Images that are presented in color are more powerful than black and white imagery. The moving image, silent and in black and white is a clever trick. The full color image with stereo sound is a magical social control mechanism.
The study of color psychology is something worth looking into. The thing is the use of color goes back to the origins of civilization itself. Color psychology is as old as the art of dying fabric, or similar art. Human psychology (in general) originates with the origins of civilization. 
Color psychology is the study of hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colors can also enhance the effectiveness of placebos. For example, red or orange pills are generally used as stimulants. Color can indeed influence a person; however, it is important to remember that these effects differ between people. Factors such as gender, age, and culture can influence how an individual perceives color. For example, males reported that red colored outfits made women seem more attractive, while women answered that the color of a male's outfit did not affect his attractiveness.
Color psychology is also widely used in marketing and branding. Many marketers see color as an important part of marketing because color can be used to influence consumers' emotions and perceptions of goods and services. Companies also use color when deciding on brand logos. These logos seem to attract more customers when the color of the brand logo matches the personality of the goods or services, such as the color pink being heavily used on Victoria's Secret branding. However, colors are not only important for logos and products, but also for window displays in stores. Research shows that warm colors tended to attract spontaneous purchasers, despite cooler colors being more favorable.”
“Perceptions not obviously related to color, such as the palatability of food, may in fact be partially determined by color. Not only the color of the food itself but also that of everything in the eater's field of vision can affect this. (Alcaide, J. et al., 2012). Josef Albers' role in the understanding of color perception was through his research of how colors interact with each other. He also studied the optical illusions of color and how different hues looked the same. This was during his tenure at Yale University.”
“The color of placebo pills is reported to be a factor in their effectiveness, with "hot-colored" pills working better as stimulants and "cool-colored" pills working better as depressants. This relationship is believed to be a consequence of the patient's expectations and not a direct effect of the color itself.[2] Consequently, these effects appear to be culture-dependent.”
“Color has long been used to create feelings of coziness or spaciousness. However, how people are affected by different color stimuli varies from person to person.
Blue is the top choice for 35% of Americans, followed by green (16%), purple (10%) and red (9%).[8]
A preference for blue and green may be due to a preference for certain habitats that were beneficial in the ancestral environment as explained in the evolutionary aesthetics article.[9]
There is evidence that color preference may depend on ambient temperature. People who are cold prefer warm colors like red and yellow while people who are hot prefer cool colors like blue and green.[10]
Some research has concluded that women and men respectively prefer "warm" and "cool" colors.[10]
A few studies have shown that cultural background has a strong influence on color preference. These studies have shown that people from the same region regardless of race will have the same color preferences. Also, one region may have different preferences than another region (i.e., a different country or a different area of the same country), regardless of race.[10]
Children's preferences for colors they find to be pleasant and comforting can be changed and can vary, while adult color preference is usually non-malleable.[10]
Some studies find that color can affect mood. However, these studies do not agree on precisely which moods are brought out by which colors.[10]
A study by psychologist Andrew J. Elliot tested to see if the color of a person's clothing could make them appear more sexually appealing. He found that to men, women dressed in the color red were significantly more likely to attract romantic attention than women in any other color. However, for women, the color of one's shirt made no difference in their level of attractiveness.[11]
Despite cross-cultural differences regarding what different colors meant there were cross-cultural similarities regarding what emotional states people associated with different colors in one study. For example, the color red was perceived as strong and active.”
THE EYE
"There is no way of acquiring knowledge except through the eye.  What is the foundation of all philosophical systems of ancient and modern times, in fact, of all the philosophy of men?  I am I think; I think, therefore I am.  But how could I think and how would I know that I exist, if I had not the eye?  For knowledge involve.; consciousness; consciousness involves ideas, conceptions; conceptions involve pictures or images, and images the sense of vision, and therefore the organ of sight.  But how about blind men, will be asked?  Yes, a blind man may depict in magnificent poems, forms and scenes from real life, from a world he physically does not see.  A blind man may touch the keys of an instrument with unerring precision, may model the fastest boat, may discover and invent, calculate and construct, may do still greater wonders—but all the blind men who have done such thinks have descended from those who had seeing eyes.”
“Now what prompts us all to voluntary motions and actions of any kind?  Again the eye.  If I am conscious of the motion, I must have an idea or conception, that is, an image, therefore the eye.  If I am not precisely conscious of the motion, it is, because the images are vague or indistinct, being blurred by the superimposition of many.  “
“I have made the preceding statements at the peril of treading upon metaphysical ground; in my desire to introduce the subject of this lecture in a manner not altogether uninteresting, I may hope, to an audience such as I have the honor to address.  But now, then, returning to the subject, this divine organ of sight, this indispensable instrument for thought and all intellectual enjoyment, which lays open to us the marvels of this universe, through which we have acquired what knowledge we possess, and which prompts us to, and controls, all our physical and mental activity.  By what is it affected?  By light! What is light?"
Art can imprison & Art can free the human mind
Art has been used for centuries to deceive the collective mind of humanity. Art has been used to bind the imagination and not free it.
The same myths and legends of so-called history are re-imagined today for our modern culture. This is why we can spot so many  obvious astro-theological, astrological, Greco-Roman, Celtic (et al)  and Biblical references in pop culture.
Our entire culture is more fabricated than most may know. We think we know who the people we see on the various screens are. We think we know who the celebrities and journalists and politicians are, but in reality we do not. We only know what the 666 Yellow Journal Multimedia beast wants us to know. Screens are meant to filter and hide reality. Occult means hidden and apocalypse means revelation or a revealing.
These idols sign away their images. likeness, voices and performances as well as their biographies to the beast. What we think we know of their lives is likely not true, or highly filtered through a public relations noise machine.
There is good reason to avoid worshipping idols, stars and celebrity. Ideas matter, not the details of a biography. The message is important, not the messenger.
In this article, a work of art itself, we are attempting to use some of the commissioned work of the 666 Multimedia Beast and it's narratives for furthering our own agenda of trying to make the unaware among us aware.
We are attempting to use the works of the commissioned commercial art in a somewhat metaphorical  way. Art is the language of metaphor and here is our attempt at "speaking in art".
We seek to grow awareness and imagination among our human kind and not to diminish it. We think there is a lot of great art in this culture and if we could make more of us aware of the fakery that is the news media, we could free ourselves from these cultural and cartoonish chains. If we could just get rid of the fake news, the fake wars, the fake disease, all the work of the fake four horsemen of nonsense, we could be free to be ourselves and enjoy life, to sing and dance and listen to the 'echoes of laughter in the forest'. In other words we can free ourselves from the toxic and empty culture prison we call modern society and we can simply enjoy being alive in this world  that is paradise.
Just turn on the news and you will see the yellow journal  beast, or put on any talk show or pick up a news paper or turn on the radio. The yellow journal beast is there. The DJs work for the beast. The journalists work for it, and so do most of us. We do its bidding whether we know it or not, more often than not. Reality television and the rest of the University and think tank inspired nonsense is a mind virus that is retarding the development of our species.
We seek to cure this virus with the fire of the imagination of the freed human mind.
The 666 Multimedia Beast Screens The Truth From Us
In this interview Robert Plant explains a bit about what it is like from the perspective of the so-called celebrity. We must keep in mind that this article is an artifact of the 666 multimedia beast itself and it itself is highly filtered and edited.
Robert Plant could tell the interviewer that wars are fake and we’d never read it in print nor hear about it t all.
We think we've had enough of the childish worship of idols. This is the stuff of yellow journalism and also the stuff of religion. Religions have been historically used to control our imaginations.
Now the all powerful electronic world wide multimedia beast has taken that role over and this new social control system is more powerful than any of the old. The multimedia beast is about to win the proverbial game.
Robert Plant took a Proper Gander at American Life when he lived among us.
Was he some kind of hidden Royal Plant?
Witness how cultural manipulation works: Myth and reality collide right in front of our eyes!
There's that line in 'Turn It Up' where you sing, "I'm stuck inside America/It's turning me inside out". Was that homesickness?
RP: You could say that but it's true. I was suddenly finding myself to be the kind of guy that you see in a magazine and that's how everybody greeted me. I'm not used to that because I live among people that I've known forever. I have a place and it's not an elevated place here on the island of the blessed. The thing is, I know where I belong but I was moving through the spheres with no particular impetus. Every time I stopped the car in Texas to get gas I was faced with that old guy that I didn't even remember. It's not about being the cute guy with no shirt on the cover of Hit Parader; you just become in tune with yourself where you sit and stand with your contemporaries. 
In the theatre of music we all need cross-pollination and it was really weird to find that I was viewed as so many different people by so many different people. You know, I was with Alison Krauss at an airport even though I wasn't; people would say, 'Where's Alison?' or 'What happened to that guy from the 70s?' and all I was doing was driving down to Clarksdale. It was a continuous condition wherever I went and whatever I did. Of course, I like to think that I'm Planty in the street and I know that I am and I know that I'm not. The only reason that I know that I'm not is because I stuck my head out too far and I wouldn't take it back in. I could've had my moment in the sun and then got stuck into running a chip shop in Gloucester or somewhere like that.
Defeat Shall Not Alter…the Rainbow…
Joseph Campbell explain why the NEWS and Wars are all Fake!
It’s intentional theater. Please watch this short video clip.
This will help us to understand how our society really works.
It’s time to get up and fight to become adults. Men and women all have to make this transition from a childish state to an adult one. We all have to do this in order to allow our culture to progress. Our evolution has been literally retarded by the social control system. This must end. Please watch this clip and pay attention:
Please Watch This - Joseph Campbell explains the origins of faking war and news and horror other stories. He explains why we have the myth of the proverbial Four Horsemen in the first place.
http://www.jcf.org Myth lets you know where you are across the ages of life - at 40 or at 80... This video is a brief excerpt from interviews filmed with Joseph Campbell shortly before his death in 1987, previously unreleased by the Joseph Campbell Foundation - http://www.jcf.org
"BILL MOYERS: You’re saying that the environment shapes the story?
JOSEPH CAMPBELL: They respond to it. Do you see? But we have a tradition that comes from the first millennium B.C. somewhere else, and we’re handling that. It has not turned over and assimilated the qualities of our culture, and the new things that are possible, and the new vision of the universe. It must be kept alive. The only people that can keep it alive are artists of one kind or another.
BILL MOYERS: Artists?
JOSEPH CAMPBELL: That artist is…his function is the mythologization of the environment and the world.
BILL MOYERS:: Artists being the poet, the musician, the author, writer.
JOSEPH CAMPBELL: Exactly, yes. I think we’ve had a couple of greats in the recent times. I think of James Joyce as such a revealer of the mysteries of growing up and becoming a human being. And for me, he and Thomas Mann were my principal gurus, you might say, as I was trying to shape my own life. I think in the visual arts there were two men whose work seemed to me to handle mythological themes in a marvelous way, and one was Paul Klee, and the other Picasso. These two men really knew what they were doing all the way, I think, and had a great versatility in their revelations.
BILL MOYERS: You mean, our artists are the mythmakers of our day?
JOSEPH CAMPBELL: The mythmakers in earlier days were the counterparts of our artists.
BILL MOYERS: They drew the paintings on the wall
JOSEPH CAMPBELL: Yes.
BILL MOYERS: —they performed the rituals.
JOSEPH CAMPBELL: There’s an old romantic idea, in German, das Volktische. That’s that the poetry of the traditional cultures and the ideas come out of the folk. They do not; they come out of an elite experience, the experience of people, particularly gifted, whose ears are open to the song of the universe. And they speak to the folk and there is an answer from the folk which is then received, there’s an interaction, but the first impulse comes from above, not from below, in the shaping of folk traditions."
"JOSEPH CAMPBELL: God is an intelligible sphere, let’s say a sphere known to the mind, not to the senses, whose center is everywhere and circumference nowhere. And the center, Bill, is right where you’re sitting, and the other one is right where I’m sitting. And each of us is a manifestation of that mystery."
An interesting Q&A with Alan Watts.
We are focusing on his quote regarding the nature of Jesus Christ. The rest of the lecture is worth listening to as well. We recommend doing so at a later time.
"Let this mind be in you, which was also in Christ Jesus:
Who, being in the form of God, thought it not robbery to be equal with God:
But made himself of no reputation, and took upon him the form of a servant, and was made in the likeness of men:
And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross."
Art can imprison & Art can free the human mind
Please excuse any typos - spell check is evil. We will correct them as we find them. Thank you- AAMorris staff
Art has been used for centuries to deceive the collective mind of humanity. Art has been used to bind the imagination and not free it.
The same myths and legends of so-called history are re-imagined today for our modern culture. This is why we can spot so many  obvious astro-theological, astrological, Greco-Roman, Celtic (et al)  and Biblical references in pop culture. 

The basic blueprint and inspiration for the scripts for all the many layers of our culture are derived from classical sources like the Tarot cards, Fairy Tales, myths, science fiction and fantasy and other pulp publishing sources, like romance novels and comic strips..  The stuff of culture - from the myth of Royalty to the Myth of Religion to the Myth of Government and all the rest - is all the stuff of Yellow Journalism. This isn’t about any kind of real magical powers, this is about creating false perceptions of reality and is the work of the illusionist or stage magician rather than the work of the investigator of real Nature. Any real engineering is put in the service of crafting illusions and mythological culture.

Our entire culture is more fabricated than most may know. We think we know who the people we see on the various screens are. We think we know who the celebrities and journalists and politicians are, but in reality we do not. We only know what the 666 Yellow Journal Multimedia beast wants us to know. Screens are meant to filter and hide reality. Occult means hidden and apocalypse means revelation or a revealing.
These idols sign away their images. likeness, voices and performances as well as their biographies to the beast. What we think we know of their lives is likely not true, or highly filtered through a public relations noise machine.
We seek to cure this virus with the fire of the imagination of the freed human mind.
PLEASE LISTEN TO THIS SHORT INSIGHTFUL CLIP
Lord of The Banking Rings
"For publication, the book was divided into three volumes: The Fellowship of the Ring (Books I and II), The Two Towers (Books III and IV), and The Return of the King (Books V and VI plus six appendices). This was due largely to post-war paper shortages, as well as being a way to keep down the price of the book. Delays in producing appendices, maps and especially an index led to the volumes being published later than originally hoped — on 29 July 1954, on 11 November 1954 and on 20 October 1955 respectively in the United Kingdom, and slightly later in the United States. The Return of the King was especially delayed. Tolkien did not like the title The Return of the King, believing it gave away too much of the storyline. Nor, moreover, was he happy with the title The Two Towers, as he felt that books III and IV were not really related, and as such the eponymous towers could be either Orthanc and Barad-dûr, or Minas Tirith and Barad-dûr, or Orthanc and Cirith Ungol. Tolkien was, in fact, opposed from the outset to titles being given to each volume, preferring instead the use of the book titles: i.e. The Lord of the Rings: Vol. 1, The Ring Sets Out and The Ring Goes South; Vol. 2, The Treason of Isengard and The Ring Goes East; Vol. 3, The War of the Ring and The End of the Third Age. However, due to pressure from his publishers, Tolkien considered the titles: Vol. 1, The Shadow Grows; Vol. 2, The Ring in the Shadow; Vol. 3, The War of the Ring or The Return of the King."
According to the narrative, Tolkien did not name his famous trilogy. The publishers did. Here we can see the possibility that the titles of these books were picked on purpose.
The Fellowship of The Rings Corresponds nicely to the British Banking Rings: see https://en.wikipedia.org/wiki/Tragedy_and_Hope
The Two Towers would seem to represent the two banks or sides of the Atlantic, meaning the literal British banking power that controls the New and Old World. The tower is an architectural metaphor of this Global Mafia Ring's Banking Enterprise. The same towers are supposed to fall if Nature 'wins' the day. These Towers represent the power of the banking industry and Royalty over the minds of humanity. This is the primary tool of our mental enslavement. Money is used to control us all. 9/11 was shooing us that the Two Towers were really one.  Now A single so-called "Freedom" tower stands in the place of the Twin Towers. This is a symbol of slavery not freedom.
The Return of The King would seem to be a hopeful and wishful fantasy. The banking crime ring gets destroyed and the true King of the World is revealed to be someone who was overlooked and who spent a lot of time in the real & true World of Nature. Strider becomes The High King of the World. He is of elven (elfin or fairy or Sith) and human descent. The real king replaces the fake ruler of the world.
Simple Sorcery & Cultural Crafting by Master Masons
Augmented reality is not new. It is not 'news'.
Someone has to script the fake wars and news events.
Authors like C.S. Lewis, J.R.R. Tolkien, Kurt Vonnegut and so many others have a biography that reads the same. These artists all found themselves in combat of one kind or another. It seems pretty clear to us that these men actually authored such stories and were in fact seated in front of typewriters quite safe from any harm they were imagining and crafting.
Someone has to write the yellow journal nonsense we call history and science, after all. These authors usually have connections with Universities or large corporations. We can see how the control system works. These authors are the cultural crafters and were employed like many today, by the system, as yellow journal minions tasked with keeping us scared and thinking we need the protection of the criminal rackets we call government. This is a subject for future research and articles, but it is clear that many of the Hollywood and publishing authors and other such figures have a background and connection to the crafting of fabricated so-called ‘historical events’ or mythology.
You could say I lost my faith in science and progress
You could say I lost my belief in the holy church
You could say I lost my sense of direction
You could say all of this and worse but
If I ever lose my faith in you
There'd be nothing left for me to do
Some would say I was a lost man in a lost world
You could say I lost my faith in the people on TV
You could say I'd lost my belief in our politicians
They all seemed like game show hosts to me
If I ever lose my faith in you
There'd be nothing left for me to do
I could be lost inside their lies without a trace
But every time I close my eyes I see your face
I never saw no miracle of science
That didn't go from a blessing to a curse
I never saw no military solution
That didn't always end up as something worse but
Let me say this first
If I ever lose my faith in you
There'd be nothing left for me to do
Songwriters: Gordon Sumner
Sting sings about losing faith and only having faith in his love. All good song writers know that they are really singing to us the audience. And they do seem to actually care about their fellow humans despite what the multimedia beast would have us believe.
The good lie is based in reality.
Many of these artists seem to hint at the truth with their work, and some are more blunt than others about expressing  the truth.
Artists are us . We are all human and the successful artist knows this. If artists were not sensitive to the human condition, they'd be unable to communicate so effectively. Sting is singing that he has faith in his audience - us. He is also telling us that we are foolish to believe the shadows we see on the screens. He would know, there's stuff on those screens about him that isn't true. He signed on Satan's dotted line a long time ago and he might not have realized the extent of the con when he did. Even if he did, it really does not matter, the truth has a way of coming out in the end.
Please keep in mind we are not advocating worshipping stars as leaders.
We do not believe in stars and following them and modeling our behavior on theirs.
We've had enough of that nonsense and so have they. Forget the messenger and experience the message.
We shall learn to believe in ourselves. Each of us becomes our own Authority as it is meant to be.
Music video by Sting performing If I Ever Lose My Faith In You. (C) 1993 A&M Records
'16: The YEAR OF THE TRUMP Card PRESIDENCY
"Some would say I was a lost man in a lost world
You could say I lost my faith in the people on TV
You could say I'd lost my belief in our politicians
They all seemed like game show hosts to me
"
Royal Houses of Cards are illusions that we are to Believe are Holy & Naturally Justified, of course they are not:
THE HOUSES OF THE HOLY ALBUM ART - We are the Children Who Are Beginning to under-‘Stand’. We are the Minds That Shall Awaken.
We can see seal or dolphin like/mermaid like children who emerge from the “Ocean” and then walk upright like human beings. A second birth or rebirth is indicated by the symbols and as we know, these symbols refer to us. This refers to our consciousness being transformed when we become aware or awaken to our situation as having been confused and tricked into believing that a series of illusions and Platonic shadows and word play are real when they clearly are not.  When we realize we are not our names nor social security number nor debt. Our true identities as manifestations of the great mystery we call Nature or God or Divinity or even the “Ocean’. The mass audience is the Ocean. The song the Ocean refers to us the audience and also to the life sustaining and life giving Oceans of the Natural world. Life needs water to exist. The waters of life not only sustain us but are what we are made of. Life is born from moisture and so are we. The cycle of life relies on the cycle of water evaporation and condensation. This basic pulse or breath is the actual breathing of Mother Earth. Wake Up To Find Out We are the Eyes of the World. The whale song is the legendary call of the seas and song of life.
Are We Part of A Penned In Breads & Circus Side Show Seal Act or Are We Free Human Beings With Minds of Our Own, Who Need No Authority to Tell Us How To Behave?
A pile of artificially manipulated Rocks, rise like the crafted work of the famed stone masons out of the proverbial ocean or sea. The Millennium Falcon, brings Rey to this Lost planet of the Jedi. Luke Skywalker is to be found here in Nature and like the children in the Houses of Holy art, Rey must climb the mountain or ‘Stairway to Heaven’. To reach Luke, her “guru” or “God Father” (Good Father).
The falcon is the bird of the Sun God of course. And Rey’s name reminds us of ‘ray of light’ or “ Ra’s arrow” or a Sun beam. Luke is a biblical reference but it also means ‘light’. ‘Skywalker’ refers us to the heavenly bodies and signifies Luke as the Sun or some other celestial body that acts as a kind of “Star Guide”. We are not to take Mark Hamill’s performance as Luke literally. The actor is a fine performer and artist, but he himself is like the rest of us, just human and part of this Natural World. We should not follow the behavior of others but look to the meaning of the stories and fables and myths. The celebrities themselves do not matter. Their performances and the illusions they create are for entertainment and may be metaphorical and poetic but must never be taken literally.
Warner Bros. Produced for HBO -  Literal Predictive Programming From 1981 with F for Faker himself, Orson Welles 
Orson Welles hosts this 1981 Nostradamus documentary, complete with re-enactments of historic events and dramatizations of things that may or may not happen in the future. 
The Man Who Saw Tomorrow
This is a great example of how cartoonish our culture actually is. Orson Welles was a well known faker. Here he is in 1981 once again fooling with an audience that really should have known better. Most adults probably did, but not the younger among us, who saw the horrible images of fake Middle East terrorist types and New York City getting nuked on TV. We can't help but think this imagery influenced the script writers who scripted the 9/11 event. This is an example of the yellow journalistic nature of the only media we have ever known. Most of us take the mainstream media for granted and do not see it is designed to be deceptive. In 1991 during the first Persian Gulf War, NBC remade and aired a new version of this nonsense narrated by the actor who played Moses himself, Charlton Heston.
"On February 20, 1991, during the Gulf WarNBC aired a remake of this film, hosted and narrated by Charlton Heston. Much of the same footage, voice acting, and musical score was retained from the original movie. Much of Heston's narration constituted a verbatim reprise of Welles' original presentation. "
Were the writers who scripted 9/11 inspired by this bit of obvious yellow journalism nonsense and fear propaganda?
Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.[3]
Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]
  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system.
Can't Have Too Many Layers of Fakery And  Yellow Journalism Nonsense.
Fake Wars and Fake Prophecies Fill The Airwaves 
Creating The Illusion We Need Federal & State Government

This illusion reinforces the idea that we must use our wages to pay for it all and we remain wage slaves as the elite party it up!

