Wednesday, October 12, 2016

Where Do Minions Come From Part 2

Where Do Minions Come From Part 2


DOOMSDAY & TAXES
The book held by the Sun King reminds us of the "Domesday" Book. Here literature is used to list and enslave the world. Here is the beginning of the commercial world we know today. This the origin of the illogical and unlawful government census. Nothing changes.
"Domesday Book (/ˈduːmzdeɪ/ or US /ˈdoʊmzdeɪ/;[1][2] LatinLiber de Wintonia "Book of Winchester") is a manuscript record of the "Great Survey" of much of England and parts of Wales completed in 1086 by order of King William the Conqueror. The Anglo-Saxon Chronicle states:
While spending the Christmas time of 1085 in Gloucester, William had deep speech with his counsellors and sent men all over England to each shire to find out what or how much each landholder had in land and livestock and what it was worth.
It was written in Medieval Latin, was highly abbreviated, and included some vernacular native terms without Latin equivalents.[3] The survey's main purpose was to determine what taxes had been owed during the reign of King Edward the Confessor. (This interpretation is challenged by some historians, who see it as an attempt to assess where power lay after a wholesale redistribution of land following the conquest.)
The assessors' reckoning of a man's holdings and their values, as recorded in Domesday Book, was dispositive and without appeal. The name "Domesday Book" (Middle English for "Doomsday Book") came into use in the 12th century.[4] As Richard FitzNeal wrote in the Dialogus de Scaccario (circa 1179):[5]
for as the sentence of that strict and terrible last account cannot be evaded by any skilful subterfuge, so when this book is appealed to ... its sentence cannot be quashed or set aside with impunity. That is why we have called the book 'the Book of Judgement' ... because its decisions, like those of the Last Judgement, are unalterable.
The manuscript is held at The National Archives at Kew, London. In 2011, the Open Domesday site made the manuscript available online.[6]
The book is an invaluable primary source for modern historians and historical economists. No survey approaching the scope and extent of Domesday Book was attempted again in Britain until the 1873 Return of Owners of Land (sometimes termed the "Modern Domesday")[7] which presented the first complete, post-Domesday picture of the distribution of landed property in the British Isles."
"Domesday Book encompasses two independent works: "Little Domesday" (covering NorfolkSuffolk, and Essex) and "Great Domesday" (covering much of the remainder of England and parts of Wales—xcept for lands in the north which later became WestmorlandCumberlandNorthumberland, and the County Palatine of Durham). No surveys were made of the City of LondonWinchester, or some other towns, probably due to their tax-exempt status. (Other areas of modern London were then in Middlesex, Kent, Essex, etc., and are included in Domesday Book.) Most of Cumberland and Westmorland are missing. County Durham is missing because the Bishop of Durham (William de St-Calais) had the exclusive right to tax it; in addition, parts of north-east England were covered by the 1183 Boldon Book, listing areas liable to tax by the Bishop of Durham. The omission of the other counties and towns is not fully explained, although in particular Cumberland and Westmorland had yet to be fully conquered."
Heraldry and The Doomsday Book- The Origins of Corporate Logo Design & The Unlawful Census:
Like the Zodiac Houses that are said to rule over us all, and the proverbial House of Cards (playing cards & comedians), the Royal and Noble Estates and houses of the Global Mafia Banking Ring branded their property with wage slave names. Early language is simple pictorial imagery like we see on the heraldic shields of the so-called Houses of the Holy or divine right elite nobility. These are the ones who pretend the metaphor refers to them and not all of us. Only they are divine and have the right to reign over the rest of the world, including their fellow human beings who they treat like juvenile children and animals.
Humanity was not expelled form the Garden of Eden by Nature or real Divinity, this is a lie. Human beings were yanked from our natural state of freedom and enslaved by our fellows who tricked us with costume and custom and deceptive art and literal scripts that defined our limits and blinded our sight to the lies and bogeyman childish illusions we were and are sold, in order to keep us in and on line- working for the wage slave feudal system, without end.

Our names and heraldry are the ‘mark of the beast’, we are ALL, high and low, slave and Queen, branded as property.
Until the nineteenth century, it was common for heraldic writers to cite examples such as these, and metaphorical symbols such as the "Lion of Judah" or "Eagle of the Caesars" as evidence of the antiquity of heraldry itself; and to infer therefrom that the great figures of ancient history bore arms representing their noble status and descent. The Book of Saint Albans, compiled in 1486, declares that Christ himself was a gentleman of coat armour.[14] But these fabulous claims have long since been dismissed as the fantasy of medieval heralds, for there is no evidence of a distinctive symbolic language akin to that of heraldry during this early period; nor do many of the shields described in antiquity bear a close resemblance to those of medieval heraldry; nor is there any evidence that specific symbols or designs were passed down from one generation to the next, representing a particular person or line of descent.[15]"
Coats of Arms and even our names, have their origins in the census based estate or plantation slave based feudal system. These are symbols of slavery not freedom.
"The medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond, the cross and martlets of Edward the Confessor, and the various arms attributed to the Nine Worthies and the Knights of the Round Table. These too are now regarded as a fanciful invention, rather than evidence of the antiquity of heraldry.”
“The development of the modern heraldic language cannot be attributed to a single individual, time, or place. Although certain designs that are now considered heraldic were evidently in use during the eleventh century, most accounts and depictions of shields up to the beginning of the twelfth century contain little or no evidence of their heraldic character. For example, the Bayeux Tapestry, illustrating the Norman invasion of England in 1066, and probably commissioned about 1077, when the cathedral of Bayeux was rebuilt,[i] depicts a number of shields of various shapes and designs, many of which are plain, while others are decorated with dragons, crosses, or other typically heraldic figures. Yet no individual is depicted twice bearing the same arms, nor are any of the descendants of the various persons depicted known to have borne devices resembling those in the tapestry.[16][17]
Similarly, an account of the French knights at the court of the Byzantine emperor Alexius I at the beginning of the twelfth century describes their shields of polished metal, utterly devoid of heraldic design. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic.[18] The Abbey of St. Denis contained a window commemorating the knights who embarked on the Second Crusade in 1147, and was probably made soon after the event; but Montfaucon's illustration of the window before it was destroyed shows no heraldic design on any of the shields.[17][19]
In England, from the time of the Norman conquest, official documents had to be sealed. Beginning in the twelfth century, seals assumed a distinctly heraldic character; a number of seals dating from between 1135 and 1155 appear to show the adoption of heraldic devices in England, France, Germany, Spain, and Italy.[20] A notable example of an early armorial seal is attached to a charter granted by Philip I, Count of Flanders, in 1164. Seals from the latter part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism, but by the end of the twelfth century, seals are uniformly heraldic in nature.”
The Moon or Artemis, the sister of Apollo represents a Commercial Sea Empire as well. We can see this figure, like Columbia or the Statue of Liberty holds a torch, She seems to be ‘shining white light’ like a light house or beacon.  At each foot a wheel.
Please Notice That The Symbol of The Romani is the Chariot or Wagon Wheel (see below). This same wheel is depicted in the Luna or Moon Goddess art. The Two Wheels of her chariot, like the Twin Towers themselves, might represent the two banking circles on either side of the ocean. In any case, the wheels, like sailing and airships are symbols for traveling. This would seem to be indicating that the Long Standing Royal Mafia Global Criminal Banking Ring is a Roaming Theatrical ‘Gypping’ Road Show. It really is a ‘Wholly Roaming Empire”.
Traveling Tall Tales & Gypsy Roaming Wagon Wheels Become Wheels and Gears of Industry & Sailing Ships - The Wheel of Fortune, The Wheel of Time, all Social Circles meant to bind and blind our minds and imaginations to the unlawful Census driven time and space based Solar yellow journal minion cargo-cult we call Modern Civilization.
A Traveling Elfin Goose Feather in The Wind: Robert Plant’s “Logo” a Goose Feather Quill Pin or Pen - The Mark of A Lyricist.
Here Robert Plant is presented to us like a Celtic ‘flower power’ elf prince.
Can You See Me? Are We Pin-Ball Wizards? 
"dancing party," 1630s, from French, from Old French baller "to dance," from Late Latin ballare "to dance," from Greek ballizein "to dance, jump about" (see ballistics). Hence, "very enjoyable time," 1945, American English slang, perhaps back to 1930s in African-American vernacular.
mid-14c., "to affix with a pin," from pin (n.). Figurative use from 1570s. Related: Pinnedpinning. Sense of "to hold someone or something down so he or it cannot escape" is attested from 1740. In U.S., as a reference to the bestowal of a fraternity pin on a female student as an indication of a relationship, it is attested by 1938. Phrase pin down "define" is from 1951.