White House Correspondents' Dinner
As the yearly event known as the "White House Correspondents' Dinner" shows us, the elected officials, the news media and the so-called Hollywood stars, all co-mingle and party as one collective unit. All supposed political divisions are reveled as the illusion they are. And even the imagined pretense of the independent press is dropped to allow us to glimpse the truth, that all these people read from tele-prompters and follow the orders written in the scripts.
We now know Hollywood, the news media, the military, & the government are one. The United States is a corporation and nothing more, and State Governments are no different. They work for the elite aristocracy and their banking industry minions and not for us.
We know these higher level elections are rigged. Not that any of it matters, government is meant to control us, not represent us. It is a crime and racket and needs to go. State and Federal Governments shall be ignored in a sane and rationale world. They can be replaced with simple bureaucracies that serve humanity.

"Joseph Campbell and the three temptations in Bardo

Geplaatst door borsky op 18:48 Labels: Maybe Logic
In "The power of Myth" audiobook, Bill Moyers inteviews Joseph Campbell.
One fragment seemed very significant to me since it literally links to an important series of lessons in Kabbalah.

1. The personal Apocalyps.
One of the main lessons I got in my Kaballah lessons dealt with fear and death, or fear of death. The concept of world-wide Apocalypse as described in the book of Revelations can come in handy to try to visualize the idea of individualized fears if you consider a personal apocalypse.
My teacher meant by this expression the moment of passage from one plane of existance to another, either during lifetime or after decease. He saw a difference between the act of "deceasing" which describes the soul leaving the body and rigor mortis setting in, and the act of "dying", or as mentioned in the bible, "dying on the cross", which describes the necessary qualities for consciousness to reach out above the earthly plane. Which could happen during lifetime for a very few (the adepts: christ, buddha etc.). The essential qualities to obtain this consciousness upheaval are threefold:
First you have accept to leave your costume - which means your physical body, the costume you're wearing on the stage of life. Well we're all going to, so it may as well be a choice we make. Trouble is both pleasure and pain chain us to our physical body (Malkuth). My teacher considered that ghosts are souls who don't want to realize their physical self is gone and have to dwell around waiting for reincarnation (or the insight that they have left the stage).
Secondly you need to let go your ego (Yesod). This seems the most frightening part of "dying": you need to realize (= make real) that absolutely everything you thought you were, the idea you have of yourself, every quality, shortcoming, aspect of your character was just that: a character you played on the stage. A role. Which you once learned, performed, and now the curtain's down you have to leave forever. You are not who you think you are. My teacher used to show strange slides during his lessons and the slide accompanying this aspect of death was the scary, absolutely terrified face a woman screaming (I guess something from a Romero or Argento movie). Unchaining the dragon seems the most frightening experience in - or out of - a lifetime. It also points at accepting to become part of a greater entity (I'm not speaking of the Elohim on this relatively low level on Jacob's ladder), to dissolve the individual.
- Finally the most difficult bit is rather vague: you need to be prepared; both in the meaning as "to be drilled" in order to cope with it."

2. Transcript of "the Hero's Adventure" part 4
The Buddha figure is like that of the Christ, of course 500 years earlier. You could match those 2 traditions right down the line, even to the characters of their apostles or their monks. Now there's a perfectly good hero deed formula represented here.
And he (Christ, B.) undergoes three temptations: the economic temptation, where the devil says "you look hungry young man, change the stones to bread". Jesus said "Man lives not by bread alone but every word from the mouth of god". Next we have the political temptation. He's taken to the top of a mountain and shown the nations of the world, and (Satan, B.) says "You can come to control all of these if you bow to me". And then, "Well, you're so spiritual, let's go up to the top of Herod's temple and see you cast yourself down, and god will bear you up and you even won't be bruised". So he (Christ, B.) "You shall not tempt the lord". These are the three temptations of Christ in the desert.
The Buddha also goes into the forest, has conferences with the leading gurus of the day and goes past them. He comes to thetree of illumination and goes through three temptations. They're not the same temptations but they are three temptations. And one is that of lust, another that of fear and another is that of duty, doing what you're told.
And then both of these men come back."
The Three Temptations Represent The Chains of The 666 Yellow Journalism MultimediaBeast.
We have the monetary and political systems of chains, and then when we begin to realize the lie of history and we have the flash of insight, one last trap waits for us, we may confuse our identity as an incarnation of nature, or a child of this world, with the source of it all. We are not literally Jesus, or Buddha, these are yellow journal metaphors, cartoons, designed to refer us to a very real natural experience of our real selves. The ‘elf’ in ‘self’. This last temptation represents the effect of nonsensical yellow journal pseudoscience reasoning, like today’s myth about the (fake) speed of light.
Please Note - The link above is from a website that is authored by someone whose opinions we do not personally agree with. We linked for the Joseph Campbell quote alone.
Joseph Campbell explains how to hold our own center in spite of the society we live in. He explains how we can try to live meaningful and real lives in a world of shadow and illusion. ( these are our words not his )
Joseph Campbell talks about saving ourselves and in doing so we start to save the world.
He explains we should follow our own path as human beings and not to copy and parrot others.
Revelation 1:12-18 (KJV)
And I turned to see the voice that spake with me. And being turned, I saw seven golden candlesticks; And in the midst of the seven candlesticks one like unto the Son of man, clothed with a garment down to the foot, and girt about the paps with a golden girdle. His head and his hairs were white like wool, as white as snow; and his eyes were as a flame of fire; And his feet like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters. And he had in his right hand seven stars: and out of his mouth went a sharp twoedged sword: and his countenance was as the sun shineth in his strength. And when I saw him, I fell at his feet as dead. And he laid his right hand upon me, saying unto me, Fear not; I am the first and the last: I am he that liveth, and was dead; and, behold, I am alive for evermore, Amen; and have the keys of hell and of death.

This describes an artist. The seven candles represent the seven colors of the rainbow.

The seven stars around the right hand mean he is manipulating the seven tones or colors of the rainbow (or musical notes).

The seven headed beast represents Art for social control and domination.

This is how art has been abused throughout what we call history. 

This artist at the end of the world - will appear in or from behind a rainbow. Perhaps with one in some way.

The world that will end is this artificial prison we call home.

That will be reveled to us is simply the natural world we have been overlooking as we watched shadows on the road.

The sword from the mouth indicates either speech or singing. We know the news casters and politicians and prime minsters and kings are not to be trusted. Their tongues are silver- as in slivered or reptialian.

So who can we listen to?

None of those so-called guardians can or will free any of us from our bondage.

Where can we turn to for inspiration?
The two edged sword are the words that have double meaning. "Sometimes Words Have Two Meanings". 
Maybe as we wind on down the road,
we shall stop and turn around and
take a good Proper Gander at the source of the shadows
that we've foolishly been following our entire lives.
Matthew 10:34.

"Do not think that I came to bring peace on earth. I did not come to bring peace but a sword. For I have come to 'set a man against his father, a daughter against her mother, and a daughter-in-law against her mother-in-law; and 'a man's enemies will be those of his own household.'

Sword or ’S - Word’ Sword or Swear?
sword (n.) Look up sword at Dictionary.com
Old English sweord, swyrd (West Saxon), sword (Northumbrian) "sword," from Proto-Germanic *swerdam (source also of Old Saxon, Old Frisian swerd, Old Norse sverð, Swedish svärd, Middle Dutch swaert, Dutch zwaard, Old High German swert, German Schwert "a sword"), related to Old High German sweran "to hurt," from *swertha-, literally "the cutting weapon," from PIE root *swer- (3) "to cut, pierce." 
Contrast with plowshare is from the Old Testament (Isaiah ii.4, Micah iv.3). Phrase put (originally do) to the sword "kill, slaughter" is recorded from mid-14c. An older Germanic word for it is in Old Saxon heoru, Gothic hairus "a sword."
http://www.etymonline.com/index.php?term=sword
Old English swerian "take an oath" (class VI strong verb; past tense swor, past participle sworen), from Proto-Germanic *swarjan-, (source also of Old Saxon swerian, Old Frisian swera, Old Norse sverja, Danish sverge, Middle Dutch swaren, Old High German swerien, German schwören, Gothic swaren "to swear"), from PIE root *swer- (1) "to speak, talk, say" (source also of Old Church Slavonic svara "quarrel," Oscan sverrunei "to the speaker").

Also related to the second element in answer. The secondary sense of "use bad language" (early 15c.) developed from the notion of "invoke sacred names." Swear off "desist as with a vow" is from 1898. Swear in "install in office by administration of an oath" is from 1700 in modern use, echoing Old English.
word (n.) Look up word at Dictionary.com
Old English word "speech, talk, utterance, sentence, statement, news, report, word," from Proto-Germanic *wurdan (source also of Old Saxon, Old Frisian word, Dutch woord, Old High German, German wort, Old Norse orð, Gothic waurd), from PIE *were- (3) "speak, say" (see verb). 
The meaning "promise" was in Old English, as was the theological sense. In the plural, the meaning "verbal altercation" (as in to have words with someone) dates from mid-15c. Word processor first recorded 1971; word processing is from 1972; word wrap is from 1977. A word to the wise is from Latin phrase verbum sapienti satis est "a word to the wise is enough." Word-for-word is late 14c. Word of mouth is recorded from 1550s.
It is dangerous to leave written that which is badly written. A chance word, upon paper, may destroy the world. Watch carefully and erase, while the power is still yours, I say to myself, for all that is put down, once it escapes, may rot its way into a thousand minds, the corn become a black smut, and all libraries, of necessity, be burned to the ground as a consequence. [William Carlos Williams, "Paterson"]
http://www.etymonline.com/index.php?allowed_in_frame=0&search=word
mid-13c., faithfeithfeifai "faithfulness to a trust or promise; loyalty to a person; honesty, truthfulness," from Anglo-French and Old French feidfoi "faith, belief, trust, confidence; pledge" (11c.), from Latin fides "trust, faith, confidence, reliance, credence, belief," from root of fidere "to trust," from PIE root *bheidh- "to trust" (source also of Greek pistis "faith, confidence, honesty;" see bid). For sense evolution, see belief. Accommodated to other English abstract nouns in -th (truthhealth, etc.).

From early 14c. as "assent of the mind to the truth of a statement for which there is incomplete evidence," especially "belief in religious matters" (matched with hope and charity). Since mid-14c. in reference to the Christian church or religion; from late 14c. in reference to any religious persuasion.
And faith is neither the submission of the reason, nor is it the acceptance, simply and absolutely upon testimony, of what reason cannot reach. Faith is: the being able to cleave to a power of goodness appealing to our higher and real self, not to our lower and apparent self. [Matthew Arnold, "Literature & Dogma," 1873]
From late 14c. as "confidence in a person or thing with reference to truthfulness or reliability," also "fidelity of one spouse to another." Also in Middle English "a sworn oath," hence its frequent use in Middle English oaths and asseverations (par ma fay, mid-13c.; bi my fay, c. 1300).
gold (n.) Look up gold at Dictionary.com
"precious metal noted for its color, luster, malleability, and freedom from rust or tarnish," Old English gold, from Proto-Germanic *ghl-to- (source also of Old Saxon, Old Frisian, Old High German gold, German Gold, Middle Dutch gout, Dutch goud, Old Norse gull, Danish guld, Gothic gulþ), from PIE root *ghel- (2) "to shine," with derivatives referring to bright materials, yellow colors, bile, and gold (compare Old Church Slavonic zlato, Russian zoloto, Sanskrit hiranyam, Old Persian daraniya-, Avestan zaranya- "gold;" see glass (n.)). Finnish kulta is from German; Hungarian izlot is from Slavic.
http://www.etymonline.com/index.php?term=gold&allowed_in_frame=0
"No One Else
Will Understand You,
No One At All."
Of all the products of the yellow journal multimedia beast, the one that gets into our heads the most is pop music. This is even more influential over our collective behavior than the trusted news talking heads and other talk show friends, and the pop song is arguably more influential than film and television. The lyrics are literally in our 'heads'. The song writing artists know that they sing to each of us and that when we listen to their recordings, we have that experience
Song writing involves the use of literal metaphor, words with multiple meaning and the knowledge that the song is really for the audience. The singer is not just singing to a lover, for example, the singer is also singing to you. When a singer sings "baby" the singer might not mean only a small child or term of endearment, but might mean something more. Context matters. We also think it very important for each of us to logically interpret things for ourselves. All we can do is state what we think and why we think it.
Doesn't 'Laughing Down Crying' Describe How We Feel When We Witness The Unaware Buy So Easily Into The Multimedia Concocted Illusions and Lies?
Touring artists have a different relationship with their audience. They share in the concert experience. The musicians and audience feed off of each other. The band's energy should be amplified and echoed by the audience, if everyone is having a good night. The touring artist might end up playing smaller venues, as well as larger ones. IN either case, these artists see the effects of their work on the audience first hand, and share in the experience of the work with them. These artists have no incentive to see their fellow humans enslaved. Hard working talented people do not need fixed and rigged playing fields to play on. The musical artist's relationship with the audience might explain why we hear so  many hints of the truth about our history and present situation in so many pop songs.
We must not forget too that all the actors and artists that are from our caste have family and friends who are pawns in this long con.
Even those from more elite backgrounds are still human and are capable of compassion for their fellow brothers and sisters.
"I've Never Know Anyone Like You"
Daryl Hall was born before the multimedia beast grew into the electrical and electronic beast many of us take for granted. He was a young man when he joined the traveling royal road show and we know he's been involved with high level stars at high level events like Live Aid. Hall and Oates were huge in the 1980's. The point is, these people live in a different world than the rest of us, not because of fame nor because of money, but because of the real treasure and 'gold'- knowledge. Many of these artists know how the 'sausage' is made and know it is mostly fake.
Laughing Down Crying
Our Reality Has Always Been 'Augmented'
The Revelation of The Social Experiment & The Control System:
Yellow Journalism is foundational to the social experiment and behavioral manipulation system we call home. These very basic techniques are all there is to the modern multimedia propaganda system. It is not that complicated. These people are not as smart nor as powerful as they enjoy claiming. Mythology with its fantastic and amazing flights of fancy is the source of modern journalistic practice more so than any might be inclined to realize.
The 666 Yellow Journal Beast is online and interactive.
The Yellow Journal Multimedia Beast used to be called religion. It is the medium of government. It is the medium for behavioral control. We copy and emulate what we see others do. The multimedia beast in all its various guises only amplifies this all too human habit and tendency. Government would not exist in the minds of most of us were it not for the fact that the fabricated  mythology which is nothing but empty yellow journalism, is  continuously reinforced by all the heads of the multimedia beast.
Pseudoscience and fake experts lurk around every proverbial corner of the multimedia maze. This includes the University system as well. Mathematics, modern cosmology, theoretical physics, and even medicine and history are subjects that have been long distorted and confused on purpose. If we were taught the truth about history, the crime that is the government racket would be over. We'd all know that we do not need the higher levels of government. We need simple bureaucracies. State and Federal Governments are systems of control that work for the Long Standing Global Royal Mafia Con. Most of us do not know we are wages slaves in a very controlled social experimental system. This used to be called managing the manor. Religion was a tool the nobility concocted when we the wage slaves started to become aware of the noble scam of faking threats in order to get us all to behave and continue working for the system while the rulers avoided any sort of labor. 
Religions are clearly an early form of controlled opposition. The nobles ran them from the top down. If the peasants mentally left the estate of the royalty, they were shepherd into another trap and prison, run be hid the scenes by the same people. This is how it all works.
The images of civilization that we are are sold and told are feats of humanity are not quite as innocent as presented. In other words these feats of architecture were not and never are commissioned for our benefit. These artifacts are crafted to trap us. These artifacts created the boundaries in our minds that restrict our own potential and behavior. These artifacts limit human imagination. However beautiful they are, these works are not meant to express freedom but are meant to be the walls of our collective prison. We are supposed to be impressed by the grandeur and power of those who claim to be our superiors. This is mean to keep us in line.
And yes these yellow minions should be assumed to exist online. Who do you think made the internet? The Military Industrial Complex relies on defense spending. This industry and government agencies associated with it, have incentive to continue the charade of weaponry that only exists on screens. Many blogs (including this one) and other seemingly amateur and not so amateur endeavors are suspect, as they should be.
The News and related media is designed to screen or hide the real world from us. Artists can sometimes sneak some reality into their work and often do. They make heavy use of metaphor and this can be hard to recognize for some.. Words can have two meanings and lyrics are meant to be meaningful not deconstructed babel nonsense. Poetry makes use of pun and play on words. It's that simple. Visual art does the same with medium meant to be consumed by eyes. 
Traditional newsreel voice overs and radio disc jockey verbalizations become associated with authority. Broadcast vocal training is important. The news caster and DJ and now online personality's voice is their 'weapon'. We have been long conditioned to accept the authority of the trained broadcast vocalist. When we hear such obvious training in the voices of those online who claim to be amateurs, we have to wonder if that is really the case or if we are listening to a paid minion of the social control system we know as the 666 Multimedia beast.
This is why we choose to ignore worrying about the messenger and we focus on the message. The source does not matter. We then look further into the claim that was initially made. We ignore all appeals to any kind of authority and insist on taking a proper gander at the information for ourselves. If we let others tell us what to think, if we copy and mimic their attitudes, we do the work of the Royal Minion for them and we ourselves will remain unaware of our very real social economic slavery.
The problem we have with many media branded 'truthers' and so-called self labelled 'fake-ologists and hoax chasers' and other sorts of online and traditional news and talk show media figures, is not that they come across contrived, and a bit too slick and well produced to be as amateur as they claim, which is more often the case than not, the problem we have is the obvious intellectual dishonesty. Things like playing to the audience, which we can call pacing or neural linguistic programming,  and cherry picking data without explanation, are signs of a deceptive mind.  These tactics go back to the side show traveling snake oil salesmen and religious indoctrination techniques. "It's the same old song and dance my friend". The "Song Remains The Same". The modern journalist, talk show, radio and online persona is simply the latest incarnation of the snake oil salesman. 
"It's Smart in this life to get paid for what you enjoy." Alan Watts
Some of us are fortunate to make a living doing what we enjoy doing. We should all be able to have this same self actualizing experience. This is not about greed, but about enjoying our lives and being able to live in this world without being an economic slave or worrying about paying bills, credit cards, rent, taxes, mortgages and all the rest are the chains of our mental and literal slavery.
Currency doesn't quite work how most of us think. Money isn't real. It represents or work. Our monetary system is not designed to serve humanity and this is the problem. Having a convenient way of trading makes sense. Becoming slaves to that system does not.
Artists come from all walks of life of course. They themselves may or may not know how fake it all is. Some of them obviously do and they sing or otherwise communicate this information. Usually the message is cloaked in metaphor and we must remember words can have 'two' or multiple meaning.
A frog in boiling water is a great metaphor used to describe us the wage slave class. The frog can't tell the heat is getting turned up if we turn up the heat slow Is it bullfrog or a just BullSh@T? We know it's the latter.
Our World of Money: "Your World is in The Tadpole Stage My Friend."
Bobby Darin singing about Bull
Bobby Darin and a Bull Frog get stoned.
We now know the Holy Grail is also a Stone.
Bullfrog like a “Swan Song” can be taken to mean a “Roar before Croaking”.
"bovine male animal," from Old English bula "a bull, a steer," or Old Norse boli "bull," both from Proto-Germanic *bullon- (source also of Middle Dutch bulle, Dutch bul, German Bulle), perhaps from a Germanic verbal stem meaning "to roar," which survives in some German dialects and perhaps in the first element of boulder (q.v.). The other possibility [Watkins] is that the Germanic root is from PIE *bhln-, from root *bhel- (2) "to blow, inflate, swell" (see bole). 
An uncastrated male, reared for breeding, as opposed to a bullock or steer. Extended after 1610s to males of other large animals (elephant, alligator, whale, etc.). Stock market sense is from 1714 (see bear (n.)). Meaning "policeman" attested by 1859. Figurative phrase to take the bull by the horns first recorded 1711. To be a bull in a china shop, figurative of careless and inappropriate use of force, attested from 1812 and was the title of a popular humorous song in 1820s England. Bull-baiting attested from 1570s.
"papal edict," c. 1300, from Medieval Latin bulla "sealed document" (source of Old French bulle, Italian bulla), originally the word for the seal itself, from Latin bulla "round swelling, knob," said ultimately to be from Gaulish, from PIE *beu-, a root supposed to have formed words associated with swelling (source also of Lithuanian bule "buttocks," Middle Dutch puyl "bag," also possibly Latin bucca "cheek").
"push through roughly," 1884, from bull (n.1). Related: Bulledbulling.
"false talk, fraud," Middle English, apparently from Old French bole "deception, trick, scheming, intrigue," and perhaps connected to modern Icelandic bull "nonsense."
Old English frogga "frog," a diminutive of froscforscfrox "frog," a common Germanic word but with different formations that are difficult to explain (cognates: Old Norse froskr, Middle Dutch vorsc, German Frosch "frog"), probably literally "hopper," from PIE root *preu- "to hop" (source also of Sanskrit provate "hops," Russian prygat "to hop, jump"). Watkins calls the Old English -gga an "obscure expressive suffix." 
The Latin word for it (rana) is imitative of croaking. Also in Middle English as frokvroggefrugge, and with sometimes plural form froggen. Collateral Middle English forms frudefroud are from Old Norse frauðr "frog," and native alternative form frosk "frog" survived in English dialects into the 19c.
I always eat fricasseed frogs regretfully; they remind one so much of miniature human thighs, and make one feel cannibalistic and horrid .... [H. Ellen Brown, "A Girl's Wanderings in Hungary," 1896]
As a British derogatory term for "Frenchman," 1778 (short for frog-eater), but before that (1650s) it meant "Dutch" (from frog-land"marshy land," in reference to their country). To have a frog in the throat "be hoarse" is from 1892, from frog as a name for a lump or swelling in the mouth (1650s) or throat infections causing a croaking sound.
type of fastening for clothing, 1719, originally a belt loop for carrying a weapon, of unknown origin; perhaps from Portuguese froco, from Latin floccus "flock of wool."
also frog's march, 1871, a term that originated among London police and referred to their method of moving "a drunken or refractory prisoner" by carrying him face-down between four people, each holding a limb; the connection with frog (n.1) perhaps being the notion of going along belly-down. By the 1930s, the verb was used in reference to the much more efficient (but less frog-like) method of getting someone in an arm-behind-the-back hold and hustling him or her along. As a verb by 1884.
Money is a Means of Control
The problem with money is not as much about greed as it is about control. Interest rates and banking fees and taxes are taken for granted but they should be considered the most important thing we all talk about. We really need to get ourselves free from the chains of this cartoonish yellow journal cartoon inspired system.
Bobby Darin's "Protest" Album from 1968 or so. The album is titled - "Songs From Big Sur."
Big Sur of course is home to the Esalen Institute. People like Alan Watts and Joseph Campbell taught there. Alan Watts (not Alan Watt) is someone worth listening to. His lectures are insightful and we can see how what Alan Watts is talking about relates to what people like Bobby Darin are singing about, and this should come as no surprise. There are 'white hats' who have been part of the system. like we all are, and who have used that system to get messages to us, drip by drip, through the media filter that is designed to prevent this revelation.
"The Esalen Institute, commonly just called Esalen, is an American retreat center and intentional community in Big Sur, California (specifically the community of Slates Hot Springs), which focuses upon humanistic alternative education.[2] Esalen is a nonprofit organization devoted to activities such as personal growthmeditationmassageGestalt Practiceyogapsychologyecologyspirituality, and organic food.[3] The institute offers more than 500 public workshops a year in addition to conferences, research initiatives, residential work-study programs, and internships.[4]
Esalen was founded by Michael Murphy and Dick Price in 1962. Their goal was to explore work in the humanities and sciences in order to fully realize what Aldous Huxley had called the "human potentialities".[5] Through the years, Esalen became the center of practices and beliefs that make up the New Age movement, from Eastern religions/philosophy, to alternative medicine and mind-body interventions, to Gestalt Practice.."
The LEGO Movie Tells It Like It Is:
(please take note of the coincidental (Robert) 'Planty' - ‘A POPular band’ - reference - when the main Lego character is sitting on the couch watching the television at 1:19 or so).
No copyright infringement intended and I do not own the rights of these film/video. Please leave a like and enjoy :)
Like any good fable or myth, the Lego Movie tells us the truth, it shows us how the world is actually run, through playful metaphor. It also shows us how we can use the artificial and contrived art itself to free our imaginations and minds.
This is why all the cargo cult, yellow journal cartoon characters help the main character win in the end, and why the prophecy was/wasn't a lie.
The meaning of this narrative is to show us how art has trapped and divided us, and how it can be used to free us.
"Turning Men to Boys, Making New War Toys"
all for "Precious Loot"
"You Call This Living?"

Wars are Run By Little Boys Playing Dress Up With Toys
Wars and history are fake. See the article index and check out some of our work,to read why we make such a claim. Prime examples are things like the Ghost Army, The absurdity of the USO Tours, the building of Coca Cola bottling plants and the like. As well as all the documented instances where Hollywood and European film makers were caught faking documentary footage of war. Turns out most if not nearly all of what we think of as combat footage is nothing but Hollywood magic. Just look these things up on wikipedia or even Coca Cola’s own website. We must educate ourselves as to what the real history is. The military entertainment complex is Satan’s Kingdom. This is what the metaphor of Satan’s Kingdom means. Artists sign satanic lawyer written contracts that literally steal their images and souls. Their work is the used to conceal or occult the truth. The great revelation or apocalypse is that history is a lie.
A song about being enslaved by the artifacts of the social control economic system.
This isn't simply about greed. It is about centuries long behavioral control and the literal retarding of our collective mental evolution.
The elite Royals and their minions, through this inhuman and Satanic system of taxes, interest rates and so on, have kept us all enslaved in commercial chains for centuries with no end in sight.
In fact the future will bring even more control systems.
We need all the help we can get from anyone who wants to aid humanity. It is no exaggeration to claim that we are mentally enslaved to a system that seeks only to use us up and discard us when they are done with us. They will then do the same to our children.
The adults must lead the real revolution - which will be a mental one.
Our imaginations must be freed from this multimedia beastial cultural prison.
Maybe it's past time to put the screens and circular reasoned talking heads aside and to actually start spreading the word and being heard.
Mocking The Dying Blue Jay - 'A Defense Information School Failure' We All Know The News is Made of Lies
Wars are hoaxes. Police drills and other staged events are sold as news, but are not real. These are examples of the cartoon and immature thinking on the part of the witting or unwitting yellow journal minion. The meaning of Chicken Little and The Boy Who Cried Wolf is to realize you cannot trust those who continue to lie to you. Again the tactics of the minion is obvious. It is marked by obvious intellectual dishonesty. They pick and choose when they act logical and when they resort to repeating memes. This is part of the sleight of hand trick, it is simple university training, and it's obvious. The obvious truth is police drills were derived from the fake war footage and war drills. 9/11 reveals the blueprint. NORAD is a war-game. The military spends most of its time doing war-games and theater. The so-called news journalists and talk show hosts, radio DJs, online podcasters and bloggers and all the rest are designed to manipulate the "audience". This is the means of social control.
These techniques date back to the earliest days of religion. The word religion is derived from latin. It means ligament or chain. We must break our chains of economic servitude to an inhuman system. Government is the crime and literal racket.
What you might not know is that Government and the Military and the Banking industry and Hollywood are one and the same at the highest levels.
Event damage control is an industry, just consider the JFK scam and all the money made from conspiracy speculation, including the Olive Stone film. We really would have to be very ignorant of the way things work to pretend that there aren't agent provocateurs in all the media and now online. This isn't speculation or paranoia. These are facts. The modus operandi is clear
The media persona will act like a gatekeeper and do damage control, by picking and choosing what story they think is real. The more important the story, the more likely it is fake. When it comes to the military, the idea of war in Syria equates with making sure we keep paying our taxes. We must remain wage slaves, this gets less funny when you realize how long this scam has gone on and how our ancestors and ourselves have been very manipulated for a very long time. It's not funny how restricted our behavior is now, and how much more it is going to be restricted in the future. They treat us like rats in the proverbial maze with obvious sleight of hand tactics.
There's good reason not to trust those who attempt to pull the wool over your eyes.
YOUTUBE IS THE NEW MEDIUM FOR MILITARY PROPAGANDA & IS FILLED WITH SHILLS & Defense Information Specialists
The secret of the 2001; Space Odyssey is that outer space only exists on a film screen. NASA is just a 'public relations' exercise. These are the artifacts of literal yellow journalism. 
The online shills are obvious. They can be recognized by their actions. They will perpetually post the same stories over and over and never get anywhere with any of it. They might review an old B-film and point out a thing or two, amid a whole lot of cartoon nonsense. They might tell you about the new book they have coming out, they might ask you to subscribe to their online essays. They have to do damage control. This is how the so-called conspiracy genre was originated. 
Whether intentional or not, we act like the minions when we emulate their behavior. We end up gatekeeping ourselves and each other. We end up staying unaware instead of realizing the con.
Event damage control is an industry, just consider the JFK scam and all the money made from conspiracy speculation, including the Olive Stone film. We really would have to be very ignorant of the way things work to pretend that there aren't agent provocateurs online. This isn't speculation or paranoia. These are facts. The modus operandi is clear.
The internet is the obvious laboratory for this physiological psychological Disney Imiganeered social experiment. Childish cartoon reasoning brought to us by the makers of childish cartoons. Now we know why so may online personas act immature.
The NSA is a joke. Do not be afraid of overgrown children who like to play dress up and make believe.
The oldest trick in the book is to get us to not even bother trying to change anything. We are to continue to really believe we are powerless in the face of overwhelming odds and that there are no decent people among the so-called elite who would care to help their fellow humans out. This is another example of the old tried and true technique of divide and conquer that has worked so well for centuries.
These techniques of public manipulation are derived form the rituals and relics of religious practice. Instead of religion linking us back to our source, the natural world, we've been historically encouraged to follow a leader or guru or priest of some kind. We have been conditioned for centuries to accept the appeal to authority without question. This has enabled the few to keep the many in a position of servitude to this inhuman system.
Daryl Hall Sings About The Long Standing Multimedia Beast • Government War Racket
Daryl asks if his audience is awake or asleep -
"Can't You See We Got a Good Thing Going on"
The Theater of The Absurd Exposed - WARS ARE OBVIOUSLY ONLY FOR SHOW - THEY ARE FAKE - JUST HOAXES
The fake war is the oldest trick in the book and is what has been going on for our entire collective history.
History is the lie of war.
We are not really war like, we've been lied to about our own natures. People do not want to go and fight wars. Fake wars are performed for our benefit so we stay as children needing the protection of the castle walls and nobles in robes.
This is the mafia scam and crime.
The news exists to churn out daily reports of various fear based nonsense in oder to maintain the illusion that we live in a world of chaos and evil and need all these layers of protective government we must work hard to pay for.
This is the work of the criminal racket we call Federal and State Government, hand in hand with the yellow journal multimedia beast.
In case you didn't know it, at the highest levels, Hollywood & The Music Industry are one with The United States Government.
for more - see article index
or for a glimpse at what we mean see here:
What is this song about? Who is he singing to? A good lyricist knows that words have multiple meaning and that they are really singing to the audience. The musician relies on this technique to engage the consciousness of the individual members of the audience, us.
A really good artist might be inclined to catapult some of their own propaganda. Artists who are really good at what they do are real people like we are. There is no difference between "us" and 'them". Real people who think outside the system are found everywhere.
"You're Sleeping In...While..We've Got A Good Thing Going On."
(On and on and on and on....until we make History Come To A Stop In Its Tracks!)

Do we go back to sleep - with sand in our eyes? And ignore the "Riot"?

Or Does the Magic Gold Dust Open Our Eyes Once and For All?

Will we finally listen?

"Talking To You"
Sweet dreams
Your dreaming doesn't matter

When you're wide awake
All the patterns scatter
early 14c., "outline, plan, model, pattern;" early 15c. as "model of behavior, exemplar," from Old French patron and directly from Medieval Latin patronus(see patron).

Extended sense of "decorative design" first recorded 1580s, from earlier sense of a "patron" as a model to be imitated. The difference in form and sense between patron and pattern wasn't firm till 1700s. Meaning "model or design in dressmaking" (especially one of paper) is first recorded 1792, in Jane Austen.
1580s, "to make a pattern for, design, plan," from pattern (n.). Meaning "to make something after a pattern" is c. 1600. Phrase pattern after "take as a model" is from 1878.
What does he mean by 'all the patterns scatter'?
Daryl appears to be singing that what we think is irrelevant. If we became aware of the way things really work, then we'd see that we were victims of a long con or plan. We'd realize that we'd been modeling our behavior on images (models) we've seen on screens. We'd understand that the multimedia beast promotes people like Daryl Hall as celebrities and idols and icons and 'stars'.
The Hollywood PR beast promotes the biographies of the stars and sells it is a product. We do not believe any of it nor do we care. We do not care about the personal lives of the artists we admire. We like their work. We enjoy the work and the minds that make it. We don't need to know what these people do in their bathrooms.
We get endless stories about who is married to who and who is getting divorced and who is doing this or that. This gossip journalism is obvious the work of the yellow journal PR beast and is really about cultural manufacture and behavioral control.
This isn't just about getting us to by new clothes or behave in certain ways. It is also about getting us to act as controlling agents and prison guards and thought police. We have to parrot and reinforce state sponsored lies and nonsense. It is time we stop this childish game of Simon Says. It's time we stop acting like juvenile children and instead act like the innocent child who looks at the natural world in wonder.
The celebrity biographical stories are as fabricated as any other product and should be ignored. We now can watch reality shows that are based on nothing but empty celebrity. This goes back to the early days of news reels and is nothing new. We can see how it encourages the busy body behavior that is so prevalent and so encouraged by the multimedia beast. We are supposed to act as thought police to each other. We are supposed do the work of the yellow journal minion for them.
We must learn to worry about only what we think and do and not what others think and do.
"Everywhere I Go - People Are Always Hounding Me"
An artist who is focused on singing and song writing and craft and education and so on, might not have realized the full extent of the game when they signed on the dotted line. This is where we get the metaphor - which is not so much a metaphor - of the contract with Satan. 
Artsits like Bobby Darin and Daryl Hall sign huge contracts with talent agencies and public relations firms that are part of the military industrial beast. The image and narratives of these people that we see and hear so much about and the stories we read about them online and off, are just as manufactured and edited and controlled as the rest of the mainstream media. The artists who just wanted to sing and dance and perform for their dinner are caught up in a system of behavioral control they might not have bargained for. In this manner we are all slaves to the system, some of us wear gold chains, like Mr. T used to do.
"Talking To You" 
Daryl Hall Sings About The Long Standing Multimedia Beast • Government War Racket
Will You Listen?

"Can't you understand we got a good thing goin' on"

Music video by Daryl Hall performing Talking To You (Is Like Talking To Myself). (C) 2011 The Verve Music Group, a Division of UMG Recordings, Inc.
A real protest artist - Daryl Hall Private Eye White Hat Spy Guy is on Your Side-
Can You Hear Him Talking To You?
Are you asleep or awake?
Is his song getting through the multimedia noise or are you going back to sleep and counting dream sheep again?
Can you let him know that he's not talking to himself? Show him something real someone can see. In other words, We need to be heard. We need to stop pretending that we cannot do anything to change our fate. If we don't try, we will continue to let the system enslave the minds of our children and future progeny.
Is there sand or gold dust in his hand? What does he offer you? The sand of sleep or the gold of the halo fire of the freed imagination. The piper is calling you to join him…
"Talking To You"
I try, try to make it right
But every day it's like it was a first night
Sweet dreams
Your dreaming doesn't matter

When you're wide awake
All the patterns scatter
If you run away and don't listen to me
You're only hurting on your own
You see
You're sleeping in while there's a riot rollin' down
Can't you understand we got a good thing goin' on
Good thing goin'
I'm saying there's too much noise around
You live behind a wall of unrelated sound

Are you hearing me? Cause I couldn't tell
Is it "Ooo yeah" or is it just "Oh well"
Shine on prove to me
Something real someone can see
Is it sand or gold dust in my hand?
Can't you hear me? Can't you hear me?
Talking to you is like talking to myself
"You're sleeping in while there's a riot rollin' down"
The Power of The Word

These artists are literal lyricists. Words have multiple meaning and are used metaphorically.

A good dictionary should always be nearby.

Daryl Hall is making a clever reference, with the word 'riot', this means -   "debauchery, extravagance, wanton living," and not some kind of noisy  crowd or argument.
This 'riot' is going on right under our noses as we watch the many noisy screens of the multimedia beast and do not realize that we are feeding it and we do not need to be.
The debauchery and extravagance is not ours but that of the elite and their minions.
Like hounds we follow the wrong scent if we buy into the media nonsense.
c. 1200, "debauchery, extravagance, wanton living," from Old French riote (12c.) "dispute, quarrel, (tedious) talk, chattering, argument, domestic strife," also a euphemism for "sexual intercourse," of uncertain origin. Compare Medieval Latin riota"quarrel, dispute, uproar, riot." Perhaps from Latin rugire "to roar." Meaning "public disturbance" is first recorded late 14c. Meaning "something spectacularly successful" first recorded 1909 in theater slang.