late Old English pinn "peg, bolt," from Proto-Germanic *penn- "jutting point or peak" (source also of Old Saxon pin "peg," Old Norse pinni "peg, tack," Middle Dutch pin "pin, peg," Old High German pfinn, German Pinne "pin, tack") from Latin pinna "a feather, plume;" in plural "a wing;" also "fin, scoop of a water wheel;" also "a pinnacle; a promontory, cape; battlement" (as in Luke iv.9 in Vulgate) and so applied to "points" of various sorts, from PIE *pet- (see pen (n.1)). 
Latin pinna and penna "a feather, plume," in plural "a wing," are treated as identical in Watkins, etc., but regarded as separate (but confused) Latin words by Tucker and others, who derive pinna from PIE *spei- "sharp point" (see spike (n.1)) and see the "feather/wing" sense as secondary. 
Robert Plant’s “Logo” is a Goose Feather Quill Pin or Pen - The Mark of A Lyricist.
The modern slender wire pin is first attested by this name late 14c. Transferred sense of "leg" is recorded from 1520s and hold the older sense. Pin-money "annual sum allotted to a woman for personal expenses on dress, etc." is attested from 1620s. Pins and needles "tingling sensation" is from 1810. The sound of a pin dropping as a type of something all but silent is from 1775.
acronym for personal identification number, 1981, from the first reference used with redundant number.
as a type of game, 1907, from pin (n.) + ball (n.1). Originally of types of open-air bowling and basketball variation where the goal was to knock down a pin or pins. Earlier still it meant "pin-cushion." The tabletop pin-ball machine is attested from 1937.
http://www.etymonline.com/index.php?allowed_in_frame=0&search=pin
The Ocean Roars:
“"The Ocean" is a song by English rock band Led Zeppelin, from their 1973 album Houses of the Holy. "The Ocean" refers to the sea of fans seen from the stage at Led Zeppelin concerts, to whom this song was dedicated.”
“"We've done four already but now we're steady
And then they went: One, two, three, four"
Singing in the sunshine, laughing in the rain
Hitting on the moonshine, rocking in the grain
Got no time to pack my bags, my foots outside the door
I got a date, I can't be late, for the high hopes hailla ball, uh uh, uh uh, yeah
Singing to an ocean, I can hear the ocean's roar
Play for free, I play for me and play a whole lot more, more!
Singing about the good things and the sun that lights the day
I used to sing on the mountains, has the ocean lost its way
I don't know, oh oh, yeah'
Ooh, yeah
Sitting round singing songs 'til the night turns into day
Used to sing about the mountains but the mountains washed away
Now I'm singing all my songs to the girl who won my heart
She is only three years old and it's a real fine way to start
Oh yeah!
It sure is fine!
Ah blow my mind!
When the tears are goin' down!
Yeah! Yeah, yeah
Oh so, oh so, oh so good!
Oh so good!”
The pin ball from the Who’s Rock Opera Tommy is a play one words and refers us to a seemingly endless elfin or fairie (Sith) dance we all participate in. This dance is on the proverbial checkerboard ‘dance’ or game floor. The game of pinball is not the one most think. The “Arcade” is not the place of pinball machines and video games. The double meaning is to the mythic Arcadia, a Greco-Roman artistic Eden, where the human imagination is free from the bondage of the long standing Royal Con Job.
https://en.wikipedia.org/wiki/The_Who%27s_Tommy
https://en.wikipedia.org/wiki/The_Ocean_(Led_Zeppelin_song)
“In Greek mythology, it (Arcadia) was the home of the god Pan. In European Renaissance arts, Arcadia was celebrated as an unspoiled, harmonious wilderness.”
We Can Spy The Turned Vesica Pisces Cyclops Eye in The Rune Above. The negative space looks like an upright lowercase “i” or candle to read or be guided by. 
The Eye at the Center of the Rings would Seem To Be The Most High Mafia Lord of The Banking & World Binding Rings. We recommend watching the film “The Song Remains the Same”, at least the beginning of it.
Who Was John Bonham?
John Bonham’s Odin like Rune is of a trinity of rings or circles combined. As the drummer he is the foundation and anchor of the band Led Zeppelin. The three rings would seem to be symbols of the three other band members who circle the drummer. The “Little Drummer Boy” of sorts. A Good Man or Peasant Farmer.
John “Ham” - JRR Tolkein’s Tall Tale of The Good Farmer 
"Farmer Giles of Ham" is a comic Medieval fable written by J. R. R. Tolkien in 1937 and published in 1949. The story describes the encounters between Farmer Giles and a wily dragon named Chrysophylax, and how Giles manages to use these to rise from humble beginnings to rival the king of the land. It is cheerfully anachronistic and light-hearted, set in Britain in an imaginary period of the Dark Ages, and featuring mythical creatures, medieval knights, and primitive firearms. It is only tangentially connected with the author's Middle-earth legendarium: both were originally intended as essays in "English mythology”.”
John /dʒɒn/ is a masculine given name in the English language of originally Semitic origin. The name is derived from the Latin Ioannes and Iohannes, which are forms of the Greek name Iōannēs (Ἰωάννης), originally borne by Hellenized Jews transliterating the Hebrew name Yohanan (יוֹחָנָן), "Graced by Yah", or Yehohanan (יְהוֹחָנָן), "Yahweh is Gracious". There are numerous forms of the name in different languages; these were formerly often simply translated as "John" in English but are increasingly left in their native forms (see sidebar).
Bonham Name Meaning. English: nickname from Old French bon homme (Latin bonus homo). This had two senses relevant to surname formation; partly it had the literal meaning 'good man', and partly it came to mean 'peasant farmer'. Americanized form of French Bonhomme.
Bonham Name Meaning & Bonham Family History at Ancestry.com
www.ancestry.com/name-origin?surname=bonhamAncestry.com Inc.
https://en.wikipedia.org/wiki/John_(given_name)
https://en.wikipedia.org/wiki/John_Bonham
https://en.wikipedia.org/wiki/Farmer_Giles_of_Ham
Who is who and which witch is which? How have the Houses of the Holy Cards been shuffled over the years? We only know what we can read and what we’ve been told about these people. We cannot tell the straw from the gold. Who is really a Trump and who is really a jester? Who is really a Queen and Who a so-called King’?
The Houses of the Holy & The Kinds of Cards:
Seelie and Unseelie Courts
The categorization of fairies based on court is whether or not a fairy is light or dark. The Seelie court are known to seek help from humans, to warn those who have accidentally offended them, and to return human kindness with favors of their own. Still, a fairy belonging to this court will avenge insults and could be prone to mischief.[4] The most common time of day to see them is twilight.[5]Other names for the Seelie court are 'The Shining Throne' or 'The Golden Ones' and 'The Summer Court'. Seelies are known for playing pranks on humans and having a light hearted attitude, forgetting their sorrows quickly and not realizing how they might be affecting the humans they play pranks on.
The Unseelie Court consists of the darkly-inclined fairies. Unlike the Seelie Court, no offense is necessary to bring down their assaults.[6] As a group (or "host"), they appear at night and assault travelers, often carrying them through the air, beating them, and forcing them to commit such acts as shooting at cattle.[7][8] Like the beings of the Seelie Court who are not always benevolent, neither are the fairies of the Unseelie Court always malevolent. Most Unseelies can become fond of a particular human if they are viewed as respectful, and would choose to make them something of a pet. Some of the most common characters in the Unseelie Court are BogiesBoglesBoggartsAbbey Lubbers and Buttery Spirits.[9] The division into "Seelie" and "Unseelie" spirits was roughly equivalent to the division of Elves in Norse mythology, into "light" and "dark" distinctions.[10]
In the French fairy tales as told by the précieuses, fairies are likewise divided into good and evil, but the effect is clearly literary.[11]Many of these literary fairies seem preoccupied with the character of the humans they encounter.[12]
The Welsh fairies, Tylwyth Teg, and the Irish Aos Sí are usually not classified as wholly good or wholly evil.”
The trooping fairies contain the aristocracy of the fairy world, including the Irish Aos Sí.[7] They are known as trooping faeries because they travel in long processions, such as the one from which Tam Lin was rescued.[15] But the trooping fairies also include other fairies of lesser importance; a trooping fairy can be large or small, friendly or sinister.”
“The Faerie Queene is an incomplete English epic poem by Edmund Spenser. The first half was published in 1590 and a second installment in 1596. The Faerie Queene is notable for its form: it is one of the longest poems in the English language and the origin of a verse form that came to be known as Spenserian stanza.[1] On a literal level, the poem follows several knights in an examination of several virtues, though it is primarily an allegorical work, and can be read on several levels of allegory, including as praise of Queen Elizabeth I. In Spenser's "Letter of the Authors" he states that the entire epic poem is "cloudily enwrapped in Allegorical devises," and that the aim of publishing The Faerie Queene was to "fashion a gentleman or noble person in vertuous and gentle discipline".[2]
The Faerie Queene found such favor with Elizabeth I that Spenser was granted a pension for life amounting to £50 a year, though there is no evidence that Elizabeth read any of the poem. This royal patronage helped the poem to such a level of success that it became Spenser's defining work.”
The Faerie Queene suggests that the Tudor lineage can be connected to King Arthur. The poem is deeply allegorical and allusive; many prominent Elizabethans could have found themselves partially represented by one or more of Spenser's figures. Elizabeth herself is the most prominent example. She appears in the guise of Gloriana, the Faerie Queen,
but also in Books III and IV as the virgin Belphoebe, daughter of Chrysogonee and twin to Amoret, the embodiment of womanly married love. Perhaps also, more critically, 