Run riot is first recorded 1520s, a metaphoric extension from Middle English meaning in reference to hounds following the wrong scent. The Riot Act, part of which must be read to a mob before active measures can be taken, was passed 1714 (1 Geo. I, st.2, c.5). Riot girl and alternative form riot grrl first recorded 1992.
late 14c., "behave in a dissolute manner, engage in loose revelry," from Old French rioter "chatter, dispute, quarrel," from riote(see riot (n.)). Meaning "take part in a public disturbance" is from 1755. Related: Riotedrioting.
mid-14c., "what is known, knowledge (of something) acquired by study; information;" also "assurance of knowledge, certitude, certainty," from Old French science "knowledge, learning, application; corpus of human knowledge" (12c.), from Latin scientia"knowledge, a knowing; expertness," from sciens (genitive scientis) "intelligent, skilled," present participle of scire "to know," probably originally "to separate one thing from another, to distinguish," related to scindere "to cut, divide," from PIE root *skei- "to cut, to split" (source also of Greek skhizein "to split, rend, cleave," Gothic skaidan, Old English sceadan "to divide, separate;" see shed (v.)).

From late 14c. in English as "book-learning," also "a particular branch of knowledge or of learning;" also "skillfulness, cleverness; craftiness." From c. 1400 as "experiential knowledge;" also "a skill, handicraft; a trade." From late 14c. as "collective human knowledge" (especially "that gained by systematic observation, experiment, and reasoning). Modern (restricted) sense of "body of regular or methodical observations or propositions concerning a particular subject or speculation" is attested from 1725; in 17c.-18c. this concept commonly was called philosophy.
The Father of This Age We Live In: Nikola Tesla
Nikola Tesla- Father of Polyphase A/C Current & Radio & Radio Controlled Drones & So Much More: A Real Genius
The technology people like Nikola Tesla pioneered is what is being used to imprison our minds and imaginations.
This was not the intent of these pioneers at all. The government took it all over right around World War One.
Just Look Up The History of RCA on Wikipedia
Shine on prove to me
Something real someone can see
- Daryl Hall Talking To You
shine (v.)
Old English scinan "shed light, be radiant, be resplendent, iluminate," of persons, "be conspicuous" (class I strong verb; past tense scan, past participle scinen), from Proto-Germanic *skinan (source also of Old Saxon and Old High German skinan, Old Norse and Old Frisian skina, Dutch schijnen, German scheinen, Gothic skeinan "to shine, appear"), from PIE root *skai- (2) "to gleam, shine, flicker" (source also of Sanskrit chaya "brilliance, luster; shadow," Greek skia "shade," Old Church Slavonic sinati "to flash up, shine," Related: Shined (in the shoe polish sense), otherwise shone; shining.
Do You Want To Get Smart?
The open to the old TV show, Get Smart was always a favorite of ours. We now appreciate the visual metaphor for the onion skin like, numerous protective layers of lies that protect the truth, and that lead to the phone booth, the electronic communications system - which serves not to educate but to indoctrinate, and which also serves to hide the secret, which we now know is:

All State and Federal Government are theatrically socially reinforced historical and present day, rackets and crimes.

D.C. stand for damage control among other things
If You Look and Listen You Will See and Hear The Work of The White Hats, Angels or Good Guys, Who Have Been Helping Out All Along. Perhaps there is something to the story about the real historical group known as the Illuminati.
"The Illuminati (plural of Latin illuminatus, "enlightened") is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776. The society's goals were to oppose superstitionobscurantism, religious influence over public life and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[1] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict, by the Bavarian ruler, Charles Theodore, with the encouragement of the Roman Catholic Church, in 1784, 1785, 1787 and 1790.[2] In the several years following, the group was vilified by conservative and religious critics who claimed that they continued underground and were responsible for the French Revolution."
As we can read for ourselves, the historical Illuminati's goals were logical and would seem to indicate an opposition to the growing governmental system of the time. Now it looks like these men lost their intellectual war. But decency does not die so easily. We can see the beast they were concerned with has grown to electronically globally manipulative proportion. It is a monster that would be beyond what these men were concerned with. Please notice the solution to the problem does not involve hurting anyone. It involves, "building shelves where they can fight among themselves and leave the people be who love to sing."
This is the work of the 'good guys'. We can see how these real ideals and this real opposition to the system was taken over by the likes of people presented to us as Founding Fathers. We see the same pattern of controlled opposition and how it is used to destroy any real chance of true revolution in exchange for more theater and illusion. The world is going to get more restrictive for most us humanity, not less.
An easy way to tell if someone is attempting to dupe us, is if they are trying to get us to follow yet another leader.
This is the sure sign of the so-called 'Antichrist' and false prophet.

( Profit = $ = Chains )

The beast must be slain. Luckily for us the minions and masters aren't very smart and keep running the same old scripts and plays over and over. They are used to a sleeping enemy. They do not know how to deal with an awakened mind. We know from first hand experience, both unintended and intended, that this is true.
The old 1960's television show Get Smart was telling us all what to do. Maxwell Smart works for CONTROL - a Government spy agency that exists to defeat KAOS. The secret that we must Get Smart about is that both sides are controlled opposition and work for the same Multimedia Beast that controls and dominates our lives and minds. This ages old control mechanism has taken many forms. It began a long time ago on an estate not so far away...
The first incarnation of the Yellow Beast was the Hoax of Royalty. Of course there is no such thing. This Noble lie must die!
The concept of Royalty is by definition the clear crime of protection racketeering. That's the meaning of the pirate flag and the Vampire Lords who grow fat and immortal feasting off the blood of their unwitting livestock.
When we peasants and rising middle class got tired of the royals protection hoax, the royals cooked up the controlled opposition called organized religion.
Obviously the Vatican and The Church of England are run by royalty of one kind or another from top down. This system allowed and allows the royals to mingle with us commoners. This is how we can join them and move up in rank, like in the game of chess. We pawns can get promoted!
This idea was and is always true with whatever system we are looking at.
Hollywood, The Music Industry, Government, Banking, Corporate and other institutions exist as the result of this long standing racket.
The university system and royal societies and all the museums and all the rest are the royal and elite's tools of social reinforcement,
These are the bars of our mental prison. We are supposed to be intimidated by all the art.
We are to be awed by the majesty of their great work. Yet it was artists and not the royals who would really and truly perform miracles. It's one thing to play dress up and make up languages and plays. It's another to actually engineer the electrical grid and to build great palaces and ships and create manufacturing processes and all the rest. Further the actual physical labor was performed by most of our ancestors. This gilded prison is of our own making, built with the blood and bones of our own kin.
Where Do Minions Come From?
ANSWER: 
Religion Was One of The Original Forms Of Yellow Journalism As Was The Traveling Snake Oil Sales Racket.
The Other Is The Military.
The Royalty That Runs The Show, Owns The Castle Walls & The Costumed Robes
These Are The Ones Who Created The Idea of War In The First Place - Humans Are Not Really War Like - This is a Lie!
The Royals Become The Top Military Generals & They Run The Wars From Top Down & Still Do Today
Here is how and at what level these so-called royals mingle with us 'normals'.
They Seek To Put the Fear of The Devil Into Us So We Think We Need The Protection of The Castle Walls and Men in Theatrical Stage Robes.
We Must Contniue As Wage Slaves Working So They Can Play War-Games With Toys And Dress Up on Stages & Screens and otherwise play make believe.
All of this is yellow journalism.
Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.[3]
Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]
  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system.
disney info school = yellow journalism or disinfo!

"Let me take you to the movies, can I take you to the show..."

"Does it hurt to hear them lying?"

"Was This The Only World You Had?"

“There’s an angel on my shoulder, in my hand a sword of gold.
Let me wander through your garden and (wander through) the seeds that love has sown”.
The garden is Nature and the garden is our mind.
They are one and the same.
All is One.
One is All.
Robert Plant and the Band Of Joy play 'Houses Of The Holy' Live on Friday 29th October 2010. Buddy Miller (Guitar), Patty Griffin (Vocals), Byron House (Bass), Darrell Scott (Slide Guitar), Marco Giovino (Drums). HD.
Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.[3]
Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]
  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system.
disney info school = yellow journalism or disinfo!
dinfos or disinfo?
Where Sgt. Pepper taught Walter Cronkrite, Dan Rather, Bobby Darin & The Beatles & Friends,

How To Tell Yellow Journalism Lies

• WEAVE TALL TALES •  DO VOICES & TELL JOKES & SING • DANCE • ACT & PLAY!
Are we surrounded by minions? It sure feels like it. We like them. They are really cute and designed for commercial business. These sweet little yellow products just can't help but fly off the shelves. We are lucky to have infinite supply online.
We know that at installations like the Defense Information School, the military trains agents, actors, voice over people, radio disc jockeys, comedians, journalists and behind the scenes production staff. This is where yellow journalism techniques are taught to trained agents who have security clearances. All news media is nothing but yellow journalism. We can see how things really work now. Yellow Journalism is the method for all of this. These sensationalized techniques really date back to the earliest days of religion, obviously. These are basic military style propaganda techniques designed to win a so-called war, before ever having to fire a shot.
The need or motive to fake news and wars dates back to the earliest days of our so-called civilization. Medieval castle walls were sold as protection to the mass of peasantry. The origins of our modern Mafia run global culture emerges from the shadow and into the light. We can use even wikipedia to reveal the truth. All we need to do is keep following a literal web linked trail and we will end up seeing how the United States is nothing but a corporate racket, an unlawful and unnatural front for the banking and currency industry, that represents old European moneyed interests who had originally funded this economic enterprise in the first place, or so they think. This funding was ill gotten gain in the first place of course.
We would call these people the royals. The Queen of England would seem to be the Empress of the World, at least on paper. The Treaty of Paris from 1783 makes for the proverbial eye opening read. The monarch retained more rights than you might know. The United States government is in debt to the royals. This body does not work for us. It works against us. Politicians swear an oath to defend it not us. They swear to uphold the Constitution which means the Government not the people. This is and was a simple bait and switch tactic. We The People, quickly became the Founding Fathers, and a new kind of elite. These men founded their version of a racket. We call this layer of extra governance and crime, the United States Government. Television is its most important medium and the on air talking head is the weapon of mass mental destruction that the government uses to control all of us. This same weaponized culture is online. In fact it is pretty much everywhere in our artificial world. We are so used to it we do not see it. We are like the fish in water who do now know they are in water. Better still we are the tadpole in a pot of water that is about to start boiling.
As it turns out, we are brain washed member of a cargo cult kept in a constant state of anxiety by yellow journalists we take for granted. The NEWS is designed to make us fear the world and believe we need layers of government and protection, we adult human beings do not naturally need. The NEWS is clearly state run  and manufactures fictions that it sells as fact.
We are supposed to think the marketing is limited to the advertising and the art. We are not to supposed to realize the truth. The NEWS is filled with lies, the big stories are all pretty much false. Wars are fake and there's way more truth in some of the commercial art than in any of the so-called historical documentary and news productions. These latter creations are nothing but artifacts of a war culture mythology designed to keep us as wage slaves, paying taxes we do not need to, and thinking the obvious political theater we see on screens and read about in our newspapers and hear about on the radio is real. It is not. The high level elections are scripted theater designed to get us to believe we need government in the first place.
EVERYTHING WE THINK WE KNOW IS WRONG
Religion Was One of The Original Forms Of Yellow Journalism As Was The Traveling Snake Oil Sales Racket.
The Other Is The Military.
The Royalty That Runs The Show, Owns The Castle Walls
& The Costumed Robes
These Are The Ones Who Created The Idea of War In The First Place - Humans Are Not Really War Like - This is a Lie!
The Royals Become The Top Military Generals & They Run The Wars From Top Down & Still Do Today
Here is how and at what level these so-called royals mingle with us 'normals'.
They Seek To Put the Fear of The Devil Into Us So We Think We Need The Protection of The Castle Walls and Men in Theatrical Stage Robes.
We Must Contniue As Wage Slaves Working So They Can Play War-Games With Toys And Dress Up on Stages & Screens and otherwise play make believe.
All of this is yellow journalism.
Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.[3]
Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]
  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system.
"You think you understand everything
But don’t get my point of view
The time has come, your time is gone
And I just carry on"
We are on the wrong side of history. Daryl Hall would seem to be trying to tell us something.
Daryl Hall singing about us, his audience, being on the wrong side of history.
All artists work for the multimedia beast. Higher up ones know it. This is real protest music. The real revolution won't be televised. 
Many of the artists are on our side. Artists tend to be very sensitive people, who just want to sing and dance and play. "The elven folk."
What We Have Been Told About History is a Lie - Wars and NEWS are more fake than we might think - this is the age old war racket con of the feudal mafia. This is how we are on the "wrong side of history'.
We don't see that at the heart of the matter is we tend to repeat and parrot what we've read and heard form the multimedia beast. 
Artists like Daryl Hall work on the other side of the screen and stage. They know how the sausage is made. These people know that most of us live in a world that is not real. This is the meaning of the revelation in the Bible.
Bible just means book. The Tower of Babel refers to the simple technique of Divide & Conquer. The cultural creators or artists, know how to manufacture language. The Bible becomes babel. East and Western philosophy is a singular knowledge this is split.
  "Had a revolution gonna set us all free
      Well it worked for you, but hasn't for me."
We the fruits or children of the estate are meant to be ’Harvested’ for our energy by way of the tax & other financial based systems.
Traveling Tall Tales & Gypsy Roaming Wagon Wheels Become Wheels and Gears of Industry & Sailing Ships - The Wheel of Fortune, The Wheel of Time, all Social Circles meant to bind and blind our minds and imaginations to the unlawful Census driven time and space based Solar yellow journal minion cargo-cult we call Modern Civilization.
The Bible is a book. This purpose of a book is to enable the individual to read for themselves and to consider for themselves the validity of the text within. The good book was written by people. The book and religion are not divinity but are tools to allow one to supposedly have a relationship with the divine, albeit through the filter or screen of a guru or gatekeeper, shepherd of one kind or another.
Shepherds, Crooks & Flock
Religions are meant to limit our spirituality in the same way the Bill of Rights and the Constitutions of Federal and State Governments do. We have to have some kind of screen or filter that interprets nature, the real world, for us. We must follow some kind of leader and ape their behavior and parrot their words. The divine represents the real world not the artfully crafted one. The crafted one is a mask. If we find spirituality in church or temple, good for us.
Religions Can Mean Chains
We don't think religion is much of a problem in terms of enslaving minds. Not anymore. This is another canard and part of the old divide and conquer strategy. Religions do not force us to put our hard earned cash into the plate like governments do. Religions do not have the power that governments do. Religions no longer can be blamed for the mythic crusades and so on. The Federal and State and growing Global Governments do that. These so-called forms of governing are the real evil and are the real racket and crime. These systems work for the Global Mafia Crime Ring and not humanity. Government does mean mind control. We can see it in action everyday on our screens and in print. The multimedia beast is the medium for and of government.
We are wasting or time arguing over religion. Religious conflict is promoted by the yellow journal multimedia beast. This same beast promotes the absurd positions of the atheist propagandists who come across as cartoonish as the rest. Logical spirituality gets lost and this is on purpose. Any real insights are hidden like gems in a junkyard.
The so-called 'stars' sign public relations based contracts that allow the agencies to use their images and so-called biographies, however the agency desires, under the guise of marketing and promotion. Biographical details about celebrities cannot be trusted, especially if sourced from any of the mouths of the heads of the Yellow Multimedia Beast. Artists like Daryl Hall are well aware of how they had to play dress up and sell fashion and other concocted cultural norms beside their art, to the masses.  Once the artists signs on the proverbial dotted line, Satan owns their image and narrative forever. The real person is ignored in favor of the celebrity idol that is meant to be a star that guides the behavior of us the mass. In this manner we have been controlled for centuries. Either we look up to King, Priest, actor or even imagined 'stars' like mythical fantastic comic book super heroes and other such cartoons and myths. Thankfully we can pan gold from all art and many artists can't help but tell us the truth hidden by lyric and metaphor.
There will never not be a so-called National Debt clock ticking away. We get the long con now. We are all economic wage slaves in an inhumane system that is simply  built on lies. This is the racket and this is the crime. War and other false narratives are literally manufactured and promoted with the intent of creating a false impression in our minds. We have to believe we need all the layers of government to protect us from harm. This is why these bodies craft and exaggerate every event that fits this meme. The news media is state run and staffed with military trained minions with security clearances. This is how the show is run and it is run this way online too. Alex Jones is not alone. More minions lurk and the real purpose is to get us to do their job for them. 
Today, the internet is filled with alt media which emulate the practices of the old. Nothing changes. Seemingly amateur web personas might be part of the show. These fellow 'truth seekers' might be no more than dis-information agents, whether on the pay roll or not. We are encouraged to play gatekeepers to ourselves and others and in this manner we are unwitting pawns of the control system.
Minion School
"The Defense Information School, or DINFOS, is a United States Department of Defense (DoD) school located at Fort George G. MeadeMaryland. DINFOS fulfills the Department of Defense's need for an internal corps of professional journalists, broadcasters, and public affairs professionals.[1] Members from all branches of the U.S. military, DoD civilians and international military personnel attend DINFOS for training in public affairs, print journalismphotojournalismphotographytelevision and radio broadcastinglithography, equipment maintenance and various forms of multimedia. The American Council on Education recommends college credit for most DINFOS courses."
"Leadership courses
The Public Affairs Leadership Department is one of four departments in DINFOS.
The Public Affairs Leadership Department offers the Qualification Course (PAQC), the Joint Expeditionary Course (JEPAC), the Joint Intermediate Course (JIPAC), and the Joint Senior Course (JSPAC). Courses are offered to military officers, senior enlisted personnel, Department of Defense civilians, and members of coalition partners from around the world who are preparing for or already in billets of public affairs leadership.
The Public Affairs Qualification Course (PAQC) provides those who are new to the public affairs field the fundamentals of public affairs to include military-media relations, the different mediums used to facilitate the flow of accurate and timely information, and how to conduct public affairs operations in support of the command's mission. In addition, the students are taught the fundamentals of news, journalism, and how to write and copy-edit in accordance with the Associated Press (AP) Styleguide.
The Public Affairs Expeditionary Course is a ten-day, intensive follow-on course to PAQC. Students are expected to have a basic working knowledge and experience in PA as the course is focused more on the application of PA skills in a field environment.

Journalism courses

Journalism classes feature basic writing skills and include a headline style known at the school as "headline-ese", a total style for writing and developing headlines. Students are taught a variety of writing styles and formats such as news, sports and feature writing.
Photojournalism courses focus on composition, exposure, and general camera operation skills. Flash photography is introduced in the basic photography course. Students learn advanced photo-editing, composition and other techniques not taught in basic photojournalism classes.
For military print journalists, DINFOS offers the 12-week Basic Public Affairs Specialist Course (BPASC), a 26-week online BPASC and three-week Editors' Course. U.S. Army students are awarded the Military Occupational Specialty (MOS) designator of 46Q, and U.S. Marine Corps students are awarded the MOS 4341 Combat Correspondent.
For military Broadcast journalists, DINFOS offers the Broadcast Communication Specialist Course. Broadcasters begin by attending several weeks of BWAS - Basic Writing and Announcing Skills. If the class requirements are met, students may continue into Radio and Television broadcasting classes. U.S. Army students are awarded the MOS designator of 46R.
Students in all courses hail from all branches of the U.S. military and reserve as well as International military students.

Equipment maintenance courses

The Basic Television Equipment Maintenance (BTVEM) course includes apprentice level instruction in the repair of all types of studio and transmission equipment. Students also learn how to maintain the AVID non-linear digital editing systems. The U.S. Army MOS 25R and the Air Force AFSC 2E134 is awarded upon completion. Since December 2006 Air Force class graduated, DINFOS no longer trains Air Force personnel in the BTVEM course.
The Broadcast Radio and Television Systems Maintenance course is an advanced level course where students learn the ins and outs of American Forces Radio and Television Service (AFRTS) engineering standards and practices.
Both maintenance courses are nationally accredited by the Society of Broadcast Engineers (SBE). Upon completion of either course with an average GPA of at least 85%, students are certified by the SBE as broadcast technologists (CBT)."
Nothing Changes.
The Way The Military is Used Today is The Way It Has Always Been
The people who do not want to work have to get others to do the work. This is the basic pyramid scam. This is where the crime that is government and the racket it uses to run this show comes from. We are the wage slaves. We need to be managed. The people on the top play dress up and pay for art that is meant to define the boundaries of our individual minds.
These crafted artifacts define the boundaries of imagination. 
We create prisons of our own choosing and we also imprison each other. The purpose of the minion is to get us to do their work for them. We are to emulate their behavior. They are to be our shepherds and guides. Our trusted news friends and so on.
The people on top can interact with those lower down the structure through institutions like the clergy and the military. In this way the so-called social classes  mingle. It doesn't matter who has blue blood and who doesn't. It's all nonsense anyway. It is just made up.
History is a lie. We have to think we need to be protected from war. War is the lie. War has been used to confuse us and to keep us behind the proverbial castle walls trapped as wage slaves for centuries.
THE AWAKENED HUMAN MIND IS THE MEANING OF THE SYMBOL OF THE MESSIAH.
THE MESSIAH REFERS TO US. THE MESSIAH IN REVELATIONS IS YOU!

"A Messiah will come and put an end to history. And there will be a restoration of Paradise." Alan Watts

The realization that history is a lie is the revelation.

Art is the seven headed multimedia beast from the Bible.

Art has mostly served the purpose of enslaving humanity throughout history.

Please read through the articles here to see what we mean.

We have to awaken to the fact that we need no authority to lead us.

If we are waiting for a Messiah to come and lead us to freedom, we are still trapped. We must lead ourselves not each other.

We must communicate with each other and share information in an attempt to make each other more aware of our very real situation as wage slaves in an inhumane long standing racket. We need to help make the unaware aware. We must not be afraid to speak the truth as we see it. We just have to explain why we state what we do as clearly as we can. We have to be able to provide sources for our opinions, we have to be able to demonstrate that we are right. 

MYTHOLOGY IS YELLOW JOURNALISM & YELLOW JOURNALS = BOOKS & BIBLES & SCREENS OR VEILS OF ALL KINDS

Mythic figures that represent true liberation like Jesus and even Superman, get filtered through the 666 yellow beast multimedia machine and we end up with a  somewhat distorted and watered down version of the mythic hero. Jesus is not a counter culture figure, nor is Jesus Christ meant to symbolize Roman rule of some kind. The Devil was unable to tempt Jesus with any worldly desire. Jesus is not meant to be followed like we follow a leader. Jesus is not meant to be parroted, Jesus is a character in a story, a figure. The meaning of the narrative and the teachings are what is important, not the man or myth.
Jesus Comes With A Sword To Cut Us Free From The Bonds of Economic Servitude
Jesus or the Christ represents You! Jesus represents the realization that we do not need the social structure of government, taxes and commerce to control us. We do not need kings and emperors and the fact is that their power is based on illusion and everyone just going along with the game. The judgement Jesus is to bring at the end of the world is that the so-called world is artificial. That time and history are lies and that nature and divinity are within and outside in the natural world, and are not to be found in the world of architecture and castle walls, art and robes.The Final Judgement is that history is a lie and that we have let Children Run The Show for too long and that it is past time for us adults to take over and set things right. The system must serve humanity, we must all share in the bounty that is the result of our technology and nature. We must free ourselves form the mental prisons we inhabit and design a new world. We do not need to work as hard as we do, most of it is nonsensical busy work anyway.

 We have been living a centuries long lie - believing works of art are real.

We've been conditioned to accept shadow for substance. We are conditioned to believe that the description and the picture is the reality itself. This kind of thinking is evident in many University taught subjects. We can now see why we are encouraged to think like this. This is a mental virus that cripples human intellect.
This is clearly another example of the kinds of deception, the 666 multimedia beast is capable of getting us to buy into. We believe these things and take them for granted. We confuse the messenger with the message and are encouraged to do so. The University system and the rest of the multimedia beast encourages cartoon reasoning and illogical and unsound thought.
We must spend forever counting between the lines on a ruler and never actually build anything. Our heroes are supposed to be people like Einstein, who were only plagiarists, wrong and just empty propagandists, who actually created and engineered nothing.
Genius is a term parroted by the ignorant, more often than not.
The 666 yellow journalism mainstream beast also promote compulsive behavior, ignorance and cartoon reasoning as genius.
We know that the Devil or Satan is a symbol of the Royal con. A symbol of the system of commerce that controls the minds of so many of us and has done so for centuries. It is this basic and foundational assumption that is the source of our slavery. We take the economic system for granted. In reality ours is a system that grew out of and still is, feudalism. We concoct schemes that literally imprison others over nonsense and we think it is all ok because of these underlying assumptions.

We must free ourselves from the various layers of the criminal rackets and long standing hoaxes called Federal & State Government.

We have to spread the word and be heard. We have to find ways we can begin to bridge the gap between those of us who know how fake it all is and those of us who still believe what they see on the various screens of the multimedia beast. We should flood the minions phone systems and email accounts with demands and with the truth. We should let them and everyone else know that we know most of the news and the wars as sold to us, are lies. We should make the multimedia beast eat its words - we should figure out how to metaphorically shove the words conspiracy and tinfoil hats and truthers and all the rest of the childish derogatory terms, down the yellow media minion mouthpieces' collective and metaphorical throats. The Anderson Coopers and John Millers and the rest need to be revealed as the charlatan snake oils sales team that they are.

Humans are not warlike like we've been told. There's plenty of room for everyone and there always has been and most of us would rather be left alone. We could have been left to live out our days like the mythic Hobbits do.

There's a good reason why the shepherd's staff is called a 'crook'. Religion more often than not, is used to keep us in circle of thought among the like minded, so we stay divided and conquered,  just like modern marketing and things like online community building attempt to do.
Religion was once the only form of education for the masses. Then the Bible was mass produced by printing press and the so-called New World was open for business. The early colonists were free to live off they land as they desired and for a brief moment there was a Land of The Free and Home of The Brave. America was real and did mean Freedom.
Recent history is the story about how that all came to an end, step by step.

"What do you do
When history stops in its tracks?"

Please listen to this lecture about history being a lie by Alan Watts from the 1960's.
Please listen to what he says carefully and then listen to the next songs carefully.
History is the Artificial World.  Nature is Paradise. God is in the Garden. The Garden is the human mind and the  Natural World- they are one and the same.
Alan Watts is right and wrong. We need to all wake up now.
Even though they were designed to trap us, Google and Wikipedia and archive.org and YOUTUBE are the computer screen 'monolith' it is either a noise machine or library - use the internet as the awesome library it is!
You are the Messiah. If you awaken to the truth of our existence, if you see past the mythic and metaphorical seven veils, you will know you are one with Nature. One is all and all is one. Jesus at the end of the world refers to all of us. This is what the metaphor means.
"You think you understand everything
But don’t get my point of view
The time has come, your time is gone
And I just carry on"

Ai

The Multimedia Beast Programs Our Minds - We The Audience are The Artificial intelligence. We have been programmed by information agents. Luckily some of them are really on our side. We are the proverbial Frankenstein monster. We are the "children of the corn". We are the so-called 'Force Awakening" or The "Eyes of The World". We are the new born at the end of 2001:Space Odyssey.
"All I can do is try
Wait for the tide to rise
But change of the seasons
Don’t mean reason’s winning out
What do you do
When history stops in its tracks?"

"He will be the one who will not "judge by what his eyes see" or "decide by what his ears hear".

Can’t You Hear Them Lying?"

"What Do You Do When History Stops In Its Tracks?”

"Get Out Of The Way"
Look at the water
There’s a storm that is raging
Like some biblical tide
That will sweep us away
All the good times gone so wrong
Tender years are flying
Run from the fire
That some idiot started
Cause he believed that the burning
Would be good for the temple
All the good men gone so wrong
Can’t you hear them lying?
What do you do
When history stops in its tracks?

The Year '16 Is The Year of Revelation - The Cartoon Trump Has Sounded!

There’s a meaning
But I don’t know what it is
There’s a leaning
But I don’t know which way it’s falling
All I can do is try
To get out of the way
Grasp at emotions
That I stretch to the limits
Cause I shout out denial
In the face of disaster
All the good times gone so wrong
Tender years are dying
What do you do
When history stops in its tracks
There’s a meaning
But I don’t know what it is
There’s a leaning
But I don’t know which way it’s falling
All I can do is try
To get out of the way
Words Have Two Meanings

Our 'Fire' or Halos, Will Destroy The Castle Walls and The Crown they Protect. What will Fall will be Satan's Kingdom of Lies. The Artificial World will be replaced by the Natural One. The system of economic control must collapse and with it the long standing Global Mafia Crime Racket

We've Been Trumped!
Don't Be A Silly Goose - The Royalty Not The Bankers Run The World - The Treaties Lead To The Queen of England

America Is Still A British Colony!

"The Definitive Treaty of Peace 1783
In the Name of the most Holy & undivided Trinity.
It having pleased the Divine Providence to dispose the Hearts of the most Serene and most Potent Prince George the Third, by the Grace of God, King of Great Britain, France, and Ireland, Defender of the Faith, Duke of Brunswick and Lunebourg, Arch- Treasurer and Prince Elector of the Holy Roman Empire etc.. and of the United States of America, to forget all past Misunderstandings and Differences that have unhappily interrupted the good Correspondence and Friendship which they mutually wish to restore; and to establish such a beneficial and satisfactory Intercourse between the two countries upon the ground of reciprocal Advantages and mutual Convenience as may promote and secure to both perpetual Peace and Harmony; and having for this desirable End already laid the Foundation of Peace & Reconciliation by the Provisional Articles signed at Paris on the 30th of November 1782,"
“Article 4th:
It is agreed that Creditors on either Side shall meet with no lawful Impediment to the Recovery of the full Value in Sterling Money of all bona fide Debts heretofore contracted.”
— The United States Government exists to collect this original debt. The investment in the East India Land Company is that debt. State Governors were once hand picked by royals and it is not much different today. Both state and federal government exist to control us and to limit freedom not grant it. These systems do not work for us. They work for the Crown, which is owned by the Royals, not the yellow skinned minion Bankers like some think. The point is the East India Land Company, and it's corporate flag, are related to the United States and the Stars and Stripes. Remember that the next time you pledge allegiance or stand for the national anthem. The United States is just another corporate front for British (old world) money interests.
"The East India Company (EIC), also known as the Honourable East India Company or the British East India Company and informally as John Company,[1] was an English and later British joint-stock company,[2] which was formed to pursue trade with the East Indies but ended up trading mainly with the Indian subcontinent and Qing China.
Originally chartered as the "Governor and Company of Merchants of London trading into the East Indies", the company rose to account for half of the world's trade, particularly in basic commodities including cottonsilkindigo dyesaltsaltpetretea and opium. The company also ruled the beginnings of the British Empire in India.[3]
The company received a Royal Charter from Queen Elizabeth I on 31 December 1600,[4] making it the oldest among several similarly formed European East India Companies. Wealthy merchants and aristocrats owned the Company's shares.[5] The government owned no shares and had only indirect control.
The company eventually came to rule large areas of India with its own private armies, exercising military power and assuming administrative functions.[6] Company rule in India effectively began in 1757 after the Battle of Plassey and lasted until 1858 when, following the Indian Rebellion of 1857, the Government of India Act 1858 led to the British Crown assuming direct control of India in the form of the new British Raj.
Despite frequent government intervention, the company had recurring problems with its finances. The company was dissolved in 1874 as a result of the East India Stock Dividend Redemption Act passed one year earlier, as the Government of India Act had by then rendered it vestigial, powerless, and obsolete. The official government machinery of British India had assumed its governmental functions and absorbed its armies."
The Definitive Treaty of Peace 1783 TEXT:

"It is sometimes asserted that the Lord Mayor may exclude the monarch from the City of London. The legend is based on the misinterpretation of the ceremony observed each time the sovereign enters the City.

At Temple Bar the Lord Mayor presents the City's pearl-encrusted sword of state to the sovereign as a symbol of the latter's overlordship.

The monarch does not, as is often purported, wait for the Lord Mayor's permission to enter the City.

When the sovereign enters the city, a short ceremony usually takes place where the Lord Mayor symbolically surrenders his or her authority to the monarch by presenting the sword to them.

If the sovereign is attending a service at St Paul's this ceremony would take place there rather than at the boundary of the City for matters of convenience."

An excellent short video on the Crown Corporation... http://sageofquay.blogspot.com/

The Crown Refers To The Banking Industry

"The Tower (XVI) (most common modern name) is the 16th trump or Major Arcana card in most Italian-suited Tarot decks. It is used in game playing since the 15th as well as in divination since the mid-19th century."

A Royal Long Banking Con & Literal House of Cards

"trump is a playing card which is elevated above its normal rank in trick-taking games. Typically, an entire suit is nominated as a trump suit – these cards then outrank all cards of plain (non-trump) suits. In other contexts, the term trump card can refer to any sort of action, authority, or policy which automatically prevails over all others."
Who is who and which witch is which? How have the Houses of the Holy Cards been shuffled over the years? We only know what we can read and what we’ve been told about these people. We cannot tell the straw from the gold. Who is really a Trump and who is really a jester? Who is really a Queen and Who a so-called King’?
"The word "trump" derives from "trionfi" or "triumph", documented as the name of a card game in 1529 and which spawned the game Ruff and Honours, which in turn led to Whist.[1] Trionfi was also the name of the original card game for which tarot cards were designed, and in it the tarot cards had the role of what are now called trumps; later card games, beginning with Triomphe, started using one of the ordinary suits as a replacement for the tarots when a tarot pack was not available."
"A variety of explanations for the images on the card have been attempted. For example, it may be a reference to the biblical story of the Tower of Babel, where God destroys a tower built by mankind to reach Heaven.[5] Alternatively, the Harrowing of Hell was a frequent subject in late medieval liturgical drama, and Hell could be depicted as a great gate knocked asunder by Jesus Christ."

"The Tower is commonly interpreted as meaning danger, crisis, destruction, and liberation."

XVI = 16

TRUMP ‘016! The Tower is the 16th Card. Think this was planned or is it just coincidental?
We honestly don’t know what to make of it.
These people like their mythological and other historical references so who knows…
Architecture is designed to mimic the human body as a visual metaphor for the body politic. The lighting bolt that strikes the tower’s crown is the same metaphorical bolt of inspiration that is to strike our temple, our minds. The same bolt that ignites the imaginations of our kind will become the flames of metaphorical halos that visually represent the freed imaginations of humanity. A halo is visual symbol that was crafted by artists a long time ago. We must not confuse it with the divinity and experience it refers to.

This confusion of symbol with reference is one of the sleight of hand tactics of the 666 Multimedia Beast Yellow Journal Minion.


The flash of insight that starts the fire of the unleashed human imagination is contagious and must be spread among ourselves. This is represented in art by the halo. The architecture is designed to impress us, so we are in awe of our masters. We must never be tricked like this again. We must never let art be used to scare or otherwise deceive us.
We must also remember that words like God and Divinity do have meaning. The meaning has been occulted by the multimedia beast. Religion is one of the original versions of yellow journalism. Organized religion by design, is meant to prevent us from having a real relationship with our creator. Instead we are to have a filtered one. We need a shepherd or gatekeeper of some kind. This is nonsense. Divinity and God are words that refer to the source of our existence which is something the individual needs to come to terms with on their own. All anyone else can do is give us advise, they cannot take our spiritual journey for us.
The religion filter is like the State and Federal Government filters. We do not need any of them. But religion today is not much of a social control problem as we are not forced to tithe or even go to church or temple. The real problem is the multimedia platform that allows too many of us to believe in cartoon fantasies sold as fact, contrived to keep us convinced we need to pay our taxes.
We can get advise from the Bible and other sources, but we must not mistake the artificial with the natural. Divinity is not to be found in the art it is to be found within ourselves and in nature itself. Nature is our creator. Our minds are part of nature and reflect it as we also reflect each other.

A 9/11 Burning Man/Tarot Card Tower is a Reference to the Halo and The Fire of the Freed Imaginations of All of Us & The Destruction of The Control Authority

"building for worship, edifice dedicated to the service of a deity or deities," Old English tempel, from Latin templum "piece of ground consecrated for the taking of auspices, building for worship of a god," of uncertain signification.

Commonly referred to PIE root *tem- "to cut" (see tome), on notion of "place reserved or cut out" [Watkins], or to root *temp- "to stretch" [Klein, de Vaan], on notion of "cleared (measured) space in front of an altar" (see tenet and temple (n.2)), the notion being perhaps the "stretched" string that marks off the ground. Compare Greek temenos "sacred area around a temple," literally "place cut off," from stem of temnein "to cut." Figurative sense of "any place regarded as occupied by divine presence" was in Old English. Applied to Jewish synagogues from 1590s.
"flattened area on either side of the forehead," mid-14c., from Old French temple "side of the forehead" (11c.), from Vulgar Latin *tempula (plural taken as fem. singular), from Latin tempora, plural of tempus (genitive temporis) "side of the forehead," generally accepted as having originally meant "the thin stretch of skin at the side of the forehead" and being from PIE *temp- "to stretch," an extension of the root *ten- "to stretch" (see tenet). The sense development would be from "stretchings" to "stretched skin."

A similar notion seems to be at work in Old English ðunwange, Old Norse þunn-vangi, Old High German dunwangi "temple," literally "thin cheek." The less-likely guess is that it is associated with tempus span "timely space" (for a mortal blow with a sword).
"What do you do
When history stops in its tracks?"

Break The Chains That Bind & Blind Us!

   
"Get Out Of The Way"
Look at the water
There’s a storm that is raging
Like some biblical tide
That will sweep us away
All the good times gone so wrong
Tender years are flying
Music video by Bruce Springsteen performing O Mary Don't You Weep. (C) 2005 Bruce Springsteen
God isn't going to flood the world, to clean up the mess the next time, he is going to use fire. The mess that God or Nature needs to clean up is the long running historical con job and racket.
Pharaoh is a myth and so is ancient Egypt and Israel. What "is real" is this feudal system we live under and do not know it!
The fire is the fire of imagination and this is what the meaning of the Halo actually is.
The path to real & true freedom lies in our own minds and in our own imaginations.
This is the fire God is going to use to destroy the kingdom of Pharaoh.
Pharaoh's army got drowned because they were toys to begin with! 
"Save Me"
"There's A Fire in My  Heart That Will Never Give up." "You've Got To Get This Fire Started!"
"Save Me From The Road I'm Rolling Down."
"I should be fighting for my pride."
Words have two meanings, and 'as we wind on down the road, our shadows are taller than our souls',  we might need to realize that pride also means a family of Lions.
For more, Disney's Lion King is a great example of modern day yellow journal mythology. We can use it to free ourselves. The story of the Lion King is about the real ring of life winning the day over the artificial banking crime ring.
https://en.wikipedia.org/wiki/The_Lion_King

The fire of the imagination will spread like a 'virus' to clean our minds of the long standing real mind virus we call culture and history and we can be free.

We can end time.