Elizabeth is seen in Book I as Lucifera, the "maiden queen" whose brightly lit Court of Pride masks a dungeon full of prisoners.

The poem also displays Spenser's thorough familiarity with literary history. The world of The Faerie Queene is based on English Arthurian legend, but much of the language, spirit, and style of the piece draw more on Italian epic, particularly Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Jerusalem Delivered.[10] Book V of The Faerie Queene, the Book of Justice, is Spenser's most direct discussion of political theory. In it, Spenser attempts to tackle the problem of policy toward Ireland and recreates the trial of Mary, Queen of Scots
“Some literary works sacrifice historical context to archetypal myth, reducing poetry to Biblical quests, whereas Spenser reinforces the actuality of his story by adhering to archetypal patterns.[11] Throughout The Faerie Queene, Spenser does not concentrate on a pattern "which transcends time" but "uses such a pattern to focus the meaning of the past on the present".[11] By reflecting on the past, Spenser achieves ways of stressing the importance of Elizabeth's reign. In turn, he does not "convert event into myth" but "myth into event".[11] Within The Faerie Queene, Spenser blurs the distinction between archetypal and historical elements deliberately. For example, Spenser probably does not believe in the complete truth of the British Chronicle, which Arthur reads in the House of Alma.[11]In this instance, the Chronicle serves as a poetical equivalent for factual history. Even so, poetical history of this kind is not myth; rather, it "consists of unique, if partially imaginary, events recorded in chronological order".[11] The same distinction resurfaces in the political allegory of Books I and V. However, the reality to interpreted events becomes more apparent when the events occurred nearer to the time when the poem was written.”
Jonathan Strange & Mr Norrell is the 2004 debut novel of British writer Susanna Clarke. An alternative history set in 19th-century England around the time of the Napoleonic Wars, it is based on the premise that magic once existed in England and has returned with two men: Gilbert Norrell and Jonathan Strange. Centred on the relationship between these two men, the novel investigates the nature of "Englishness" and the boundaries between reason and unreason, Anglo-Saxon and Anglo-Dane, and Northern and Southern English cultural tropes/stereotypes. It has been described as a fantasy novel, an alternative history, and a historical novel. It inverts the Industrial Revolution conception of the North-South divide in England: in this book the North is romantic and magical, rather than rational and concrete.”
“The fairy tradition that Clarke draws on is particularly English; she alludes to tales from children's literature and others which date back to the medieval period. As Feeley notes, "The idea of fairies forming a hidden supernatural aristocracy certainly predates Spenser and Shakespeare, and seems to distinguish the English tales of wee folk from those of Scotland and Ireland."[28] In these medieval English stories, the fairies are depicted as "capricious, inconsistent in their attitude toward humankind, [and] finally unknowable", characteristics which Clarke integrates into her own fairies.”"
This nightmarish eternal Faerie dance is from the television series Jonathan Strange &  Mr. Norrell. The souls are doomed to dance for the evil Elf aristocrat forever. Please note the checkerboard ‘masonic’ floor. This is symbolic of a game. This would seem to be a reference to the long standing Royal Mafia con job and the fact that we are all caught up in this childish dance on a literal game floor. We are bound to dance by agreements and contracts we did not make. In the story, the soul of Emma Wintertowne (Lady Pole) is bargained away to the immortal Aristocratic Elf Prince, the “Gentleman with the Thistle-Down Hair” without her consent. She is compelled to comply with the nightly dance despite the fact she was not party to any contract. She is treated like property. This would seem to be metaphorical for our actual status in this very real feudal system.
$$ - The Faerie Queen is Alive & Online - $$ - Secret Societies & Secret Services work for Her.
Here we can see that Queen Elizabeth the First’s public persona wasthat of a Faerie Queen. She is known as the patroness of Shakespeare, the Queen of the World ‘Stage’ or the “Theater in the Round”. She was a patroness of the arts. The 666 Multimedia Beast was much smaller when that Elizabeth played make believe, dressing up as the Queen of the World, pretending to be the Sun and an Elfin Queen. 
We recognize the fascination with mythic Egypt and we can see how that fictional ancient world was created and retroactively fitted onto our so-called history. An early example of what is known today by the yellow journalist term “retroactive continuity”.
Today we have a second such Elizabeth who has spent her entire life overseeing the growth of the 666 Yellow Journal Beast into the literal global interactive Multimedia Monster we take for granted. Isn’t it time we end this “Fairy Tale”?
History, NEWs and War are the stuff of games and fairy tales.
“All The World’s Her Stage”
The Devil’s Daughter - The Queen of The Material World. Another overgrown child playing dress-up and  make believe and pretending to be a fairy tale ‘Satanic’ princess. The world of contract law and ‘gag’ orders and the legal system that does not serve the purpose of justice, are the courts of this ‘Unseelie’ ‘Sith” or Dark Faerie Kingdom that rules the world. Alice in Wonderland and Through the Looking Glass, tell it like it is.
The Queen from the ‘Alice in Wonderland’. Please notice the Masonic checkerboard floor which tells us we are witnessing a game of make believe. We are seeing that the entire so-called legal & Royal control system is a con built on a literal House of Holy - Cards. Bull frogs are her 'men'.
The Royal Lie of & Illusion of “Promotion” - (Theatrical Agents Have No Real Power)
“With a motif of Through the Looking-Glass being a representation of the game of chess, the Red Queen could be viewed as an antagonist in the story as she is the queen for the side opposing Alice. Despite this, their initial encounter is a cordial one, with the Red Queen explaining the rules of Chess concerning promotion — specifically that Alice is able to become a queen by starting out as a pawn and reaching the eighth square at the opposite end of the board. As a queen in the game of Chess, the Red Queen is able to move swiftly and effortlessly.”
“Later, in Chapter 9, she appears with the White Queen, posing a series of typical Wonderland/Looking-Glass questions ("Divide a loaf by a knife: what's the answer to that?"), and then celebrating Alice's promotion from pawn to queen. When that celebration goes awry, Alice turns upon the Red Queen, whom she "considers as the cause of all the mischief", and shakes her until the queen morphs into Alice's pet kitten. In doing this, Alice presents an end game, awakening from the dream world of the looking glass, by both realizing her hallucination and symbolically "taking" the Red Queen in order to checkmate the Red King.
Confusion with the Queen of Hearts
The Red Queen is commonly mistaken for the Queen of Hearts in the story's predecessor, Alice's Adventures in Wonderland. The two share the characteristics of being strict queens associated with the color red. However, their personalities are very different. Indeed, Carroll, in his lifetime, made the distinction between the two Queens by saying:
“I pictured to myself the Queen of Hearts as a sort of embodiment of ungovernable passion - a blind and aimless Fury.
The Red Queen I pictured as a Fury, but of another type; her passion must be cold and calm - she must be formal and strict, yet not unkindly; pedantic to the 10th degree, the concentrated essence of all governesses![1]
— Lewis Carroll, in "Alice on the Stage"
Who is who and which witch is which? How have the Houses of the Holy Cards been shuffled over the years? We only know what we can read and what we’ve been told about these people. We cannot tell the straw from the gold. Who is really a Trump and who is really a jester? Who is really a Queen and Who a so-called King’?
Are the Royalty we see no the various screens real or just another layer of the Noble Lie? Are the visible Royalty the ones who really run the show or are they too just another layer of theatrical deception designed to protect the true rulers who Stay Secreted in the shadows and rule from the mythic “Underground”? This is something to consider. In any case we know that the paperwork of treaties and contracts are what bind the world, these are the literal spells that weave the enchantment that clouds humanity’s collective judgement. These literal ‘pens’ keep us sheep shepherded into communities. We need to see past these layers of lies and free ourselves from this childish and insane system.
Wagon Wheels Become Clock Work Gears of Industry
Wheels of Wagons Become the Wheels or Gears of The Industrial “Revolution”.
"In Greek mythologySelene (/sᵻˈliːni/; Greek Σελήνη [selɛ̌ːnɛː] 'moon';) is the goddess of the moon. She is the daughter of the Titans Hyperion and Theia, and sister of the sun-god Helios, and Eos, goddess of the dawn. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including ZeusPan, and the mortal Endymion. In classical times, Selene was often identified with Artemis, much as her brother, Helios, was identified with Apollo.[1] Both Selene and Artemis were also associated with Hecate, and all three were regarded as lunar goddesses, although only Selene was regarded as the personification of the moon itself. Her Roman equivalent is Luna."
"The Orphic Hymns give Selene horns and a torch, describing her as "all-seeing", "all-wise", a lover of horses and of vigilance, and a "foe of strife" who "giv'st to Nature's works their destin'd end".
The Two Wheels At The Feet of The Goddess Would Seem to Represent The Wheels of Her Chariot.
Artemis (ART-emis) is a counterpart of ISIS and both are counterparts of Mary The Mother of God
"The earliest known depiction of Selene driving a chariot is inside an early 5th century BC red-figure cup attributed to the Brygos Painter, showing Selene plunging her chariot, drawn by two winged horses, into the sea.[38] Though the moon chariot is often described as being silver,[39] for Pindar it was golden.[40]And while the sun chariot has four horses, Selene's usually has two,[41] described as "snow-white" by Ovid,[42] or was drawn by oxen or bulls."
"In the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the huntwild animalswildernesschildbirthvirginity and protector of young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows.[6] The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth."
The Many Faces of iSIS
"The name Isis means "Throne".[3] Her headdress is a throne. As the personification of the throne, she was an important representation of the pharaoh's power. The pharaoh was depicted as her child, who sat on the throne she provided."
"In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky, and she was born on the fourth intercalary day. She married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set. Using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set."
"Columbia" (/kəˈlʌmbiə/kə-lum-bee-ə) is a historical and poetic name used for the United States of America and also as one of the names of its female personification. It has given rise to the names of many persons, places, objects, institutions, and companies; e.g., Columbia University, the District of Columbia (the national capital), and the ship Columbia Rediviva, which would give its name to the Columbia River. Images of the Statue of Liberty largely displaced Columbia as the female symbol of the U.S. by around 1920.[1]
Columbia is a New Latin toponym, in use since the 1730s for the Thirteen Colonies. It originated from the name of Christopher Columbus and from the ending -ia, common in Latin names of countries (paralleling BritanniaGallia etc.)."
Britannia the mythic goddess figure represents the British Empire.The Lion represents the authority of this so-called Royal Empire over the world. The trident is a symbol of Poseidon or Neptune, the Greco Roman Sea God and tells us that the British Empire is a sea based beast. The Lion as a symbol of Apollo or art and the trident as a symbol of sea trade, tells us all we need to know about how the world really is run. Art serves the purpose of the unlawful global mafia commercial racket. Naval power and banking go hand in hand and always have.
"The national flag of England, known as St George's Cross, has been England's national flag since the 13th century. Originally the flag was used by the maritime state the Republic of Genoa. The English monarch paid a tribute to the Doge of Genoa from 1190 onwards, so that English ships could fly the flag as a means of protection when entering the Mediterranean. A red cross acted as a symbol for many Crusaders in the 12th and 13th centuries. It became associated with Saint George, along with countries and cities, which claimed him as their patron saint and used his cross as a banner.[1] Since 1606 the St George's Cross has formed part of the design of the Union Flag, a Pan-British flag designed by King James I"
Lions & Red Crosses: Symbols Of British Power
"The Barbary lion (Panthera leo leo), also known as the Atlas lion or Nubian lion, is an African lion subspecies, formerly native to North Africa, including the Atlas Mountains, that is now considered extinct in the wild.[2] Pease referred to the Barbary lion as the North African lion, and accounted that the population has been diminished since the mid-19th century following the introduction of firearms and bounties for shooting them.[1] The last recorded shooting of a wild Barbary lion took place in Morocco in 1942 near Tizi n'Tichka. Small groups of Barbary lions may have survived in Algeria until the early 1960s and in Morocco until the mid-1960s."
Uploaded by sharon watts on 2016-09-12. 
Please listen to this clip, just the part of the lecture where Alan Watts discusses the lie and myth of history
https://youtu.be/ZR288Uz5Bnc?t=38m55s
"The Barbary lion is a national animal of England. In the Middle Ages, the lions kept in the menagerie at the Tower of London were Barbary lions.[6] English medieval warrior rulers with a reputation for bravery attracted the nickname "the Lion": the most famous example is Richard I of England, known as Richard the Lionheart.[7] Lions are frequently depicted in English heraldry, either as a device on shields themselves, or as supporters. They also appear in sculpture, and sites of national importance, such as Trafalgar Square. The lion is used as a symbol of English sporting teams, such as the England national cricket team"
Britannia with Lion, Depicted - below.
The Trident is the symbol of Poseidon or Neptune, the Greco Roman Sea God - This Represents The British Banking Sea Empire
History of The Royal Navy Banking Con Job - or how to straddle to sides of the Atlantic Ocean-
ORIGINS OF THE "SS" Get the joke now?
"The Royal Navy (RN) is the United Kingdom's principal naval warfare force. Naval forces were first used by Alfred the Great in the 9th century, and from the early 14th century England's navy was engaged in maritime warfare. The modern Royal Navy traces its origins to the early 16th century; the oldest of the UK's armed services, it is known as the Senior Service"
"From the middle decades of the 17th century and through the 18th century, the Royal Navy vied with the Dutch Navy and later with the French Navy, for maritime supremacy. From the mid 18th century it was the world's most powerful navy until surpassed by the United States Navy during the Second World War. The Royal Navy played a key part in establishing the British Empire as the unmatched world power during the 19th and first part of the 20th centuries. Due to this historical prominence, it is common, even among non-Britons, to refer to it as "the Royal Navy" without qualification.
Following victory in World War I, the Royal Navy was significantly reduced in size,[2] although at the onset of the Second World War it was still the world's largest. By the end of the war, however, the United States Navy had emerged as the world's largest. During the Cold War, the Royal Navy transformed into a primarily anti-submarine force, hunting for Soviet submarines, mostly active in the GIUK gap. Following the collapse of the Soviet Union, its focus has returned to expeditionary operations around the world and remains one of the world's foremost blue-water navies.[3][4][5]
The Royal Navy maintains a fleet of technologically sophisticated ships and submarines[6] including an amphibious assault ship, two amphibious transport docks, four ballistic missile submarines (which maintain the UK's nuclear deterrent), seven nuclear fleet submarines, six guided missile destroyers, 13 frigates, 15 mine-countermeasure vessels and 22 patrol vessels. As of 19 March 2016, there are 77 commissioned ships (including submarines) in the Royal Navy, plus 9 ships of the Royal Fleet Auxiliary (RFA); there are also five Merchant Navy ships available to the RFA under a private finance initiative. The RFA replenishes Royal Navy warships at sea, and augments the Royal Navy's amphibious warfare capabilities through its three Bay-class landing ship vessels, It also works as a force multiplier for the Royal Navy, often doing patrols that frigates used to do.The total displacement of the Royal Navy is approximately 337,000 tonnes (603,000 tonnes including the Royal Fleet Auxiliary and Royal Marines).
The Royal Navy is part of Her Majesty's Naval Service, which also includes the Royal Marines. The professional head of the Naval Service is the First Sea Lord, an admiral and member of the Defence Council of the United Kingdom. The Defence Council delegates management of the Naval Service to the Admiralty Board, chaired by the Secretary of State for Defence. The Royal Navy operates three bases in the United Kingdom where commissioned ships are based; Portsmouth, Clyde and Devonport, Plymouth, the last being the largest operational naval base in Western Europe."

iSIS = SIS!

Get The Joke? Have a Coke.
SS: Secret Services - Faking War For Banking - Childish James Bond and Economic Bondage Exposed-
Secret Services work for The Crown not any of us.
"The Secret Intelligence Service (SIS), commonly known as MI6 (Military Intelligence, Section 6), is the British intelligence agency which supplies the British government with foreign intelligence. The SIS Chief is held accountable to the Foreign Secretary.[4] SIS is bound by the Intelligence Services Act 1994. SIS is frequently referred to by the name MI6 (Military Intelligence, Section 6), a name used as a flag of convenience during the First World War when it was known by many names.[5] The existence of the SIS was not officially acknowledged until 1994.[6] It forms a part of the UK's intelligence machinery alongside GCHQMI5 and Defence Intelligence.
In late 2010, the head of the SIS delivered what he said was the first public address by a serving chief of the agency in its then 101-year history. The remarks of Sir John Sawers primarily focused on the relationship between the need for secrecy and the goal of maintaining security within Britain. His remarks acknowledged the tensions caused by secrecy in an era of leaks and pressure for ever-greater disclosure.[7]
Since 1995, the SIS headquarters have been at Vauxhall Cross on the South Bank of the River Thames."
"The service derived from the Secret Service Bureau, which was founded in 1909.[5] The Bureau was a joint initiative of the Admiralty and the War Office to control secret intelligence operations in the UK and overseas, particularly concentrating on the activities of the Imperial German government. The bureau was split into naval and army sections which, over time, specialised in foreign espionage and internal counter-espionage activities, respectively. This specialisation was because the Admiralty wanted to know the maritime strength of the Imperial German Navy. This specialisation was formalized before 1914. During the First World War in 1916, the two sections underwent administrative changes so that the foreign section became the Directorate of Military Intelligence Section 6 (MI6), the name by which it is frequently known in popular culture today.
Its first director was Captain Sir George Mansfield Smith-Cumming, who often dropped the Smith in routine communication. He typically signed correspondence with his initial C in green ink. This usage evolved as a code name, and has been adhered to by all subsequent directors of SIS when signing documents to retain anonymity."

The Fake Divide & Conquer Strategy Exposed: The World Is One Global Mafia Crime Enterprise/Empire with Many 'Heads', Faces or Masks.

Governments Are The Crime!

Two Banking Towers, Controlled By One Crown, Supported By Sea Power - Using the Sea to Transport Goods, Not to Make War

The 'Connect-i-cut' Con:

New England & New London 

Could an important center of power be located in North America? Connecticut  would seem to fit the 'British' bill. This New England state is literally that. With it's propaganda and yellow journalistic history and Disneyland attractions, complete with the fake nuclear powered submarine and the Naval base and Banking industry center show us the truth. We can see the same modus operandi at work. The same con job run again, with naval or military power being used as a theatrical front for commercial banking enterprises and wage slavery. The feudal system did not die. This exact con job established the Bank of England in the first place. The banks work the Navy and use the sea for commerce, just like they use the rails, highways and air. Banks would seem aptly named as we have two banks of the Atlantic Ocean, and one criminal banking ring to rule the world.
The global mafia enterprise has long been global.
"Stamford is home to four Fortune 500 Companies,[2] nine Fortune 1000 Companies, and 13 Courant 100 Companies, as well as numerous divisions of large corporations. This gives Stamford the largest financial district in New York Metro outside New York City itself and one of the largest concentrations of corporations in the nation."
"Naval Submarine Base New London is the United States Navy's primary East Coast submarine base, also known as the "Home of the Submarine Force". It is located in Groton, Connecticut."
"The Base property expanded during the latter part of World War I. Congress approved over a million dollars for Base real estate and facilities expansion. By the end of the war, 81 buildings had been built to support 1400 men and 20 submarines. With victory in hand, the land expansion of the Base was slowed through much of the 1920s. However, the Great Depression of the 1930s saw an expansion and enhancement of the physical plant of the Base. President Franklin Roosevelt created a series of Federal Government employment programs that contributed significantly to the Submarine Base. Over 26 high quality warehouses, barracks and workshops were built at the base under these Federal job-spending programs. The second largest expansion of Submarine Base New London occurred during World War II, when it grew from 112 acres to 497 acres. The Submarine Force leaped in size, and the Base accommodated thousands of men to service the growing combat fleet. Immediately after WWII the Submarine Force was significantly reduced and many famous submarines were sent into storage. Most of the World War II fleet was sold for scrap metal during the early 1960s."
An aptly named bit of yellow journal pseudoscience nonsense:
Nothing like naming a bit of fantasy after the mythic ship from the work of the imaginative fantasy author, Jules Verne.
"On January 21, 1954 the first nuclear-powered submarine, the USS Nautiluswas launched from Groton. USS Nautilus became the first vessel to transit the North Poleduring an historic trip across the Arctic in 1958. It was retired from service in 1980. In 1982 the Nautilus was designated a National Historic Landmark in Groton."
Robert "puck" Plant:
"In English folklorePuck, sometimes known as Robin Goodfellow, is a domestic and nature spritedemon, or fairy."
"According to the Oxford English Dictionary, the etymology of the name Puck is "unsettled"; it is compared to Old Norse puki (Old Swedish pukeIcelandic pukiFrisian Puk). Celtic origins (based on Welsh pwca, Cornish Bucca and Irish púca) have also been proposed,[1] but as the Old English and Old Norse attestations are considerably older than the Celtic ones, loan from Germanic to Celtic seems more probable. The Old English púcel[2] is a kind of half-tamed woodland spirit, leading folk astray with echoes and lights in nighttime woodlands (like the German and Dutch "Weisse Frauen" and "Witte Wieven" and the French "Dames Blanches," all "White Ladies"), or coming into the farmstead and souring milk in the churn. The etymology of Puck is examined by Katharine Mary Briggs, in Anatomy of Puck (New York: Arno) 1977.[3] The term pixie is in origin a diminutive of puck(compared to Swedish word "pyske" meaning "small fairy").
Puck may also be called "Robin Goodfellow" or "Hobgoblin",[4] in which "Hob" may substitute for "Rob" or may simply refer to the "goblin of the hearth" or hob. The name Robin is Middle English in origin, deriving from Old French Robin, the pet form for the name RobertThe earliest reference to "Robin Goodfellow" cited by the Oxford English Dictionary is from 1531. William Shakespeare may have had access to the manuscript of Lewes Lewkenor’s translation of The Spanish Mandevile of Miracles, or, The Garden of Curious Flowers (1600) a translation of Antonio de Torquemada's, Le Jardin Flores Curiosas. The following passage from The Spanish Mandeville discusses the mischievous spirits-"
Robin Hood:
Myths and legends hide gold nuggets of truth that are waiting to be revealed.
Witness The Twin Tower Whores of Babylon
Please note how Britannia has reading glasses like Ben Franklin and Columbia does not. This seems to indicate that the so-called British Empire (which is really just the Holy Roman Empire reconfigured and rebranded)  is literate and makes use of contracts and treaties to bind the world right under the noses of the unsuspecting American population. We need to ‘buck’ the system. We must challenge its inhuman claims on all of us.

SS = Submarine Service

"The Submarine Service is the submarine based element of the Royal Navy. It is sometimes referred to as the "Silent Service",[92] as the submarines are generally required to operate undetected. The service was founded in 1901. The service made history in 1982 when, during the Falklands WarHMS Conqueror became the first nuclear-powered submarine to sink a surface ship, the ARA General Belgrano. Today, the Submarine Service consists of ballistic missile submarines (SSBN) and fleet submarines (SSN). All of the Royal Navy's submarines are nuclear-powered."
SS
The Swan Song Record label is a reproduction of a painting of Apollo- The Wings Refer to The Celtic Version of this Sun God, Aengus.
"The swan song (Ancient Greek: κύκνειον ᾆσμα; Latincarmen cygni) is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that swans (Cygnus spp.) sing a beautiful song in the moment just before death, having been silent (or alternatively, not so musical) during most of their lifetime. This belief, whose basis in actuality is long-debated, had become proverbial in Ancient Greece by the 3rd century BC, and was reiterated many times in later Western poetry and art."
"In Greek mythology, the swan was a bird consecrated to Apollo, and it was therefore considered a symbol of harmony and beauty and its limited capabilities as a singer were sublimated to those of songbirds.
Aesop's fable of "The Swan and the Goose" incorporates the swan song legend as saving its life when it was caught by mistake instead of the goose but was recognized by its song.[1] There is a subsequent reference in AeschylusAgamemnon (verses 1444–5) from 458 BC. In that play, Clytemnestra compares the dead Cassandra to a swan who has "sung her last final lament". Plato's Phaedo (84d) records Socrates saying that, although swans sing in early life, they do not do so as beautifully as before they die. Furthermore, Aristotle noted in his History of Animals(615b) that swans "are musical, and sing chiefly at the approach of death". By the third century BC the belief had become a proverb.[2][3]
Ovid mentions it in "The Story of Picus and Canens" (Metamorphoses, book XIV:320–396): "There, she poured out her words of grief, tearfully, in faint tones, in harmony with sadness, just as the swan sings once, in dying, its own funeral song."[4] The swan was also described as a singer in the works of the poets Virgil and Martial."
Apollo is the Patron of The Arts - He Sits On Top Of 'The Stairway To Heaven'-
Art has been used to deceive and confuse. Art is naturally inclined to reveal the truth not hide or conceal it.
"The nine muses are the daughters of Mnemosyne (Memory) and Zeus. Seven men are depicted as the planets and represent the intelligible spheres while Apollo is seated on a throne above all. An 8th sphere represents the stars between Saturn and the throne of Apollo. Thalia is the muse of abundance and first of the 9 muses in attendence at the throne of Apollo seated at the loop of the tail of the serpent, thereby representing that above Saturn and the stars and identified with the light or sun. Here Thalia suggests Eve and purity, but Thalia is also known as "Silent Thalia" and a twin of her is represented at the bottom of the figure at the head of the serpent with 3 animal heads in the lower sphere. Back to the tail of the serpent at the throne of Apollo, Euphrosyne is a second grace also in attendence but facing away from Apollo, relating to rebellion. Hence the Thalia pictured below represents Eve in exile, at the head of the serpent and subject to all of the disappointments associated with time. The third figure, Aglaia facing Apollo is Splendor and represents the Virgin Mother Mary. Campbell remarked that men confronted by the features of time are blind and deaf to the inspiration of the Muse of the Poetry of Nature. Only when one's spirit has been transported to the summit of wisdom (Apollo's throne) is Thalia's true glory disclosed, changing Eva's name to Ave! thereby undoing the work of Euphrosyne or Mirth who represents "sinful pleasure" (a John Lennon album called "Menlove Ave" may be significant). Thalia at the head of the serpent is unable to see the dark unconscious appearing as 3 monster heads (past, present and future) as being related to Apollo or the 3 graces present at the throne, which all are aspects of herself (other women where women have both X and x)."
Above: A figure in Campbell's Creative Mythology (see figure) shows a work called "The Music of the Spheres" taken from a 15th century Neoplatonic work by Gafurius and relates to the Astronomy chapter where the 9 muses (women) correspond to the 7 intelligible spheres (planets)
Above Jesus as Apollo atop the River To Heaven.
Jesus sits atop the source of the eternal flowing waters of life.