Run from the fire
That some idiot started
Cause he believed that the burning
Would be good for the temple
All the good men gone so wrong
Can’t you hear them lying?
What do you do
When history stops in its tracks?
So uneasy
But I got no way of knowing
Hurricane coming
But I don’t know which way it’s blowing
So get out of the way
All I can do is try
Wait for the tide to rise
But change of the seasons
Don’t mean reason’s winning out
What do you do
When history stops in its tracks?
There’s a meaning
But I don’t know what it is
There’s a leaning
But I don’t know which way it’s falling
All I can do is try
Try to get out of the way
All I can do is try
To get out of the way"
Do you see the blue wing shapes over each shoulder of the illuminated figure below? It would seem to be another reference to an “Angel” or the Celtic Apollo Aengus, or Jesus Christ. Angel and Anglo and angle all have common origin. English and Anglish are one. There are Good Angel’s and Hell’s Angels of course. And also Neutral Angels, 
English Word Origins:
"the people of England; the speech of England," noun use of Old English adjective Englisc (contrasted to DeniscFrencisce, etc.), "of or pertaining to the Angles," from Engle (plural) "the Angles," the name of one of the Germanic groups that overran the island 5c., supposedly so-called because Angul, the land they inhabited on the Jutland coast, was shaped like a fish hook (see angle (n.)). The use of the word in Middle English was reinforced by Anglo-French Engleis. Cognates: Dutch Engelsch, German Englisch, Danish Engelsk, French Anglais (Old French Engelsche), Spanish Inglés, Italian Inglese
Technically "of the Angles," but Englisc also was used from earliest times without distinction for all the Germanic invaders -- Angles, Saxon, Jutes (Bede's gens Anglorum) -- and applied to their group of related languages by Alfred the Great. "The name English for the language is thus older than the name England for the country" [OED]. After 1066, it specifically meant the native population of England (as distinguished from Normans and French occupiers), a distinction which lasted about a generation. But as late as Robert of Gloucester's "Chronicle" (c. 1300) it still could retain a sense of "Anglian" and be distinguished from "Saxon" ("Þe englisse in þe norþ half, þe saxons bi souþe").
member of a Teutonic tribe, Old English, from Latin Angli "the Angles," literally "people of Angul" (Old Norse Öngull), a region in what is now Holstein, said to be so-called for its hook-like shape (see angle (n.)). People from the tribe there founded the kingdoms of Mercia, Northumbia, and East Anglia in 5c. Britain. Their name, rather than that of the Saxons or Jutes, may have become the common one for the whole group of Germanic tribes because their dialect was the first committed to writing.
"fisher with a hook and line," mid-15c. (c. 1300 as a surname); agent noun from angle (v.1).
"spin imparted to a ball" (as in billiards), 1860, from French anglé "angled" (see angle (n.)), which is similar to Anglais "English."
1570s, from Middle French rectangle (16c.) and directly from Late Latin rectangulum, from rect-, comb. form of Latin rectus "right" (see right (adj.1)) + Old French angle (see angle (n.)). Medieval Latin rectangulum meant "a triangle having a right angle."
from Medieval Latin Anglo-, comb. form of Angli "the English" (see Angle).
1590s, from Latin angularis "having corners or angles," from angulus (see angle (n.)). Earlier in an astrological sense, "occupying a cardinal point of the zodiac" (late 14c.). Angulous "having many corners" is from mid-15c.
"of the Angles," 1726; see Angle. The Old English word was Englisc, but as this came to be used in reference to the whole Germanic people of Britain, a new word was wanted to describe this one branch of them.
14c. fusion of Old English engel (with hard -g-) and Old French angele, both from Latin angelus, from Greek angelos "messenger, envoy, one that announces," possibly related to angaros "mounted courier," both from an unknown Oriental word (Watkins compares Sanskrit ajira- "swift;" Klein suggests Semitic sources). Used in Scriptural translations for Hebrew mal'akh (yehowah) "messenger (of Jehovah)," from base l-'-k "to send." An Old English word for it was aerendgast, literally "errand-spirit." 
Of persons, "loving; lovely," by 1590s. The medieval gold coin (a new issue of the noble, first struck 1465 by Edward VI) was so called for the image of archangel Michael slaying the dragon, which was stamped on it. It was the coin given to patients who had been "touched" for the King's Evil. Angel food cake is from 1881; angel dust "phencyclidine" is from 1968.

See the Blue Angel wings below?

The two blue birds (peacocks from the look of them) over each shoulder, also look like wings.
Do you see the rainbow wheels?
https://en.wikipedia.org/wiki/Swan_songSee the wheels at the feet of this Lord?
Traveling Tall Tales & Gypsy Roaming Wagon Wheels Become Wheels and Gears of Industry & Sailing Ships - The Wheel of Fortune, The Wheel of Time, Solar Wheels, Lunar Wheels, cycles of time, are all Social Circles meant to bind and blind our minds and imaginations to the unlawful Census driven time and space based Solar yellow journal minion cargo-cult we call Modern Civilization.
TIME IS NOT REAL!
This is an illuminated manuscript or letter to all.
A Swan Song- by Mr. Plant and Performed by Plant & Allison Kraus
“A pen is mightier than the sword."
"The swan song (Ancient Greek: κύκνειον ᾆσμα; Latincarmen cygni) is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that swans (Cygnus spp.) sing a beautiful song in the moment just before death, having been silent (or alternatively, not so musical) during most of their lifetime. This belief, whose basis in actuality is long-debated, had become proverbial in Ancient Greece by the 3rd century BC, and was reiterated many times in later Western poetry and art."
song (n.)
Old English sang "voice, song, art of singing; metrical composition adapted for singing, psalm, poem," from Proto-Germanic *sangwaz (source also of Old Norse söngr, Norwegian song, Swedish sång, Old Saxon, Danish, Old Frisian, Old High German, German sang, Middle Dutch sanc, Dutch zang, Gothic saggws), from PIE *songwh-o- "singing, song," from *sengwh- "to sing, make an incantation" (see sing (v.)). 
Words Have Two Meanings - Let's Get "Anointed" or Baptized to be Reborn.

font (n.1) 

"water basin," especially used in baptism, late Old English, from Latin fons (genitive fontis) "fountain" (see fountain), especially in Medieval Latin fons baptismalis "baptismal font." The word is sometimes used poetically for "a fountain; a source."

"complete set of characters of a particular face and size of type," 1680s (also fount), earlier "a casting" (1570s), from Middle French fonte"a casting," noun use of fem. past participle of fondre "to melt" (see found (v.2)). So called because all the letters in a given set were cast at the same time.

Phrase for a song "for a trifle, for little or nothing" is from "All's Well" III.ii.9 (the identical image, por du son, is in Old French. With a song in (one's) heart "feeling joy" is first attested 1930 in Lorenz Hart's lyric. Song and dance as a form of vaudeville act is attested from 1872; figurative sense of "rigmarole" is from 1895.
“The company logo was based on Evening also called The Fall of Day (1869) by painter William Rimmer, featuring a picture of the Greek god Apollo.
"The swan song (Ancient Greek: κύκνειον ᾆσμα; Latincarmen cygni) is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that swans (Cygnus spp.) sing a beautiful song in the moment just before death, having been silent (or alternatively, not so musical) during most of their lifetime. This belief, whose basis in actuality is long-debated, had become proverbial in Ancient Greece by the 3rd century BC, and was reiterated many times in later Western poetry and art."
"In Greek mythology, the swan was a bird consecrated to Apollo, and it was therefore considered a symbol of harmony and beauty and its limited capabilities as a singer were sublimated to those of songbirds.
“In Irish mythologyAengus (Old IrishOíngus, Óengus) is a member of the Tuatha Dé Danann and probably a god of love, youth and poetic inspiration. He is traditionally described as having singing birds circling his head.”
“In Old Irish his name is spelled Oíngus or Óengus [oiŋɡus], from Proto-Celtic *oino- "one" and gus "strength" (or possibly "choice"). In Middle Irish this became Áengus, and in Modern Irish Aengus or Aonghus [ˈeːŋɡəsˠ][ˈeːŋɣəsˠ]. Epithets include Óengus Óc/Aengus Óg ("Aengus the young"), Mac ind Óg ("son of the young"), Mac Óg ("young son") and Maccan.”
Robert Plant as Aengus or Apollo, singing with Alison Krauss, a Song Bird or Muse.
Music video by Robert Plant, Alison Krauss performing Please Read The Letter. (C) 2008 Rounder Records Corp.
Letter means: Latin littera also meant "a writing, document, record," and in plural litteræ "a letter, epistle, missive communication in writing," a sense passed through French and attested in English letter since early 13c. (replacing Old English ærendgewrit "written message," literally "errand-writing"). The Latin plural also meant "literature, books," and figuratively "learning, liberal education, schooling" (see letters).
Screw means "defraud, cheat" tape means “narrow strip of cloth used for tying”. Letters are the laws, treaties and contracts that bind the world of course. “a writing, document, record”
True Freedom Comes From Reading The Books in The Library.
THE INTERNET IS THE GREATEST LIBRARY.
Liberty is an illusion. Freedom is our True Nature.
We can use the artificial to free our minds. The natural lies hidden in the art. The screens that blind and bind can become the doorways to our collective mental and real freedom. This why these figures in the old art, have books and point to them, or otherwise make reference to becoming a literate mind, with clever literary lyrics and poetry or the art of writing. We must continue to self educate and not parrot what authorities tell us. We must become our own authorities. We do not need Governors or Counts to count and control us.
"Singer Robert Plant's symbol of a feather within a circle was his own design, ..."
A symbol for a writer of lyrics. A 'Father in the wind'.
Angus The Kingly Author - The Sword of Gold is A Pen. Pens can be used to create freedom by spreading words.
Pens are used to keep animals trapped. Pens can be used to communicate ideas that can trap or free the individual.
“My Feat &/or Defeat Shall Not Alter... The Rainbow”
mid-14c., "action, deeds," from Anglo-French fet, from Old French fait "action, deed, achievement" (12c.), from Latin factum "thing done," a noun based on the past participle of facere "make, do" (see factitious, and compare fact). Sense of "exceptional or noble deed" arose c. 1400 from phrase feat of arms (French fait d'armes).

witness how artists craft myth into reality:

The Strider Among Us is Revealed as Hidden Royalty:
Take a Proper Gander at the Return of The Rainbow Gander King
(a gander is a male goose of course)
The public Robert “Plant” persona seems to be one crafted to make reference to Apollo, Aengus, and even Christ himself. The Stairway to Heaven, the numerous lyrical references in many other songs and the merchandised artifacts all make use of this very European symbology. These mythic references are woven together into one fabric of mythology, a many layered work of fiction, which is what this is. Any truth that may or may not be found is put forth in service of keeping truth hidden and occulted and none of this is meant to be in service of setting human minds free. But we can use it for just that. And maybe some of those artists like to sneak real insights into the noise. In any case, nature has a way of revealing itself through even the deceptive works of humankind.
Like the whales in the film Star Trek IV - we must too be freed from our Cages.
The name “Plant” suggests not only the old snake oil salesman trick of the plant in the audience, like Tolkien’s Strider, Plant also suggests the idea of planting seeds like the legendary Johnny Appleseed, in this case, Plant clearly makes reference to the garden of the mind in the song, “Houses of The Holy”. The idea is that the author ‘plants’ suggestions in the audience’s mind that will grow to fruition. Our mental gardens need literal watering and nourishment in order to flourish. These artists were inspired by others who came before them and some of us artists seek to inspire more minds, not less. Human’s are artists by nature. It is our collective calling. The Holy Grail or magic cauldron of life, represents the source of not only physical life, but mental life as well. The brain is an organic and natural structure that obeys the same rules all growing things do.
Of course the apple represents the fruit of the Tree in the Garden. In this case this new fruit is of the other tree we do not normally hear about. The first tree was the Tree of Knowledge of the Pairs of Opposites. Good and evil. Light and dark and so on. The other tree is the Tree of Immortality, which like the Holy Grail is intended to be the ‘neutral’ path between the two pillars or oppositional poles. The proverbial Twin Towers are the left and right paths that only mislead. The political system is predicated on this nonsensical absurd lie. The truth is the ‘middle way’. The fruit of the second tree represents the insight that we are part of nature and that what we thought of as real history and time is nothing but myth and illusion.
"BILL MOYERS: Genesis 1: So God created man in his own image, in the image of God he created him, male and female he created them. Then God blessed them and God said to them, ‘Be fruitful and multiply.’
JOSEPH CAMPBELL: And now this is from a legend of the Bassari people of West Africa. “Unumbotte made a human being, its name was Man. Unumbotte next made all antelope, named Antelope. Unumbotte made a snake, named Snake. And Unumbotte said to them, ‘The earth has not yet been pounded. You must pound the ground smooth where you are sitting.’ Unumbone gave them seeds of all kinds and said, ‘Go plant these.'”
JOSEPH CAMPBELL: Whenever one moves out of the transcendent, one comes into a field of opposites. These two pairs of opposites come forth as male and female from the two sides. What has eaten of the tree of the knowledge, not only of good and evil, but of male and female, of right and wrong, of this and that, and light and dark. Everything in the field of time is dual, past and future, dead and alive. All this, being and nonbeing, is, isn’t.
BILL MOYERS: And what’s the significance of them being beside the mask of God, the mask of eternity? What is this sculpture saying to us?
JOSEPH CAMPBELL: The mask represents the middle, and the two represent the two opposites, and they always come in pairs. And put your mind in the middle; most of us put our minds on the side of the good against what we think of as evil. It was Heraclitus, I think, who said, “For God all things are good and right and just, but for man some things are right and others are not.” You’re in the field of time when you’re man, and one of the problems of life is to life in the realization of both terms. That is to say, I know the center and I know that good and evil are simply temporal apparitions.
BILL MOYERS: Well, are some myths more or less true than others?
JOSEPH CAMPBELL: They’re true in different senses, do you see? Here’s a whole mythology based on the insight that transcends duality. Ours is a mythology that’s based on the insight of duality. And so our religion tends to be ethical in its accent, sin and atonement, right and wrong. It started with a sin, you see. In other words, moving out of the mythological zone, the garden of paradise where there is no time, and where men and women don’t even know that they’re different from each other, there the two are just creatures. And God and man are practically the same: “He walks in the cool of the evening in the garden where we are.” And then they eat the apple, the knowledge of the pairs of opposites, and man and woman then cover their shame, that they’re different; God and man, they’re different; man and nature, as against man."
Layers of Cultural Mythology & Folklore Explored: (A Fool in The Reign or a Fool Planting Sticks or ideas?) 
The Seven of Wands Card depicts a man making a ‘pen’ or fence or so it seems to us. Pens are used to fence animals in. Today we are shepherded by the mainstream media and the news and talk shows, celebrities and social media personas and each other.
Are these the same bundle of sticks from the album cover for Led Zeppelin’s “Runic” Album? Runes being the creation of the Norse God Odin, of course and the Feather symbol Robert Plant uses is such a Rune.
Robert “Planty” Plant’s other nickname was “Percy” which is a reference to Sir Parsifal.

"Parsifal is a young man who is a “pure fool”, which means that he is an innocent, good man who slowly starts to understand the world.”

The Path of The Holy Gail: The Middle Way - The Stairway To Sanity
"If I were now to rewrite the book, I would offer the Savage a third alternative. Between the Utopian and primitive horns of his dilemma would lie the possibility of sanity... In this community economics would be decentralist and Henry-Georgian, politics Kropotkinesque and co-operative. Science and technology would be used as though, like the Sabbath, they had been made for man, not (as at present and still more so in the Brave New World) as though man were to be adapted and enslaved to them. Religion would be the conscious and intelligent pursuit of man's Final End, the unitive knowledge of immanent Tao or Logos, the transcendent Godhead or Brahman. And the prevailing philosophy of life would be a kind of Higher Utilitarianism, in which the Greatest Happiness principle would be secondary to the Final End principle – the first question to be asked and answered in every contingency of life being: "How will this thought or action contribute to, or interfere with, the achievement, by me and the greatest possible number of other individuals, of man's Final End?"
We do not agree completely with Huxley’s expressed sentiment. We can see how the ideas he expresses have clear merit, but they are not founded on the premise or ‘stone’ or ‘rock’ of the natural state of freedom the so-called ‘Savage’ possesses. The bolded statement ignores the facts of Nature. We are born free, as the cliche goes. It’s not a question of “How will this thought or action contribute to, or interfere with, the achievement, by me and the greatest possible number of other individuals, of man's Final End?” It is a question of not committing the one true sin and one true crime of forcing your will on another. The very crime of government. Huxley’s ideas come close to, but fail to deliver a true freedom, which is ours by Natural birthright. It is just common sense.
The STONE or ROCK of Masonry and other so-called “Occult” imagery would seem to be a reference to this myth of the Holy Grail Stone.
Please take the time to read this lengthy passage. It is important.
“In Parzival, Wolfram von Eschenbach, claimed the Grail was a stone that fell from Heaven, and had been the sanctuary of the Neutral Angels who took neither side during Lucifer's rebellion. “
The crowning moment is Parzival’s failure. He honours the code and he dishonours his heart, and thus a new ethic is disclosed. As Campbell tells the tale in his book Creative Mythology (the last of four volumes of his monumental work The Masks of God ), Parzival is the one figure through whom this crucial distinction between individual and collective can be worked out. Like the meaning of his name ‘right through the middle’, he is destined to get to the centre of things. For he has been brought up in the country by a mother, disillusioned of the court, who wanted her son to know nothing of its elaborate rules and codes of conduct. His life is lived in terms of the dynamic of his own natural impulses, and when he first sees three knights riding by on their prancing horses he falls to the ground on his knees imagining they are angels. Leaving his home, he comes across an old knight called Guernemanz, who is to be his first teacher. Guernemanz instructs him in the skills and virtues of knighthood and the civilities of court - never to lose the sense of shame, to be compassionate to the needy, not to ask too many questions, and so on - and when he has mastered these Guernemanz then offers him his daughter in marriage. But Parzival says, ‘No, I must earn a wife, not be given a wife,’ passing the first spiritual test of both Wolfram and Campbell.
Having later earned his true bride, whom he loves, he rides to the next test a married man, and is eventually conducted to the Castle of the Grail. There he sees the Grail resting on its deep green cloth of gold-threaded silk and he shares the cup of its infinite sweetness with his suffering and melancholy host who, resting on a litter unable to sit or stand or lie, tells him God has maimed him. And Parzival thought, remembering Gurnemanz: ‘He counselled me, in sincerity and truth, not to ask too many questions.’

‘For that I pity him,’ Wolfram comments, ‘and I pity too his sweet host, whom divine displeasure does not spare, when a mere question would have set him free.’ (CM, 446)
Parzival’s fault was not to act on his impulse of compassion. He was moved to ask, ‘What ails you, Uncle?’ But he quells his spontaneous moment of sympathy, the natural opening of the human heart to another human being, believing it to be more important to obey the rule of courteous restraint given to him by his teacher who had helped him come this far. Yet his question was an expression of compassion, and as a truly individual human feeling could not fall under any general notion of society. It was not curiosity - ’another’ question - not one of ‘too many’; it was the Question, his question.
Parzival does not fully understand what he has done wrong until, poised for the glory of acceptance at the Round Table of King Arthur, the summit and consummation of knightly virtue, he is shamed before the meal begins by the dog-nosed, boar-tusked Cundrie, who curses him for his empty heart. She shames him because, Campbell explains, she is the messenger of a deeper sphere of values and possibilities than was yet sensed or understood by his socially conscious mind, but which, in the dreamlike, visionary image of the Castle of the Grail, had appeared to him as the first sign of a kingdom still to be earned, beyond the sphere of the world’s flattery, proper to his own unfolding Life. (CM, 454) It was his own inward knowledge, but he did not yet know it. Parzival takes up Cundrie’s challenge: ‘I am resolved to know no joy until I have seen again the Grail,’ he declares, in defiance now of the rule that proclaims there are no second chances. Then, in answer to Gawain’s gentle wish that God would give him good fortune in battle, he makes this momentous reply:

Alas, what is God? Were He great, He would not have heaped undeserved disgrace on us both. I was in his service, expecting His grace. But I now renounce Him and His service. If He hates me, I shall bear that. Good friend, when your own time comes for battle, let a woman be your shield. (CM, 452)

Parzival’s denunciation of God, or of what he takes to be God - the god-image ‘up there’ reported by his mother and the knightly code - marks, Campbell says, ‘a deep break in the spiritual life not only of this Christian hero, as a necessary prelude to his healing of the Maimed King and assumption of the role without inheriting the wound, but also of the Gothic age itself and thereby Western man.’ (CM. 452) For Parzival has now to confront directly the void without and within, where, as Nietzsche tells, the dragon of ‘Thou Shalt’ is to be slain. By saying No to the social, collective morality, and No to the image he takes to be God, he casts himself into the wilderness where he wanders desolate for five years, but in so doing he frees his own authentic experience, since that has become the only thing and everything he has.
Only the Grail can redeem the Wasteland, yet what is the Wasteland but the absence of the Grail? Before this, Parzival lived in the Wasteland, but did not suffer it; now he experiences the anguish of that life and so takes on symbolically the wound of the Grail king whose maiming is the expression of the Wasteland. For only when Parzival has healed himself will he be able to heal Anfortas and take upon himself the role of king. But what is the Wasteland? For Campbell it is simply the inauthentic life, a state of being which is barren of the truth of who you are.
Wolfram could see it all around him in the twelfth century, but it belongs to any age or person who lives a life handed down by society and does not take up the challenge of his or her own destiny. In practice, this means that you put what (you think) is expected or required of you (the social ‘ought’) before the impulse of your own heart, wherever it may lead. This is exactly parallel to Jung’s radical distinction between the individual and the collective life, which is the life you inherit-the ideals, beliefs, perspectives-you have not yet made your own. The appeal of the collective sensibility is clear with Parzival: why should he be blamed, he protests, when he only behaved courteously, as any true knight would? And in Wolfram’s ironic aside, he had indeed been ‘true to the dictates of good breeding’. But the often beguilingly reasonable claims of the society are never valid, Campbell insists. To be persuaded that they are is the third temptation of the Buddha-‘Perform your Duty to Society’. Your duty to society is no good, he persists, unless it is you. First, you have to be an individual, and it takes a hero to be one.”
“Campbell calls Parzival the Grail Hero, and here his immense range of study into the mythologies of the world allows him to discern the universal dimension within the specific cultural ideas of medieval Europe. It was essential, he taught, to distinguish the ‘ethnic’ or ‘folk ideas’ of a particular time and place from the ‘elementary ideas’, (in Bastian’s term), or the ‘archetypes of the collective unconscious’, (in Jung’s term), which are the mythic motifs common to all human beings. For a recognition of the two aspects, a universal and a local, in the constitution of sacred stories everywhere - whether called myths, religion, literature, or even history - prevents the fruitless debate on which one is ‘right’. Mythology, he declares, ‘is psychology, misread as biology, history, cosmology.’ (H, 256)
Parzival’s separation from Arthur’s Court and his refusal of the courtly God marks, then, the first stage of the hero’s solitary journey to fulfilment, that lonely dangerous quest, which is the only way to an individual life. As a boy, he was first ‘called’ away from his childhood by the knightly messengers - ’angels’, as he thought. Later, a knight himself, after his loving marriage to Condwiramurs and his unwitting visit to the Castle of the Grail, he was ritually conducted to Arthur’s Table by the gentlest knight of all, Gawain, the only one who understands his gazing at the drops of blood upon the ground to be the trance of love. The second messenger who summons him, this time away from the rewards of his worldly goal, and sets him irrevocably on the inward, visionary quest, is no angel of light but the dark apparition of the Loathly Damsel, Cundrie, richly arrayed and ugly as a hog.
The Loathly Damsel or Ugly Bride is a familiar figure in Celtic legend and fairytale, a maiden who is seen as ugly by the wicked and as fair by the good, and whom a loving kiss can transform from ugly to beautiful in an instant. (Compare the Russian tale of the Toad Bride, Beauty and the Beast, and also the play on this motif by Papagena in Mozart’s The Magic Flute.) In the Celtic folktale, this mythic figure appears as the daughter of the King of the Land of Youth, who was cursed with the head of a pig, but, when boldly kissed, became beautiful and granted her saviour the kingship of her timeless realm. Here, buried in the image of Cundrie’s boar tusks, is a vital clue to the nature of the Kingdom of the Grail, and one, furthermore, that would most likely be overlooked without the kind of mythic reach that Campbell offers. For, he argues, the Kingdom of the Grail is such a land as is suggested by this image: ‘To be achieved only by one capable of transcending the painted wall of space-time with its foul and fair, good and evil, true and false display of the names and forms of merely phenomenal pairs of opposites.’ (CM, 455) Consequently, the image prepares us for a passage beyond the known bounds and forms of space, time and causality to a domain of vision, where time and eternity are at one: in Parzival’s case, the Grail Castle, and in Gawain’s - summoned at the same time, as though they were soul brothers - the enchanted Château Merveil.
Entering, then, the Wasteland of their own disoriented lives, the next stage of trial begins in the enchanted underworld, and here the story passes to Gawain who, having lifted the spell on the enchanted castle, then meets the Lady Orgeluse, sitting by a spring. Seeing in her the reflection of the moving principle of his life, his lifelong service to love in general is irreversibly transformed into a service to that particular love. His spiritual test is now to hold to that one experience in loyalty and love beyond both fear and desire for distraction, the model already established in the Buddha’s holding to the ‘immovable point’ beneath the Bodhi Tree, which neither fear nor desire could move. Again, the mythic resonance is necessary to transform our perception of the image: ‘The sense of such a female by a spring is of an apparition of the abyss: psychologically, the unconscious; mythologically, the Land below Waves, Hell, Purgatory or Heaven. She is a portion of onself, one’s destiny.’ (CM, 489) The larger point being made here, and one which is essential to an understanding of the meaning of the Grail, is that ‘initiations transpire through the revelations of chance, according to the readiness of the psyche.’ (CM 484) Campbell frequently refers to James Joyce’s Ulysses as a parallel contemporary myth, comparing Stephen Dedalus and Parzival as the solitary introverts moved by a sense of purpose, and Bloom and Gawain as love-questing extroverts. So similarly, Joyce writes of Dedalus: ‘He found in the world without as actual what was in his world within as possible.’ (CM 197) Since, in the case of both Gawain and Parzival, their trials were proper to their own lives, they were consequently their match. And so the second heroic stage of Initiation was achieved.
What then, finally, is the Holy Grail? Campbell did not leave the symbol vague and general, in the bafflingly opaque terms of the cup of transformation which would grant eternal life. In all the Grail stories, the Grail is the supreme spiritual value, but which one? Since, also, ‘it is a law of symbolic life that the god beheld is a function of the state of consciousness of the beholder’, (CM 566) it is a matter of some consequence which author is doing the beholding. In the monastic version of the Grail story (La Queste del Saint Graal ), the Grail is exclusively associated with Christ’s passion, as it is in Wagner’s opera Parzival and Tennyson’s Idylls of the King: The Grail is the chalice of the Last Supper and the chalice that received Christ’s blood when he was taken down from the cross. Thus the reference of the symbol remains enclosed within the Christian orthodox tradition, dependent on the dualistic opposition of spirit and nature, and on belief in the sacraments as administered by the Church. Here the source of the Grail’s gift is imagined as coming from outside nature, so nature is still inherently fallen, or cursed, not itself, even potentially, divine. So the reawakening to nature that was springing up everywhere in the twelfth and thirteenth centuries was, in this work, reversed, and the supernatural reimposed as the proper authority, leaving, as Campbell characteristically puts it, ‘nature, man, history, and all womankind except baptized nuns, to the Devil’.“
Robert Plant and the Sensational Space Shifters perform 'Rainbow' live. Recorded at Hydrogen Festival/Padova, Italy & Colours of Ostrava/Czech Republic Plus footage from Glastonbury Festival/UK Website: www.robertplant.com Twitter: www.Twitter.com/RobertPlant Facebook: www.Facebook.com/RobertPlant Instagram: RobertPlantOfficial
“Biblical” Revelations:
“Found a Lucky Charm”
WORD HAVE TWO MEANINGS
He’s been singing and calling us all “Baby” for years.
early 14c., from Anglo-Latin biblia, Old French bible (13c.) "the Bible," also any large book generally, from Medieval and Late Latin biblia"the Bible" (neuter plural interpreted as feminine singular), from phrase biblia sacra "holy books," a translation of Greek ta biblia to hagia "the holy books." The Latin word is from Greek biblion "paper, scroll," the ordinary word for "book," originally a diminutive of byblos "Egyptian papyrus." 
by 1945, from luck (n.). To luck out "succeed through luck" is American English colloquial, attested by 1946; to luck into (something good) is from 1944. Lukken (mid-15c.) was a verb in Middle English meaning "to happen, chance;" also "happen fortunately," but the modern word probably is a new formation.
c. 1300, "to recite or cast a magic spell," from Old French charmer (13c.) "to enchant, to fill (someone) with desire (for something); to protect, cure, treat; to maltreat, harm," from Late Latin carminare, from Latin carmen (see charm (n.)). In Old French used alike of magical and non-magical activity. In English, "to win over by treating pleasingly, delight" from mid-15c. Related: CharmedcharmingCharmed (short for I am charmed) as a conventional reply to a greeting or meeting is attested by 1825.
c. 1300, "incantation, magic charm," from Old French charme (12c.) "magic charm, magic, spell; incantation, song, lamentation," from Latin carmen "song, verse, enchantment, religious formula," from canere "to sing" (see chant (v.)), with dissimilation of -n- to -r- before -m- in intermediate form *canmen (for a similar evolution, see Latin germen "germ," from *genmen). The notion is of chanting or reciting verses of magical power.
The Literary Lucky Charm
Below, The Winged Apollo or Celtic Aengus or Jesus Christ “Under The Rainbow” At The End of the World. Well here we are. How does it feel to know time is not real and history is mostly a lie?
The Lie of The Fairy Tale Princess is Revealed by The Bullfrog Prince. The song “If I Had A Ribbon Bow” is about the very magical stuff Disney films are made of. The fairy tale princess is supposed to be every young girl’s dream. The reality is that this is just the lure of the gilded cage. True love does not lie along a golden path or road. No golden orb can give one true love.
“If I had a ribbon bow to tie my hair
And a gown of calico that I could wear,
I'd surely get a sweetheart, a prince or a king,
A palace home where I would have everything!
If I had a ribbon bow to tie my hair,
This old world could come and go, I wouldn't care!
I'd stay up in my castle,, and I'd always wear
A ribbon bow so fine to tie my hair.
All the live long day,
To the Lord above me,
All I do is pray
For someone to love me!
If I had a ribbon bow, all nice and clean,
I could be a princess or a fairy queen!
Prince charming then would court me, his love he would swear,
If I had a ribbon bow to tie my hair.
Here's a story of a girl, a story seldom told,
What she wanted from this world was not of gems or gold!
Her wishes were quite plain, as you will see,
For of'en she would simply make this plea;
All the live long day,
To the Lord above me,
All I do is pray
For someone to love me!
If I had a ribbon bow, all nice and clean,
I could be a princess or a fairy queen!
Prince charming then would court me, his love he would swear,
If I had a ribbon bow,
A pretty little ribbon bow,
Prince charming then would court me, his love he would swear,
If I had a ribbon bow to tie my hair.”
IF I HAD A RIBBON BOW - Lyrics - International Lyrics Playground
In the tale, a spoiled princess reluctantly befriends the Frog Prince (meeting him after dropping a gold ball into a pond), who magically transforms into a handsome prince. Although in modern versions the transformation is invariably triggered by the princess kissing the frog, in the original Grimm version of the story the frog's spell was broken when the princess threw it against a wall in disgust.[1]
In other early versions it was sufficient for the frog to spend the night on the princess' pillow.
The frog prince also has a loyal servant named Henry (or Harry) who had three iron bands affixed around his heart to prevent it from breaking in his sadness over his master's curse, but when the prince was reverted to his human form Henry's overwhelming happiness caused all three bands to break, freeing his heart from its bonds.
“Oh, Gabriel, let me blow your horn. Let me blow your horn
Oh, I never did, did no harm.” Led Zeppelin In My Time Of Dying - from the album Physical Graffiti.
The Swan Song is the death song of the swan, and ‘blowing the angelic horn’ would seem to be the death song of the rock and roll singer. 
Old English heorot "hart, stag, male of the red deer," from Proto-Germanic *herutaz (source also of Old Saxon hirot, Old Frisian and Dutch hert "stag, deer," Old High German hiruz, Old Norse hjörtr, German Hirsch "deer, stag, hart"), perhaps from PIE *keru-, extended form of root *ker- (1) "horn" (see horn (n.)). In later times, a male deer after its fifth year, when the crown antler has appeared. The female is a hind (n.).
Jesus Christ At The End of The World Sounding The Truth Through The Music of His Horn
Old English horn "horn of an animal; projection, pinnacle," also "wind instrument" (originally one made from animal horns), from Proto-Germanic *hurnaz (source also of German Horn, Dutch horen, Old Frisian horn, Gothic haurn), from PIE *ker- (1) "horn; head, uppermost part of the body," with derivatives refering to horned animals, horn-shaped objects and projecting parts (source also of Greek karnon"horn," Latin cornu "horn," Sanskrit srngam "horn," Persian sar "head," Avestan sarah- "head," Greek koryphe "head," Latin cervus"deer," Welsh carw "deer"). 
Late 14c. as "one of the tips of the crescent moon." The name was retained for a class of musical instruments that developed from the hunting horn; the French horn is the true representative of the class. Of dilemmas from 1540s; of automobile warning signals from 1901. Slang meaning "erect penis" is recorded by 1785. Jazz slang sense of "trumpet" is by 1921. Meaning "telephone" is by 1945. Figurative senses of Latin cornu included "salient point, chief argument; wing, flank; power, courage, strength." Horn of plenty is from 1580s. To make horns at "hold up the fist with the two exterior fingers extended" as a gesture of insult is from c.1600. 
late 14c., babi, diminutive of baban (see babe + -y (3)). Meaning "childish adult person" is from c. 1600. Meaning "youngest of a group" is from 1897. As a term of endearment for one's lover it is attested perhaps as early as 1839, certainly by 1901; its popularity perhaps boosted by baby vamp "a popular girl," student slang from c. 1922. As an adjective, by 1750. 
Baby food is from 1833. Baby blues for "blue eyes" recorded by 1892 (the phrase also was used for "postpartum depression" 1950s-60s). To empty the baby out with the bath (water) is first recorded 1909 in G.B. Shaw (compare German das Kind mit dem Bade ausschütten). Baby's breath (noted for sweet smell, which also was supposed to attract cats) as a type of flower is from 1897. French bébé (19c.) is from English.
"to treat like a baby," 1742, from baby (n.). Related: Babiedbabying.
“Defeat Shall Not Alter…This Rainbow.”
Welcome To The End of The World.
"JOSEPH CAMPBELL: Now the curious thing in our tradition, in Chapter 3 of Genesis is, that in order that man should not eat of that tree, God expelled them from the garden. He had eaten of the tree of the knowledge of good and evil, let’s say, knowledge of pairs of opposites, so immediately he knew not only good and evil, but male and female, man and god, he was in a world of opposites. So he had thrown himself out of the garden, really. Getting back into that garden is the aim of many a religion, and there’s a very interesting point I can bring up here. When Jahweh threw man out of the garden, he put two cherubim at the gate, do you remember? With the flaming sword between. Now when you approach a Buddhist shrine with the Buddha seated under the tree of immortal life, you will find at the gate two guardians, frightening, terrifying. Those are the cherubim, and you’re going between to the tree of immortal life. Now, we say in the Christian tradition that Jesus on the cross is on that tree, the tree of immortal life is the cross, and he is the fruit of the tree. Jesus on the cross, the Buddha under the tree, these. are the same figures. The cherubim at the gate, who are they? Now as the Buddhists mean them, you’ll see one has his mouth open, the other has his mouth closed — a pair of opposites. Fear and desire, a pair of opposites. If you’re approaching a thing like that, a garden like that, and those two figures there are real, alive figures, and they threaten you, if you have fear for your life, you are still outside the garden. It’s when you are no longer attached to your ego existence, but see the ego existence as a function of a larger, eternal totality, and you favor the larger against the smaller, then you won’t be afraid of those two figures, and you will go through.
BILL MOYERS: Back into the garden from which once man was expelled…"
Wheels on the Magic Merry Yellow Journal Prankster School Bus go round and round.
A Song about eating the fruit from the second tree in the garden- we have to get back to it!
"By the time we got to Woodstock,
We were half a million strong
And everywhere was a song and a celebration.
And I dreamed I saw the bomber death planes
Riding shotgun in the sky,
Turning into butterflies
Above our nation.
We are stardust, we are golden,
We caught in the devil's bargain,
And we got to get ourselves back to the garden."
Written by Joni MItchell- The Lady of The Laurel Canyon - a song bird of Aengus or Apollo. Daughter of a military family.
Compare to Robert Plant's apparent answer, Stairway To Heaven. Was Joni the lady who was sure? It seem likely to us. Words have two meanings and the Lady who shines white light might also be a reference to the Columbia Pictures Logo. This makes sense as Columbia is a symbolic presentation of this American (British) Enterprise.
"Columbia" (/kəˈlʌmbiə/kə-lum-bee-ə) is a historical and poetic name used for the United States of America and also as one of the names of its female personification. It has given rise to the names of many persons, places, objects, institutions, and companies; e.g., Columbia University, the District of Columbia (the national capital), and the ship Columbia Rediviva, which would give its name to the Columbia River. Images of the Statue of Liberty largely displaced Columbia as the female symbol of the U.S. by around 1920."
"Britannia was the Greek and Roman term for the geographical region of Great Britain or Great Britain and Ireland which was inhabited by the Britons and is the name given to the female personification of the island. It is a term still used to refer to the island today. The name is Latin, and derives from the Greek form Prettanike or Brettaniai, which originally designated a collection of islands with individual names, including Albion or Great Britain; however, by the 1st century BC, Britannia came to be used for Great Britain specifically. In AD 43 the Roman Empire began its conquest of the island, establishing a province they called Britannia, which came to encompass the parts of the island south of Caledonia (roughly Scotland). The native Celtic inhabitants of the province are known as the Britons. In the 2nd century, Roman Britannia came to be personified as a goddess, armed with a trident and shield and wearing a Corinthian helmet."
A Lady Who Shines White Light & Wants To Show...
Never Forget What You Saw on 9/11
The footage is from the concert film "The Song Remains the Same". The concert took place in Madison Square Garden, New York City. Download song: http://smarturl.it/sthA
“His disciples said to him, “When is the kingdom going to come?” , “It is not by being waited for that it is going to come. They are not going to say, ‘Here it is’ or ‘There it is.’ Rather, the kingdom of the father is spread out over the earth, and people do not see it.””
— http://www.earlychristianwritings.com/thomas/gospelthomas113.html
The truth as far as we can tell: The Apple Tree grows apples and The Earth grows all life.
The Earth grows us and the Earth is alive and is the true center and source of our collective inner and outer ‘cosmology’.
Live Form The Artists Den
Like the mythic Heracles or Samson or Sun Man or Superman, the Strength Tarot card informs us we must defeat the Lion, which we now know represents the Royal World Mafia Banking Ring and its 666 Yellow Skinned Minion Multimedia Beast.
A clip from the film, "the Song Remains The Same". Amid whale sounds and sexual birthing moans, we witness the rebirth of the young seeker of real spiritual insight into the wizened Wizard, or Time Lord, Saturn figure. He is also a "Bowman".
https://youtu.be/mIHe3U3uSzw
The Hermit Tarot Card represents Saturn or Father Time or even Doctor Who. In other words all of those symbols refer to the same idea. The boundary of the imagination and the cosmos which are one and the same. Cosmos means the order of nature.

cosmos (n.) 
c. 1200 (but not popular until 1848, as a translation of Humboldt's Kosmos), from Latinized form of Greek kosmos "order, good order, orderly arrangement," a word with several main senses rooted in those notions: The verb kosmein meant generally "to dispose, prepare," but especially "to order and arrange (troops for battle), to set (an army) in array;" also "to establish (a government or regime);" "to deck, adorn, equip, dress" (especially of women). Thus kosmos had an important secondary sense of "ornaments of a woman's dress, decoration" (compare kosmokomes "dressing the hair") as well as "the universe, the world." 

Pythagoras is said to have been the first to apply this word to "the universe," perhaps originally meaning "the starry firmament," but later it was extended to the whole physical world, including the earth. For specific reference to "the world of people," the classical phrase was he oikoumene (ge) "the inhabited (earth)." Septuagint uses both kosmos and oikoumene. Kosmos also was used in Christian religious writing with a sense of "worldly life, this world (as opposed to the afterlife)," but the more frequent word for this was aion, literally "lifetime, age."
Jimmy Page as the Hermit in this clip from the film, “Song Remains the Same”.
We all age. We can also all gain wisdom with age.
Jimmy Page as A Saturnian Hermit Rain-Bowman.
An early version of "morphing" brought to you by none other than Led Zeppelin
1970’s film effects used to create the Saturnian Ring like Rainbow.
The bow is a violin or fiddler's bow of course, and a reference to the mythic 'Bowman'.