Waters flow from the mountains and out to fill the sea, where so much life is to be found. Life cannot exist without water.

Aengus the Celtic Apollo
"In Irish mythologyAengus (Old IrishOíngus, Óengus) is a member of the Tuatha Dé Danann and probably a god of love, youth and poetic inspiration. He is traditionally described as having singing birds circling his head."
"In Old Irish his name is spelled Oíngus or Óengus [oiŋɡus], from Proto-Celtic *oino- "one" and gus "strength" (or possibly "choice"). In Middle Irish this became Áengus, and in Modern Irish Aengus or Aonghus [ˈeːŋɡəsˠ][ˈeːŋɣəsˠ]. Epithets include Óengus Óc/Aengus Óg ("Aengus the young"), Mac ind Óg ("son of the young"), Mac Óg ("young son") and Maccan."

All Hail The 'Silly Goose' - King - An August Sun - A Goose - A Lion's Goose of Sorts-

Or Shall We Say King August?

A play on words, a joke or pun. Silly Gus or goose. We've been historically "Goosed"!
Now we know this is just artistic reference to the seasons. Geese migrate.
It would seem part of Robert Plant's 'on screen' or fabricated public persona is based on Celtic folklore and myth.
He is presented to us like an Elf King. A faerie prince.
The hidden 'eleven' rainbow king is here! Have cheer!
Aengus is the Celtic Apollo, both are so-called "Sun" Gods and both are Counterparts of Jesus, The "Son"of God.
All three astro-theological & mythological figures are interchangeable as solar deities. Aengus, the Egyptian God Osiris, and Apollo represent the Royal as the divine king.
Images and ritual that reinforce the idea of the so-called Divine Right of Kings, the Pharaoh as the literal embodiment of the Sun God is the same as the Queen or King of England wearing their Sun Crown of Gold. The idea is that the natural order grants these select few the Divine right to rule over the rest of us. This is a lie. The so-called King or Queen is simply playing make believe and are just dressing themselves up as human incarnations of the Sun or Moon or other celestial bodies. It is a constant childish Halloween game of dress up and make believe. This is the origins of what we call role playing and acting. The royal court shows us the original theatrical act. These people might as well dress up as Wonder Woman and Superman and head off to Comic Con! 
These people are literally dressing up as metaphors.
Who is who and which witch is which? How have the Houses of the Holy Cards been shuffled over the years? We only know what we can read and what we’ve been told about these people. We cannot tell the straw from the gold. Who is really a Trump and who is really a jester? Who is really a Queen and Who a so-called King’?
Swan Upping Sounds Metaphorical For How We Are Treated:
SS: The Queen Owns The Swan Songs
“Swan upping is an annual ceremony in Britain in which mute swans on the River Thames are rounded up, caught, ringed, and then released.
By prerogative right, the British Crown enjoys ownership of all unmarked mute swans in open water. Rights over swans may, however, be granted to a subject by the Crown. (Accordingly they may also be claimed by prescription.)[1] The ownership of swans in a given body of water was commonly granted to landowners up to the 16th century. The only bodies still to exercise such rights are two Livery Companies of the City of London. Thus the ownership of swans in the Thames is shared equally among the Crown, the Vintners' Company and the Dyers' Company.
Swan upping is the traditional means by which the swans on the Thames are apportioned among the three proprietors. Its main practical purposes today are to conduct a census of swans and check their health. It occurs annually during the third week of July. Over five days, the Queen's, Vintners' and the Dyers' respective swan uppers row up the river in skiffs. Swans caught by the Queen's swan uppers under the direction of the Swan Marker are left unmarked, except for a ring linked to the database of the British Trust for Ornithology (BTO). Those caught by the Dyers and Vintners are identified as theirs by means of a further ring on the other leg. Originally, rather than being ringed, the swans would be marked on the bill, a practice reflected in the pub name The Swan with Two Necks, a corruption of "The Swan with Two Nicks".
On 20 July 2009, Queen Elizabeth II, as "Seigneur of the Swans," attended the Swan Upping ceremony for the first time in her reign. This was the first time that the monarch had personally watched the ceremony in centuries.”
The Great Noble Lie: The Divine Right of Kings - The Queen’s Got The Whole World In Her Hands
"With the growth of Christianity in the 5th century, the orb (in Latin scriptures orbis terrarum, the 'world of the lands', hence the word "orb") was topped with a cross (hence globus cruciger), symbolising the Christian God's dominion over the world. The emperor held the world in his hand, to show that he ruled it on God's behalf."
All of these metaphors simply represent the same power of nature and illumination of the mind. It is not one specific person that is divine, it is all of humanity.
These symbols and metaphors, even when embodied in physical beings like Kings and Queens are just telling us that we are the children of this world and are all part of it.
We are all creators in this creation.
Each of us is Golden
Each is of 'Divine' Origin
"His parents were the Dagda and Boann. He was said to have lived at Newgrange by the River Boyne.
The Dagda had an affair with the river goddes Boann, wife of Nechtan. To hide her pregnancy, the Dagda made the sun stand still for nine months so that Aengus was conceived, gestated and born in one day. Midir was his foster-father."
"When he came of age Aengus dispossessed the Dagda of his home, Brú na Bóinne (an area of the Boyne River Valley that contains the passage tombs NewgrangeKnowth and Dowth). He arrived after the Dagda had shared out his land among his children, and none was left for Aengus, so Aengus asked his father if he could live in Brú na Bóinne – the central spiritual spot by the Boyne, the river whose goddess is Bóinne – for "a day and a night", and the Dagda agreed. Irish has no indefinite article, so "a day and a night" is the same as "day and night", which covers all time, and so Aengus took possession of Brú na Bóinne permanently. In a different version of this story, appearing in The Wooing of Etain, Aengus uses the same ploy to trick Elcmar out of Brú na Bóinne, with the Dagda's connivance. In this version, Midir is Aengus's foster-father, while Elcmar is the husband of Boann cuckolded by the Dagda.[2]
According to Death Tales of the Tuatha de Danaan, Aengus killed his stepfather Elcmar for killing Midir.
Aengus also killed Lugh Lámhfhada's poet for lying about his brother Ogma an Cermait. The poet claimed that Ogma an Cermait was having an affair with one of Lugh's wives.
In The Wooing of Etain, Aengus was able to partially lift a spell against Étaín, the horse goddess he had won for his brother Midir. Midir's wife Fuamnach in a jealous rage had turned Etain into a beautiful fly. Turning her into a woman at night, Aengus made her his lover until Fuamnach found out about it and drove her away. Aengus killed his foster mother for her treachery.
In the 'Tale of the Two Pails, a sidhe woman, foster daughter of Aengus, got lost and wound up in the company of St Patrick. The girl converted to Christianity, and Aengus could not win her back. He left, and she died of grief.
A Zeppelin Three - Tangerine Dream
Robert Plant the Band of Joy Tangerine HD.
Aengus fell in love with a girl he had seen in his dreams. His mother, Boann, goddess of the River Boyne, and a cow goddess whose milk formed the Milky Way (Bealach na Bó Finne, or the White Cow's Way in Irish), searched Ireland for a year, then his father, the Dagda, did the same. Finally, King Bodb Derg of Munsterfound her after a further year.[3]
Aengus went to the lake of the Dragon's Mouth and found 150 girls chained in pairs, his girl, Caer Ibormeith, among them. On November 1, Caer and the other girls would turn into swans for a year, every second Samhain. Aengus was told he could marry Caer if he could identify her in her swan form. Aengus turned himself into a swan and they flew away, singing beautiful music that put all listeners asleep for three days and nights.
Aengus was the foster-father and protector of Diarmuid Ua Duibhne of the Fianna. He rescued Diarmuid and Gráinne during their pursuit by the Fianna.
He owned a sword named Moralltach, the Great Fury, given to him by Manannan mac LirThis he gave to his foster-son Diarmuid Ua Duibhne, along with a sword named Beagalltach, the Little Fury and two spears of great power, Gáe Buide and Gáe Derg. When the young man died, Aengus took his body back to Brú na Bóinne where he breathed life into it when he wished to speak with Diarmuid.
In other legends he was able to repair broken bodies and return life to them.
In the Dindsenchas, Aengus shaped his kisses into four birds that followed Cairbre wherever he went to mock him each day before sunrise. This mockery continued until Cairbre's druid enchanted a tree from Fid Frosmuine with song, which caused the tree to grow above all others and detain Aengus' birds."
Immigrant Song
Origins of a Traveling Theatrical Royal Road Show?
Meet the Royal Rome Gypsies - The Romanichals
We know the elite originated the arts. We know these elite like to play dress up in robes and costumes. We know they create languages and craft culture. We know why they do this - control. We know how they use divide and conquer and fake threats.
We know the elite manipulate people to migrate. It would seem that agents of the elite or the nobility themselves, have a history of hiding among the so-called peasantry. These lighter skinned people do not seem to be really from the same exact 'stock' as the other so-called Gypsies or Romani. Is this a line of hidden royals? Are Romanichals the hidden royal theater troop?
e know the elite are the ones who get us to migrate through media deception and  other such trickery.
We know World War One & Two (and the rest) are mostly hoaxes and myth. What we know about them, we know filtered through the 666 Multimedia Beast. What we know of as history is a farce.
ere some of the actors and news reel and other media fakers, part of the Romanichal family? Is this the House of Cards that must fall?
We would think that Cards are also comediens, & not just pieces of cardboard used for games.
But the word 'card' can mean both at once - The elections are obvious jokes! Do you see the Trump 2016 campaign?
What is our true history? We can make out some of the shape of it from the shadows. It has to do with social control by means of an external threat of either immigration or invasion. Consider the amount of land relative to our needs and size and we see that there is little reason for any of us to go to war. Acting out of anger is one thing, organizing ourselves into units of military action with the planned intent to spend all our our effort in war rather than building, and farming, and inventing, and enjoying and crafting the arts, makes no sense. We are really just ‘Hobbits’.
Myth and fable becomes history and history becomes fable. The Traveling Elven or Faerie Court and people would seem to be just artistic metaphor for immigrants of one kind or another. As we now know, historically, immigration is contrived and forced and yes even at times, faked. The long mafia con requires the wage slaves believe in some kind of existential threat so we think we need the protection racket. This is a crime of course. This con job also makes liberal use of divide and conquer whenever it can. The public, the work force, must be divided and conquered. We must not get it all together and change our fate. We must not make the unaware aware of this very real prison we live in. Our chains are economic and invisible and growing heavier by the day
"Many, but not all, Romanichals are noted for a fairer phenotype than that of other Romani groups in Europe. Lighter-skinned Romani are not uncommon,[12] and a light phenotype, including individuals with blond hair and blue eyes, can also be seen in established Eastern European Roma communities.[12]
Constantine, Prince of Moldavia in his 1776 decree against the intermarriage between Moldavians and Romani wrote: "In some parts Gypsies have married Moldavian women, and also Moldavian men have taken in marriage Gypsy girls, which is entirely against the Christian faith."[12] The French writer Felix Colson, writing in 1839 about his visits to slave holdings in Romania, remarked of some of the Romani slaves: "Their skins are hardly brown but blond and beautiful."[12][13] Lighter-skinned Romani girls in Slovakia, noted for their beauty, were given the nickname "Papin" or "Papinori" (white goose) in the Romani language to indicate their light skin tone.[14]
The same phenomenon of a light-skinned phenotype observed on the continent can be seen in other Romani communities, including the Romanichal in Britain, due to some limited intermarriage between themselves, settled people and/or other Traveller groups.
Stereotypically, darker skin is seen as a racial characteristic among the Romani. This attitude has proliferated the myth of the "True Romani", an inadvertent discriminatory term described by some Romani scholars as one that "...allowed writers and policy-makers to dismiss people as an unwelcome social blot on the land, people of 'little or no Romani blood' who gave the 'True Romany' a bad name."[15]
Blond hair, fair skin and blue eyes are not uncommon features among both the Roma and British Romani groups. Examples include lighter-skinned Roma who were conscripted into fighting units during WWII; a Slovakian Roma called Otto Baláš wrote an account that stated: "They also took my cousin Paľo. He didn’t look like a gypsy—He was white."[16] Other light-skinned Roma were able to pass as non-Roma and avoid the Romani genocide or Porajmos, as in the case of Vojtěch Fabián, who told a doctor he was a Roma but was admonished: "Never say you’re a Gypsy, you don’t look like one" and consequently was able to hide his Romani ethnicity from the authorities.[16] Some Roma have been noted as passing for Slovak or Hungarian despite being of Romani descent,[17] while the Bulgarian Roma, musician Ivo Papazov, has stated of the light-skinned phenotype: "I am one of the few light-skinned people in my family but I know I am Romani."[18]
As with the varying phenotypes in continental Romani groups, the British Romanichal are an authentic subgroup of the Romani people. They display genetic markers distinct from those of other people of the British Isles. These markers show them to be most closely related to continental Romani groups like the Sinti from Germany, Austria and the Romani people from Eastern Europe.[19] The Finnish Kale, a further sub-group of the Romani people, allege that they are descendants of Romani people from the UK."
Was this 'Strider' a Royal 'Plant' among us? Myth and reality collide. Royals are fake anyway.
Robert Plant’s persona would seem to be modeled on the Celtic Apollo or Aengus. And Sir Parsifal. We can see how layers of illusion make for a fully actualized mythology. The many song lyrics and the biography and apparent persona all show a clear Celtic and Greco-Roman Judeo-Christian  inspiration. All these bits of culture are used to weave quite a Platonic Show. These motifs are ones that are obviously integral to our concocted culture.
 These same symbols that signify our captivity as animals in pens, can be also used to free us, like communicating understanding and the truth about our world by way of pen. Words have two meanings.
Like the mythic Strider, Plant travels or roams, like a vagabond or Gypsy, from town to town. Robert Plant’s symbol is a feather in a circle.  The goose quill a feather from the wing of Aengus the Celtic Apollo and a writing pen, the perfect symbol for a Romanichal or Sidhe Prince. Gypsy’s and Romani people and fair haired elves have much in common. Legendary Travelers all. 
Wings represent the flights of fancy the good dreamer takes. Swans are types of geese of course. Take a good gander at Aengus, The Winged Swan King and logo for the record label Swan Song.
SS
"All That is Gold Does Not Glitter" is a poem written by J. R. R. Tolkien for his fantasy novel The Lord of the Rings. It alludes to an integral part of the plot, and describes Aragorn, son of Arathorn. The poem reads:
All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.[1]
The poem appears twice in The Lord of the Rings' first volume, The Fellowship of the Ring. It appears first in Chapter Ten, "Strider", in Gandalf's letter to Frodo Baggins in Bree, before they know that Strider (Aragorn) is the subject of the verse. It is repeated by Bilbo at the Council of Elrond. He whispers to Frodo that he wrote it many years before, when Aragorn first revealed who he was.”
All that glitter is gold..or not..familiar lyrics…