The Inner World And The Outer World Are One.

The God and Planetary Sphere of Saturn represents the end of things and the beginning of something new.

The old man becomes baby new year. Here we see Saturn is surrounded by the Rainbow. The old man comes to cut away the lies of history.

Please notice how the figures under Saturn seem to represent the Masons and artists and the crafters of culture themselves, on the chess board that is the game will call the social order. Please also notice how Saturn is depicted as being cripple or lame. This is reminiscent of the story of the knight Sir Parsifal and The Holy Grail and the Wounded Fisher King.
"In Arthurian legend the Fisher King, or the Wounded King, is the last in a long line charged with keeping the Holy Grail. Versions of his story vary widely, but he is always wounded in the legs or groin and incapable of moving on his own. In the Fisher King legends, he becomes impotent and unable to perform his task himself, and he also becomes unable to father or support a next generation to carry on after his death. His kingdom suffers as he does, his impotence affecting the fertility of the land and reducing it to a barren wasteland. All he is able to do is fish in the river near his castle, Corbenic, and wait for someone who might be able to heal him. Healing involves the expectation of the use of magic. Knights travel from many lands to heal the Fisher King, but only the chosen can accomplish the feat. This is Percival in earlier stories;"
"The Fisher King appears first in Chrétien de TroyesPerceval (late 12th-century), but the character's roots may lie in Celtic mythology. He may be derived more or less directly from the figure of Bran the Blessed in the Mabinogion. In the Second Branch, Bran has a cauldron that can resurrect the dead (albeit imperfectly; those thus revived cannot speak) which he gives to the king of Ireland as a wedding gift for him and Bran's sister Branwen. Later, Bran wages war on the Irish and is wounded in the foot or leg, and the cauldron is destroyed. He asks his followers to sever his head and take it back to Britain, and his head continues talking and keeps them company on their trip. The group lands on the island of Gwales (perhaps Grassholm), where they spend 80 years in a castle of joy and abundance, but finally they leave and bury Bran's head in London. This story has analogues in two other important Welsh texts: the Mabinogion tale Culhwch and Olwen, in which King Arthur's men must travel to Ireland to retrieve a magical cauldron, and the obscure poem The Spoils of Annwn, which speaks of a similar mystical cauldron sought by Arthur in the otherworldly land of Annwn."
"The location of the wound is of great importance to the legend. In most medieval stories, the mention of a wound in the groin or more commonly the "thigh" (such as the wounding of the ineffective suitor in Lanval from The Lais of Marie de France) is a euphemism for the physical loss of or grave injury to one's penis. In medieval times, acknowledging the actual type of wound was considered to rob a man of his dignity, thus the use of the substitute terms "groin" or "thigh", although any good medieval listener or reader would have known exactly the real nature of the wound. Such a wound was considered worse than actual death because it signaled the end of a man's ability to function in his primary purpose: to propagate his line. In the instance of the Fisher King, the wound negates his ability to honor his sacred charge."
“Saturn (Saturn symbol.svg) is the ruling planet of Capricorn and is exalted in Libra. In Roman mythology, Saturn is the god of agriculture, leader of the titans, founder of civilizations, social order, and conformity. The glyph is shaped like a scythe, but it is known as the "crescent below the cross", whereas Jupiter's glyph is the "crescent above the cross". The famous rings of the planet Saturn that enclose and surround it, reflect the idea of human limitations. Saturn takes 29.5 years to orbit the Sun, spending about 2.46 years in each sign of the zodiac.
Astrologically speaking, Saturn is associated with focus, precision, nobility, ethics, civility, lofty goals, purpose, career, great achievements, dedication, authority figures, ordered hierarchy, stability, virtues, productiveness, valuable hard lessons learned, destiny, conforming social structures, balance, and karma (reaping what you have sowed or divine cosmic justice) but also with limitations, restrictions, boundaries, anxiety, tests, practicality, reality, and time. It concerns a person's sense of duty, discipline, responsibility, including their physical and emotional endurance during hardships. Saturn is also considered to represent the part of a person concerned with long-term planning or foresight. The Return of Saturn is said to mark significant events in each person's life. According to the 1st-century poet Manilius, Saturn is sad, morose, and cold, and is the greater malefic. According to Claudius Ptolemy, "Saturn is lord of the right ear, the spleen, the bladder, the phlegm, and the bones."[28] Saturn symbolized processes and things that were dry and cold, which are necessary balancing aspects to maintain life. It governed the melancholic humor.
According to Sefer Yetzirah – GRA Version – Kaplan 4:13[29]
"He made the letter Resh king over Peace And He bound a crown to it And He combined one with another And with them He formed Saturn in the Universe Friday in the Year The left nostril in the Soul, male and female."

The planet Saturn
"Before the discovery of Uranus, Saturn was regarded as the ruling planet of Aquarius alongside Capricorn of course, which is the preceding sign. Many traditional types of astrologers prefer Saturn as the planetary ruler for both Capricorn and Aquarius. In modern astrology, it is the primary native ruler of the tenth house. Traditionally however, Saturn ruled both the first and eighth houses.
Saturn is associated with Saturday, which was named after the deity Saturn. Dante Alighieri associated Saturn with the liberal art of astronomia (astronomy and astrology).”
Take a Proper Gander at The Return of The Rainbow Swan King
Most think the Navy is interested in combat. The reality is the Navy is interested in communication technology and the art that technology will be the medium for.
Led Zeppelin's record label- Swan Song
Zeppelins were airships Ships of the air, or ships at sea, like the USS Enterprise, it's all really about commerce and communication and not real combat and war..

The initials "SS" are a British Naval designation.

The Sun King straddles the Seas. This figure would seem to be that of a Earthly king who assumes the role of the Sun God- like the mythic Pharaoh. This image would seem to represent the artificial kingdom of "Satan' from which we must free ourselves like Moses freed the mythical Israelites from the slavery of Pharaoh's crooked rule.
This Sun King, or Apollo figure,  holds a rod of rulership and an open book. The open book would seem to represent education through literacy. This Sun divinity figure generates light naturally, as symbolized by the placement of the Sun face, discreetly covering his body. From his loins comes the generative power of the Sun.
Compare to this:
"The location of the wound is of great importance to the legend. In most medieval stories, the mention of a wound in the groin or more commonly the "thigh" (such as the wounding of the ineffective suitor in Lanval from The Lais of Marie de France) is a euphemism for the physical loss of or grave injury to one's penis. In medieval times, acknowledging the actual type of wound was considered to rob a man of his dignity, thus the use of the substitute terms "groin" or "thigh", although any good medieval listener or reader would have known exactly the real nature of the wound. Such a wound was considered worse than actual death because it signaled the end of a man's ability to function in his primary purpose: to propagate his line. In the instance of the Fisher King, the wound negates his ability to honor his sacred charge."
One foot could be considered to be on one continent and the other on another continent. Leo the Lion, the Zodiac sign is 'ruled' by the planet known as the Sun.  The Lion is the King of the jungle. The Lion is a symbol of the British Empire. Leo is a Fire sign of course. Fire of the mind is metaphor for the unleaded and unbound imagination. Apollo is the Greco Roman Sun God who is also the God of The Arts. We can see that light is considered to be the inspiration for art. "See the light?" The fully actualized human or artist can. Please notice that below the Sun are people engaging in what appears to be theatrical combat training. This looks like acrobats and actors rehearsing for their next performance, which would make sense in the context of the Sun representing the source of inspiration for all the arts. This would seem to be illustrating the fact that wars are the work of a theatrical troop.
Origin of the Ancient History or Faking Pharaohs
Houses of the Holy: The Solar King of the Renaissance Becomes the Mythic Pharaoh. Please notice the similarity between the word for ‘great house’ and the word for fire or a river found in Hell. Kings and Queens are playing Halloween dress up and were and are the original cult of personality or celebrities. These are living idols the warnings against idolatry are meant to protect us from. These initial royal games become the foundational assumed concepts of modern civilization and culture. These halloween dress up make believe games become the military and the religions, the governments and corporations and the justice system. We usually do not question these very basic assumptions and we really should. The history of the ancient world, like much of modern history and the so-called news, is fake. It is myth and nonsense mixed in with small amounts of truth. It is all about control.
title of the kings of ancient Egypt, Old English Pharon, from Latin Pharaonem, from Greek Pharao, from Hebrew Par'oh, from Egyptian Pero', literally "great house."
before vowels pyr-, word-forming element form meaning "fire," from Greek pyro-, combining form of pyr (genitive pyros) "fire, funeral fire," also symbolic of terrible things, rages, "rarely as an image of warmth and comfort" [Liddell & Scott], from PIE root *paəwr- "fire" (see fire (n.)). Pyriphlegethon, literally "fire-blazing," was one of the rivers of Hell.
also Hell, Old English helhelle, "nether world, abode of the dead, infernal regions, place of torment for the wicked after death," from Proto-Germanic *haljo "the underworld" (source also of Old Frisian helle, Old Saxon hellia, Dutch hel, Old Norse hel, German Hölle, Gothic halja "hell"). Literally "concealed place" (compare Old Norse hellir "cave, cavern"), from PIE *kel- (2) "to cover, conceal" (see cell).
Old English heall "spacious roofed residence, house; temple; law-court," any large place covered by a roof, from Proto-Germanic *hallo"covered place, hall" (source also of Old Saxon, Old High German halla, German halle, Dutch hal, Old Norse höll "hall;" Old English hell, Gothic halja "hell"), from PIE root *kel- (2) "to hide, cover, conceal" (see cell). 
Daryl Hall - Private Eyes and CIA cells:
The monks who crafted the illuminated manuscripts and who preserved and translated the texts were the ones who crafted our culture. They invented history and languages, they developed music into what we know it as. This is the secret of the clerks and monks and the rabbis and church doctors. All these terms refer to the same thing! Educated and literate people. That is all these terms mean. The great secret is this, the middle class originated with the rising educated ‘clerk’ class. The beginnings of the modern world of corporate business begin when the educated Royals developed systems that allowed them to ‘harvest’ the best minds from among their ‘flock’ of animals. The social systems (SS) exist to control our behavior at all the various levels of this historical pyramid con job and crime.
King of the Hill, Hall or Hell- The Elfin King of the Dunes or Sidhe - all mean the same thing. The Song Remains the Same indeed.
Bobby Darin tune from later in his career called "Rx-Pyro: Prescription: Fire." Not sure where it originated but you can find it on "Songs from Big Sur."
late 14c., in law, "the right to something through long use," from Old French prescription (13c.) and directly from Latin praescriptionem(nominative praescriptio) "a writing before, order, direction," noun of action from past participle stem of praescribere "write before, prefix in writing; ordain, determine in advance," from prae "before" (see pre-) + scribere "to write" (see script (n.)). Medical sense of "written directions from a doctor" first recorded 1570s.
Bobby Darin’s medical advice as a ‘Doctor Who’ wants to inspire the fire of our imaginations and create the metaphorical halo fire above and around each of our heads.
fire (n.)
IE apparently had two roots for fire: *paewr- and *egni- (source of Latin ignis). The former was "inanimate," referring to fire as a substance, and the latter was "animate," referring to it as a living force (compare water (n.1)).
Brend child fuir fordredeþ ["The Proverbs of Hendyng," c. 1250]
English fire was applied to "ardent, burning" passions or feelings from mid-14c. 
Symbolic fire and the sword is by c. 1600 (translating Latin flamma ferroque absumi); earlier yron and fyre (1560s), with suerd & flawme (mid-15c.), mid fure & mid here ("with fire and armed force"), c. 1200. Fire-breathing is from 1590s. To set the river on fire, "accomplish something surprising or remarkable" (usually with a negative and said of one considered foolish or incompetent) is by 1830, often with the name of a river, varying according to locality, but the original is set the Thames on fire (1796). The hypothetical feat was mentioned as the type of something impossibly difficult by 1720; it circulated as a theoretical possibility under some current models of chemistry c. 1792-95, which may have contributed to the rise of the expression.
http://www.etymonline.com/
Cross Your tee’s dot your eyes but stay in “G”!
“Take Peanut Butter Any Other Way & You’ll Keep The Reaper Busy Everyday.”
A reference to the Catholic Mass and performing the ritualistic behavior of crossing our chest or heart with the so-called ‘holy symbol’ of the Church. The double meaning and play on words has to do with learning how to write or communicate. This education was once the good work of the Church itself of course. G stands for ‘God’ but it also stands for the key of G, the musical scale. G.O.D. is also a masonic reference and this stands for Generation Organization & Destruction, if our memory serves. Please keep in mind that Masons served a purpose back in the days before mass communication. This group was an offshoot of the banking and royal round table control system that was designed to manage the expanding British Empire.
Interesting how Bobby Darin 'predicts' the peanut allergies that are apparently so common today.
The Pyro Or Fire or Sun King sits in judgement over his hall, hill, hell, cell or court. It is a racket and game. A mafia crime. This becomes the court system we have today. This becomes our system of governmental control. Get it? Well now we sit in judgment of the entire historical hoax. We  are critiquing and criticizing the rulers and their long standing yellow journal cartoon con job.
Old English heall "spacious roofed residence, house; temple; law-court," any large place covered by a roof, from Proto-Germanic *hallo"covered place, hall" (source also of Old Saxon, Old High German halla, German halle, Dutch hal, Old Norse höll "hall;" Old English hell, Gothic halja "hell"), from PIE root *kel- (2) "to hide, cover, conceal" (see cell). 
early 12c., "small monastery, subordinate monastery" (from Medieval Latin in this sense), later "small room for a monk or a nun in a monastic establishment; a hermit's dwelling" (c. 1300), from Latin cella "small room, store room, hut," related to Latin celare "to hide, conceal." 
The Latin word represents PIE root *kel- (2) "to cover, conceal" (source also of Sanskrit cala "hut, house, hall;" Greek kalia "hut, nest," kalyptein "to cover," koleon "sheath," kelyphos "shell, husk;" Latin clam "secret;" Old Irish cuile "cellar," celim "hide," Middle Irish cul"defense, shelter;" Gothic hulistr "covering," Old English heolstor "lurking-hole, cave, covering," Gothic huljan "cover over," hulundi"hole," hilms "helmet," halja "hell," Old English hol "cave," holu "husk, pod"). 
Sense of monastic rooms extended to prison rooms (1722). Used in 14c., figuratively, of brain "compartments;" used in biology by 17c. of various cavities (wood structure, segments of fruit, bee combs), gradually focusing to the modern sense of "basic structure of living organisms" (which OED dates to 1845). 
Electric battery sense is from 1828, based on original form. Meaning "small group of people working within a larger organization" is from 1925. Cell body is from 1851; cell division from 1846; cell membrane from 1837 (but cellular membrane is 1732); cell wall from 1842.
Simon’s Sayings are Designed to Hut or Conceal the Truth in bull Shack.
1560s, from Latin clandestinus "secret, hidden," from clam "secretly," from adverbial derivative of base of celare "to hide" (see cell), perhaps on model of intestinus "internal." Related: Clandestinely. As a noun form, there is awkward clandestinity (clandestinenessapparently being a dictionary word).
"man ordained in the ministry," c. 1200, from Old English cleric and Old French clerc "clergyman, priest; scholar, student," both from Church Latin clericus "a priest," noun use of adjective meaning "priestly, belonging to the clerus" (see cleric). 
Modern bureaucratic usage is a reminder of the dark ages when clergy alone could read and write and were employed for that skill by secular authorities. In late Old English the word can mean "king's scribe; keeper of accounts;" by c. 1200 clerk took on a secondary sense in Middle English (as the cognate word did in Old French) of "anyone who can read or write." This led to the sense "assistant in a business" (c. 1500), originally a keeper of accounts, later, especially in American English, "a retail salesman" (1790). Related: Clerkship.
surname, from common Middle English alternative spelling of clerk (n.). In many early cases it is used of men who had taken minor orders.
"Jewish doctor of religious law," late 15c. (in Old English in biblical context only; in Middle English also as a title prefixed to personal names), from Late Latin rabbi, from Greek rhabbi, from Mishnaic Hebrew rabbi "my master," from rabh "master, great one," title of respect for Jewish doctors of law + -i, first person singular pronominal suffix. From Semitic root r-b-b "to be great or numerous" (compare robh "multitude;" Aramaic rabh "great; chief, master, teacher;" Arabic rabba "was great," rabb "master").
c. 1300, "Church father," from Old French doctour, from Medieval Latin doctor "religious teacher, adviser, scholar," in classical Latin "teacher," agent noun from docere "to show, teach, cause to know," originally "make to appear right," causative of decere "be seemly, fitting" (see decent). 
Meaning "holder of highest degree in university" is first found late 14c.; as is that of "medical professional" (replacing native leech (n.2)), though this was not common till late 16c. The transitional stage is exemplified in Chaucer's Doctor of phesike (Latin physica came to be used extensively in Medieval Latin for medicina). Similar usage of the equivalent of doctor is colloquial in most European languages: Italian dottore, French docteur, German doktor, Lithuanian daktaras, though these are typically not the main word in those languages for a medical healer. For similar evolution, see Sanskrit vaidya- "medical doctor," literally "one versed in science." German Arzt, Dutch arts are from Late Latin archiater, from Greek arkhiatros "chief healer," hence "court physician." French médecin is a back-formation from médicine, replacing Old French miege, from Latin medicus.
c. 1300, "great tower of a castle," from Old French donjon "great tower of a castle" (12c.), from Gallo-Roman *dominionem, from Late Latin dominium, from Latin dominus "master" (of the castle; see domain). Sense of "castle keep" led to "strong (underground) cell" in English early 14c. The original sense went with the variant donjon.
early 13c., from Old French dragon, from Latin draconem (nominative draco) "huge serpent, dragon," from Greek drakon (genitive drakontos) "serpent, giant seafish," apparently from drak-, strong aorist stem of derkesthai "to see clearly," from PIE *derk- "to see." Perhaps the literal sense is "the one with the (deadly) glance." 
The young are dragonets (14c.). Obsolete drake "dragon" is an older borrowing of the same word. Used in the Bible to translate Hebrew tannin "a great sea-monster," and tan, a desert mammal now believed to be the jackal.
The Great Sea Monster is the British Commercial Sea Empire & The 666 Yellow Journal Multimedia Beast
Etamin (Eltanin) – γ Draconis (Gamma Draconis)
The Dragon is a symbol of London.
“Gamma Draconis is the brightest star in Draco. It has an apparent magnitude of 2.3617 and is 154.3 light years distant from the solar system. It is sometimes known as the Zenith Star because it lies close to the zenith point directly overhead in London.
The constellation’s name means “the dragon” in Latin. Draco represents Ladon, the dragon that guarded the gardens of the Hesperides in Greek mythology.”
“Draco is one of the Greek constellations. It was first catalogued by the Greek astronomer Ptolemy in the 2nd century. It is a circumpolar constellation; it never sets below the horizon for many observers in the northern hemisphere.”
“The constellation Draco is associated with several myths, most frequently with the one about the 12 labours of Heracles, represented by the neighbouring constellation Hercules. In the myth, Draco represents Ladon, the dragon that guarded the golden apples in the gardens of the Hesperides.
The golden apple tree was a wedding present to Hera when she married Zeus. She planted the tree in her garden on Mount Atlas and tasked Atlas’ daughters, the Hesperides, with guarding it. She also placed the dragon Ladon around the tree so that the Hesperides would not pick any apples from it.”
http://www.constellation-guide.com/constellation-list/draco-constellation/
see: https://en.wikipedia.org/wiki/Draco_(constellation)
early 15c., in Scottish, from Middle French domaine "domain, estate," from Old French demaine "lord's estate," from Latin dominium"property, dominion," from dominus "lord, master, owner," from domus "house" (see domestic). Form influenced in Old French by Medieval Latin domanium "domain, estate." Internet domain name attested by 1985.
Nothing changes for the cartoon yellow journal minion. Today the monks in the monasteries have been replaced with private enterprise based corporate cultural content creators who obviously manufacture the content they sell at a premium. The old snake oil sales business is alive and well, on screens everywhere, upside down circular reasoning and yellow journal nonsense is the order of the day.

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