Meet The Sidhe Royalty

Aos Sí

"The sídhe are the hills or tumuli that dot the Irish landscape. In modern Irish the word is ; in Scottish Gaelic, sìth; in Old Irish síde and the singular is síd.[3] In a number of later, English-language texts, the word sídhe is incorrectly used both for the mounds and the people of the mounds. However sidh in older texts refers specifically to "the palaces, courts, halls or residences" of the ghostly beings that, according to Gaedhelic mythology, inhabit them.[4]
As part of the terms of their surrender to the Milesians, the Tuatha Dé Danann agreed to retreat and dwell underground. In some later poetry, each tribe of the Tuatha Dé Danann was given its own mound.
The fact that many of these sídhe have been found to be ancient burial mounds has contributed to the theory that the aos sí were the pre-Celtic occupants of Ireland. "The Book of Invasions", "The Annals of the Four Masters", and oral history support this view.
Others present these stories as mythology deriving from Greek cultural influence, deriving arguments mainly from Hesiod's Works and Days, which portrays the basic moral foundation and plantation techniques of the citizens of Greece and describes the races of men, created by the Greek deities. However, these views have been deemed unlikely, and the so-called influence can be reasonably explained by the similar moral foundations stemming from the two cultures' Indo-European background.
The story of the Aes Sídhe is found all over Scotland and Ireland, many tales referring to how the Norse invaders drove Scottish inhabitants underground to live in the hills. This part of the legend contributes to the changeling myth in west European folklore."
Revenge of The Sidhe or Sith?
Elfs or Sith:
"The aos sí ([eːs ˈʃiː], older form aes sídhe [eːs ˈʃiːðʲə]) is the Irish term for a supernatural race in Irish mythology and Scottish mythology (usually spelled Sìth, however pronounced the same), comparable to the fairies or elves. They are said to live underground in fairy mounds, across the western sea, or in an invisible world that coexists with the world of humans. This world is described in the Lebor Gabála Érenn as a parallel universe in which the aos sí walk amongst the living. In the Irish languageaos sí means "people of the mounds" (the mounds are known in Irish as "the sídhe"). In Irish literature the people of the mounds are also called daoine sídhe [ˈdiːnʲə ˈʃiːə]; in Scottish mythology they are daoine sìth. They are variously said to be the ancestors, the spirits of nature, or goddesses and gods.[1]
Some secondary and tertiary sources, including well-known and influential authors such as W. B. Yeats, refer to aos sí simply as "the sídhe" (lit. "mounds")."
( El means God)
"Led by their king, Nuada, they fought the First Battle of Magh Tuireadh on the west coast, in which they defeated and displaced the native Fir Bolg, who then inhabited Ireland. In the battle, Nuada lost an arm to their champion, Sreng. Since Nuada was no longer "unblemished", he could not continue as king and was replaced by the half-Fomorian Bres, who turned out to be a tyrant. The physician Dian Cecht replaced Nuada's arm with a working silver one and he was reinstated as king. However, Dian Cecht's son Miach was dissatisfied with the replacement so he recited the spell, "ault fri halt dí & féith fri féth" (joint to joint of it and sinew to sinew), which caused flesh to grow over the silver prosthesis over the course of nine days and nights.[18][19] However, in a fit of jealous rage Dian Cecht slew his own son. Because of Nuada's restoration as leader, Bres complained to his family and his father, Elatha, who sent him to seek assistance from Balor, king of the Fomorians.
The Tuatha Dé Danann then fought the Second Battle of Magh Tuireadh against the Fomorians. Nuada was killed by the Fomorian king Balor's poisonous eye, but Balor was killed himself by Lugh, the champion of the Tuatha Dé, who then took over as king.
A third battle was fought against a subsequent wave of invaders, the Milesians, from the northwest of the Iberian Peninsula (present day Galicia and Northern Portugal), descendants of Míl Espáine (who are thought to represent the GoidelicCelts). The Milesians encountered three goddesses of the Tuatha Dé Danann, ÉriuBanba and Fodla, who asked that the island be named after them; Ériu is the origin of the modern name Éire, and Banba and Fodla are still sometimes used as poetic names for Ireland.
Their three husbands, Mac CuillMac Cecht and Mac Gréine, who were kings of the Tuatha Dé Danann at that time, asked for a truce of three days, during which the Milesians would lie at anchor nine waves' distance from the shore. The Milesians complied, but the Tuatha Dé Danann created a magical storm in an attempt to drive them away. The Milesian poet Amergin calmed the sea with his verse, then his people landed and defeated the Tuatha Dé Danann at TailtiuWhen Amergin was called upon to divide the land between the Tuatha Dé Danann and his own people, he cleverly allotted the portion above ground to the Milesians and the portion underground to the Tuatha Dé Danann. The Tuatha Dé Danann were led underground into the Sidhe mounds by Manannán mac Lir."

SS
The Sun Sword
"Claíomh Solais (reformed spelling), Claidheamh Soluis (unreformed Mod. Ir. and Sc. Gaelic)[1] (Irish pronunciation: [/kɫiːv ˈsɔɫɪʃ/]an cloidheamh solais (variant spelling[2]) pronunc. roughly /kleeve-solish/), rendered "Sword of Light", or "Shining Sword", or "a white glaive of light",[3] is a trope object that appears in a number of Irish and Scottish Gaelic folktales.[4]
The sword has been regarded as a legacy to the god-slaying weapons of Irish mythology by certain scholars, such as T. F. O'Rahilly: the anologue in the Irish Mythological Cycle being Lugh's sling that felled Balorand their counterparts in heroic cycles are many, including the popular hero Cúchullain's supernatural spear Gae bulga and his shining sword Cruaidín Catutchenn.[5][6]
A group of Sword of Light tales bear close resemblance in plot structure and detail to the Arthurian tale of Arthur and Gorlagon."
"The folk tales featuring the claidheamh soluis typically compels the hero to perform (three) sets of tasks, aided by helpers, who may be a servant woman, "helpful animal companions", or some other supernatural being. The majority of are also bridal quests (or involve the winning of husbands in e.g., Maol a Chliobain[9]).
The sword's keeper is usually a giant (gruagachfermór) or hag (cailleach),[10] who oftentimes cannot be defeated except by some secret means. Thus the hero or helper may resort to the sword of light as the only effective weapon against this enemy.[11] But often the sword is not enough, and the supernatural enemy has to be attacked on a single vulnerable spot on his body. The weak spot, moreover, may be an external soul concealed somewhere in the world at large (inside animals, etc.), and in the case of "The Young King of Esaidh Ruadh",[12] this soul is encased within a nested series of animals.
The crucial secret to the hero's success is typically revealed by a woman, i.e., his would-be bride or the damsel in distress (the woman servant held captive by giants), etc. And even when the secret's revealant is an animal, she may in fact be a human transformed into beast (e.g. the great grey cat in "The Widow and her Daughters"[13]).
The secret about women is a theme borne in the title "The Shining Sword and the Knowledge of the Cause of the One Story about Women",[14] considered an essential part of the original Irish story (I) according to G. L. Kittredge's stemma of texts,[a] even though "the woman" part is lacking (i.e. lost) in some variants, such as Kennedy's Fios Fath an aon Sceil ("perfect narrative of the unique story")[15][b][c] The "news of the death of Anshgayliacht", which occurs as a quest in another version[17] is also a corruption of this.[18] This reconstruction was made by G. L. Kittredge, who examines a groups of Sword of Light folktales cognate to Arthur and Gorlagon which he edited.[19] A more familiar Arthurian tale which embeds the quest of "What is it that women most desire?" is The Wedding of Sir Gawain and Dame Ragnelle."
“But often the sword is not enough, and the supernatural enemy has to be attacked on a single vulnerable spot on his body. The weak spot, moreover, may be an external soul concealed somewhere in the world at large (inside animals, etc.), and in the case of “The Young King of Esaidh Ruadh”,[12] this soul is encased within a nested series of animals.”
— https://en.wikipedia.org/wiki/Cla%C3%ADomh_Solais

The Eye of Evil is The 666 Multimedia Beast's Weak Spot We Must Attack

 The illogical - lying Yellow Journal News Media with its presentation of Absolute and Utter Nonsense -  is the Weak Link in This Chain

A SMILING CYCLOPS or SIDESHOW CIRCUS “SEAL’ or LOGO ‘below’:
cbs cia dia USA
The Matrix is a yellow journal Cartoon World. The historical power of the printed word and image!
Uncle Sam and British Sgt. Major Pepper teach cards and comics of all ‘stripes’ and ‘types”.
LET US MARVEL AT DC!
Are Secret Agents of cultural content creation working in comics and other publishing parts of the yellow journal beast? This would seem to be the case. The entire publishing industry has always been a tool of cultural manipulation, especially among the young. Comic strips and cartoons are the stuff of childhood and adult hood and are the same exact dream like stuff of dream and religion, the myth of royalty and all the rest. Here is the basic guide to how to construct a culture. This applies to Royalty, Religion, Government, the Judicial System, Corporate structures and all else in our artificial world.
Frank Luther Mott defines yellow journalism in terms of five characteristics:
  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system.
  6.  
A CYCLOPS & A REFERENCE TO BIG “SIS” - We now know “SIS” means the Secret Intelligence Service (SIS), commonly known as MI6 (Military Intelligence, Section 6).
The Queen is Big “SIS” or iSIS. Get the joke or yoke yet?
https://en.wikipedia.org/wiki/Secret_Intelligence_Servic

This is the medium for the Absurd Cartoon Federal and State Political Systems - Which is Why it is Filled With Lies!

This is Satan

The Book of Revelations Opens to Reveal: "Semper Occultis" (Always Secret - the motto of SIS) indeed! The Secret to the intelligence Services is this: they are artists and culture creators and manipulators of public perception and opinion. They also like to play make believe and dress up. The Royals especially love Halloween. They pretend that holiday never ends. They have been playing make believe for centuries now. This is why they promote juvenile behavior and thinking through their system of banking and social control, they commissioned all the numerous Yellow Journals of history and their minions still do so today. All customs and costumes of royalty and religion and all else are the artificial result of a social control mental prison system. 
"In Irish mythologyBalor (modern spelling: Balar) was king of named Fomorians, a group of supernatural beings. He is often described as a giant with a large eye in his forehead that wreaks destruction when opened. He has been interpreted as a god or personification of drought and blight."
"It is suggested that Balor comes from Common Celtic *Baleros, meaning "the deadly one", cognate with Old Irish at-baill (dies) and Welsh ball (death, plague).[1]
He is also referred to as Balor Béimnech (Balor the smiter), Balor Balcbéimnech (Balor the strong smiter) and Balor Birugderc (Balor of the piercing eye).[1] The latter has led to the English name Balor of the Evil Eye."
Uploaded by Magicgeorgeify on 2012-11-20.
“There’s an angel on my shoulder, in my hand a sword of gold.
Let me wander through your garden and (wander through) the seeds that love has sown”.
“Robert Anthony Plant, CBE (born 20 August 1948) is an English musician, singer, and songwriter best known as the lead singer and lyricist of the rock band Led Zeppelin.”

“Robert Anthony Plant was born in the Black Country town of West Bromwich, Staffordshire to Robert C. Plant, a qualified civil engineer who worked in the Royal Air Force during World War II,[6] and Annie Celia Plant (née Cain),[7] a Romanichal woman.[8] He grew up in Kidderminster, Worcestershire. Plant gained an interest in singing and rock and roll music at an early age.

“When I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten-year-old. That was all the ambience I got at ten years old... I think! And I always wanted to be a curtain, a bit similar to that."
He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early rendition of songs in this genre.
“I suppose I was quite interested in my stamp collection and Romano-British history. I was a little grammar school boy and I could hear this kind of calling through the airwaves.[10]”

He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes (General Certificates of Education) and to become part of the English Midlands blues scene.[11][12] "I left home at 16", he said, "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to".[13]

Plant's early blues influences included Johnson, Bukka White, Skip James, Jerry Miller, and Sleepy John Estes. Plant had various jobs while pursuing his music career, one of which was working for the major British construction company Wimpey in Birmingham in 1967 laying tarmac on roads. He also worked at Woolworth's in Halesowen town for a short period of time. He cut three obscure singles on CBS Records[14] and sang with a variety of bands, including the Crawling King Snakes, which brought him into contact with drummer John Bonham. They both went on to play in the Band of Joy, merging blues with newer psychedelic trends.
Led Zeppelin (1968–1980)
This section needs expansion with: information on the years between their 1968 founding, and their 7th album in 1975 (that is, complete the section, to uniform coverage). You can help by adding to it. (June 2016)
This section needs additional citations for verification. (June 2016)
In 1968, guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham (where Plant was singing in a band named Obs-Tweedle).[15] A version of "Somebody to Love" by Jefferson Airplane was sung by Plant in front of Page, leading Page to the end of his search.[15] As recalled by Plant and Page:
Plant: I was appearing at this college when Peter and Jimmy turned up and asked me if I'd like to join the Yardbirds. I knew the Yardbirds had done a lot of work in America – which to me meant audiences who would want to know what I might have to offer – so naturally I was very interested.[16]
Page: When I auditioned him and heard him sing, I immediately thought there must be something wrong with him personality-wise or that he had to be impossible to work with, because I just could not understand why, after he told me he'd been singing for a few years already, he hadn't become a big name yet. So I had him down to my place for a little while, just to sort of check him out, and we got along great. No problems.”
"The Romanichals (UK: /ˈrɒmᵻnɪtʃal/; US: /ˈrɑməniˌtʃæl/)[6] (also RomnichalsRumnichals or Rumneys) are a Romani sub-group in the United Kingdom and other parts of the English-speaking world.
Romanichals are thought to have arrived in England in the 16th century. They are closely related to the Welsh Kaleand to other Romani groups in the United Kingdom and continental Europe."
"Many, but not all, Romanichals are noted for a fairer phenotype than that of other Romani groups in Europe. Lighter-skinned Romani are not uncommon,[12] and a light phenotype, including individuals with blond hair and blue eyes, can also be seen in established Eastern European Roma communities.[12]
Constantine, Prince of Moldavia in his 1776 decree against the intermarriage between Moldavians and Romani wrote: "In some parts Gypsies have married Moldavian women, and also Moldavian men have taken in marriage Gypsy girls, which is entirely against the Christian faith."[12] The French writer Felix Colson, writing in 1839 about his visits to slave holdings in Romania, remarked of some of the Romani slaves: "Their skins are hardly brown but blond and beautiful."[12][13] Lighter-skinned Romani girls in Slovakia, noted for their beauty, were given the nickname "Papin" or "Papinori" (white goose) in the Romani language to indicate their light skin tone.[14]
The same phenomenon of a light-skinned phenotype observed on the continent can be seen in other Romani communities, including the Romanichal in Britain, due to some limited intermarriage between themselves, settled people and/or other Traveller groups.
Stereotypically, darker skin is seen as a racial characteristic among the Romani. This attitude has proliferated the myth of the "True Romani", an inadvertent discriminatory term described by some Romani scholars as one that "...allowed writers and policy-makers to dismiss people as an unwelcome social blot on the land, people of 'little or no Romani blood' who gave the 'True Romany' a bad name."[15]
Blond hair, fair skin and blue eyes are not uncommon features among both the Roma and British Romani groups. Examples include lighter-skinned Roma who were conscripted into fighting units during WWII; a Slovakian Roma called Otto Baláš wrote an account that stated: "They also took my cousin Paľo. He didn’t look like a gypsy—He was white."[16] Other light-skinned Roma were able to pass as non-Roma and avoid the Romani genocide or Porajmos, as in the case of Vojtěch Fabián, who told a doctor he was a Roma but was admonished: "Never say you’re a Gypsy, you don’t look like one" and consequently was able to hide his Romani ethnicity from the authorities.[16] Some Roma have been noted as passing for Slovak or Hungarian despite being of Romani descent,[17] while the Bulgarian Roma, musician Ivo Papazov, has stated of the light-skinned phenotype: "I am one of the few light-skinned people in my family but I know I am Romani."[18]
As with the varying phenotypes in continental Romani groups, the British Romanichal are an authentic subgroup of the Romani people. They display genetic markers distinct from those of other people of the British Isles. These markers show them to be most closely related to continental Romani groups like the Sintifrom Germany, Austria and the Romani people from Eastern Europe.[19] The Finnish Kale, a further sub-group of the Romani people, allege that they are descendants of Romani people from the UK"
"The Romani people have origins in India, specifically Rajasthan and began migrating westwards from the 11th century. The first groups of Romani people arrived in Great Britain by the end of the 15th century, escaping conflicts in Southeastern Europe (such as the Ottoman conquest of the Balkans).
In 1506 there are recorded Romani persons in Scotland,[21] arrived from Spain and to England in 1512.[21]Soon the leadership passed laws aimed at stopping the Romani immigration and at the assimilation of those already present.
The Origin of Fabled Egypt?
During the reign of Henry VIII, the Egyptians Act (1530) banned Romanies from entering the country and required those living in the country to leave within 16 days. Failure to do so could result in confiscation of property, imprisonment and deportation. During the reign of Mary I the act was amended with the Egyptians Act (1554), which removed the threat of punishment to Romanies if they abandoned their "naughty, idle and ungodly life and company" and adopted a settled lifestyle, but on the other hand increased the penalty for noncompliance to death.
In 1562 a new law offered Romanies born in England and Wales the possibility of becoming English subjects, if they assimilated into the local population. Despite this legislation, the Romani population managed to survive, but it was forced into a marginal lifestyle and subjected to continuous discrimination from the state authorities and many of the local non-Romanies. In 1596, 106 men and women were condemned to death at York just for being Romani, and nine were executed. The others were able to prove that they were born in England.
Samuel Rid authored two early works about them in the early 17th century.[22]
From the 1780s, gradually, the anti-Romani laws were repealed, although not all. The identity of the Romanichals was formed between the years 1660 and 1800, as a Romani group living in Britain."

Romani or Gypsy

Please Notice That The Symbol of The Romani is the Chariot or Wagon Wheel. This same wheel is depicted in the Luna or Moon Goddess art. The Two Wheels of her chariot, like the Twin Towers themselves, might represent the two banking circles on either side of the ocean. In any case, the wheels, like sailing and airships are symbols for traveling. This would seem to be indicating that the Long Standing Royal Mafia Global Criminal Banking Ring is a Roaming Theatrical ‘Gypping’ Rode Show. It really is a ‘Wholly Roaming Empire”.
Traveling Tall Tales & Gypsy Roaming Wagon Wheels Become Wheels and Gears of Industry & Sailing Ships - The Wheel of Fortune, The Wheel of Time, all Social Circles meant to bind and blind our minds and imaginations to the unlawful Census driven time and space based Solar yellow journal minion cargo-cult we call Modern Civilization. Wheels and churches and circles are meant to make us think time is real. Time is a lie.
Blood Sweat & Tears 2/10/1969 David Clayton-Thomas: Lead Vocals Steve Katz: Guitar, Hamonica, Lead Vocals Bobby Colomby: Drums, Percussion, Vocals Jim Fielder: Bass Fred Lipsius: Alto Saxaphone, Piano Lew Soloff: Trumpet, Fluegelhorn Chuck Winfield: Trumpet, Fluegelhorn Jerry Hyman: Trombone Dick Halligan: Organ, Piano, Flute, Trombone, Vocals
Origin of Mythic Rome? Is Italy Just The First America?
What we know of history is very wrong. What we consider history is truth mixed with liberal doses of lies. Our history is actually layers of lies and myth that cover some truth. It is a clear example of yellow journalistic practice. Were ancient Egypt, Rome, Israel  and other places myth that was turned into reality later? It looks like it. Tales of imaginary places would have been easily spread by the word of mouth hearsay of the so-called gypsies and other sorts of travelers, like merchants and future bankers and royals. Art then would or could, be commissioned to show people these fantastic places. Modern electronic communication with its highly edited video and audio, make for the most powerful of hypnotic mind control tools this world has ever witnessed. This is reinforced by social media and social behavior. Most of us don't understand that we are in a dark age, not an illuminated one. Governments have retarded our collective intellectual development. Governments, by definition , are about controlling our behavior. We have less freedom now than when the pilgrims first settled the so-called New World.
"The Romani people, also referred to depending on the sub-group as RomaSinti or SindhiKale, or Romani, are an Indo-Aryan ethnic group, who live primarily in Europe. They originated in northwest regions of the Indian subcontinent[1][2][3] and left sometime between the 6th and 11th century to work in Middle Eastern courts of their own volition, or as slaves. A small number of nomadic groups were cut off from their return to the subcontinent by conflicts and moved west,[1] eventually settling in EuropeTurkey and North Africa via Iran."
"The Romani (also spelled Romany/ˈroʊməni//ˈrɒ-/), or Roma, are a traditionally nomadic ethnic group, living mostly in Europe and the Americas and originating from the northern regions of the Indian subcontinent,[52][53][54]presumably from where the states RajasthanHaryana, and Punjab exist today.[53][54] The Romani are widely known among English-speaking people by the exonym "Gypsies" (or "Gipsies"), which some people consider pejorative due to its connotations of illegality and irregularity."
Rome or Roam or Romani?
c. 1300, romen, possibly from Old English *ramian "act of wandering about," which is probably related to aræman "arise, lift up." There are no certain cognate forms in other Germanic languages, but Barnhart points to Old Norse reimuðr "act of wandering about," reimast"to haunt." "Except in late puns, there is no evidence of connexion with the Romance words denoting pilgrims or pilgrimages to Rome ...." [OED], such as Spanish romero "a pilot-fish; a pilgrim;" Old French romier "travelling as a pilgrim; a pilgrim," from Medieval Latin romerius "a pilgrim" (originally to Rome). Related: Roamedroamerroaming.
Uploaded by 13 31 on 2016-09-03.
"Interesting history, facts and information about the life of the people
who lived in England during the Medieval times
Medieval Jobs - The names of the Medieval people who worked on the manors
The Lord of the Manor was based in the Manor House and from here he conducted the business of the manor. The names of the Medieval jobs of the people who worked on the manors are described as follows:
  • Vassal - A Vassal or Liege was a free man who held land ( a fief ) from a lord to whom he paid homage and swore fealty. A vassal could be a Lord of the Manor but was also directly subservient to a Noble or the King
  • Bailiff - A Bailiff was a person of some importance who undertook the management of manors
  • Reeve - A Reeve was a manor official appointed by the lord or elected by the peasants
  • Serf - A serf was another name for a peasant or tennant. Medieval Serfs were peasants who worked his lord's land and paid him certain dues in return for the use of land, the possession (not the ownership) of which was heritable. The dues were usually in the form of labor on the lord's land. Medieval Serfs were expected to work for approximately 3 days each week on the lord's land.
  • Peasant or Villein - A peasant or villein was a low status tenant who worked as an agricultural worker or laborer. A peasant or villein usually cultivated 20-40 acres of land
  • Cottager: A low class peasant with a cottage, but with little or no land who generally worked as a simple laborer
  • Servant: Servants were house peasants who worked in the lord's manor house, doing the cooking, cleaning, laundering, and other household chores

Two principal estates of the realm

"The gentry is formed on the bases of the medieval societies' two higher estates of the realm, nobility and clergy, both exempted from tax. Subsequent "gentle" families of long descent who never obtained official rights to bear a coat of arms were also admitted to the rural upper-class society: the gentry.
The three estates
The widespread three estates order was particularly characteristic of France:
  • First estate included the group of all clergy, that is, members of the higher clergy and the lower clergy.
  • Second estate has been encapsulated by the nobility. Here too, it did not matter whether they came from a lower or higher nobility or if they were impoverished members.
  • Third estate included all nominally free citizens; in some places, free peasants.
At the top of the pyramid were the princes and estates of the king or emperor, or with the clergy, the bishops and the pope.
The feudal system was, for the people of the Middle Ages and early modern period, fitted into a God-given order. The nobility and the third estate were born into their class, and change in social position was slow. Wealth had little influence on what estate one belonged to. The exception was the Medieval Church, which was the only institution where competent men (and women) of merit could reach, in one lifetime, the highest positions in society.
The first estate comprised the entire clergy, traditionally divided into "higher" and "lower" clergy. Although there was no formal demarcation between the two categories, the upper clergy were, effectively, clerical nobility, from the families of the second estate or as in the case of Cardinal Wolsey, from more humble backgrounds.
The second estate was the nobility. Being wealthy or influential did not automatically make one a noble, and not all nobles were wealthy and influential (aristocratic families have lost their fortunes in various ways, and the concept of the "poor nobleman" is almost as old as nobility itself). Countries without a feudal tradition did not have a nobility as such."
"The nobility of a person might be either inherited or earned. Nobility in its most general and strict sense is an acknowledged preeminence that is hereditary: legitimate descendants (or all male descendants, in some societies) of nobles are nobles, unless explicitly stripped of the privilege. The terms aristocrat and aristocracy are a less formal means to refer to persons belonging to this social milieu.
Historically in some cultures, members of an upper class often did not have to work for a living, as they were supported by earned or inherited investments (often real estate), although members of the upper class may have had less actual money than merchants. Upper-class status commonly derived from the social position of one's family and not from one's own achievements or wealth. Much of the population that comprised the upper class consisted of aristocrats, ruling families, titled people, and religious hierarchs. These people were usually born into their status, and historically, there was not much movement across class boundaries. This is to say that it was much harder for an individual to move up in class simply because of the structure of society.
In many countries, the term upper class was intimately associated with hereditary land ownership and titles. Political power was often in the hands of the landowners in many pre-industrial societies (which was one of the causes of the French Revolution), despite there being no legal barriers to land ownership for other social classes. Power began to shift from upper-class landed families to the general population in the early modern age, leading to marital alliances between the two groups, providing the foundation for the modern upper classes in the West. Upper-class landowners in Europe were often also members of the titled nobility, though not necessarily: the prevalence of titles of nobility varied widely from country to country. Some upper classes were almost entirely untitled, for example, the Szlachta of the Polish-Lithuanian Commonwealth.
Before the Age of Absolutism, institutions, such as the church, legislatures, or social elites, restrained monarchical power. Absolutism was characterized by the ending of feudal partitioning, consolidation of power with the monarch, rise of state, rise of professional standing armies, professional bureaucracies, the codification of state laws, and the rise of ideologies that justify the absolutist monarchy. Hence, Absolutism was made possible by new innovations and characterized as a phenomenon of Early Modern Europe, rather than that of the Middle Ages, where the clergy and nobility counterbalanced as a result of mutual rivalry."
Please keep in mind the governments, the military, the religions, the universities, corporations and all important institutions are going to have a glass ceiling preventing those of us from the lower levels of the pyramid from advancing to levels of real control and power. The royalty and their upper level minions run the show from the top down. Controlled opposition and damage control operations are managed by the higher castes (cast like a theatrical troop). Most of us can never become President, Pope, Cardinal, CEO, Board Director, etc. despite what we’ve been told about the American or any other so-called National dream. The religions were created or taken over and institutionalized in order to maintain the pyramid social control structure.
These upper level people are part of the aristocratic control structure. These institutions were and are created to manage and manipulate us and not much else. We really need to drastically scale this beast back into manageable bureaucracies that actually serve humanity and not the few.
caste (n.) Look up caste at Dictionary.com
1550s, "a race of men," from Latin castus "chaste," from castus "cut off, separated; pure" (via notion of "cut off" from faults), past participle of carere "to be cut off from" (and related to castration), from PIE *kas-to-, from root *kes- "to cut" (source also of Latin cassus "empty, void"). Originally spelled cast in English and later often merged with cast (n.) in its secondary sense "sort, kind, style." 
Application to Hindu social groups was picked up by English in India 1610s from Portuguese casta "breed, race, caste," earlier casta raça, "unmixed race," from the same Latin word. The current spelling of of the English word is from this reborrowing. Caste system is first recorded 1840.
cast (n.) Look up cast at Dictionary.com
mid-13c., "a throw, an act of throwing," from cast (v.). In early use especially of dice, hence figurative uses relating to fortune or fate. Meaning "that which is cast" is from c. 1550s. Meaning "dash or shade of color" is from c. 1600. The sense of "a throw" carried an idea of "the form the thing takes after it has been thrown," which led to widespread and varied meanings, such as "group of actors in a play" (1630s). OED finds 42 distinct noun meaning and 83 verbal ones, with many sub-definitions. Many of the figurative senses converged in a general meaning "sort, kind, style" (mid-17c.). A cast in the eye (early 14c.) preserves the older verbal sense of "warp, turn."
class (n.) Look up class at Dictionary.com
c. 1600, "group of students," from French classe (14c.), from Latin classis "a class, a division; army, fleet," especially "any one of the six orders into which Servius Tullius divided the Roman people for the purpose of taxation;" traditionally originally "the people of Rome under arms" (a sense attested in English from 1650s), and thus akin to calare "to call (to arms)," from PIE root *kele- (2) "to shout" (see claim (v.)). In early use in English also in Latin form classis. 
School and university sense of "course, lecture" (1650s) is from the notion of a form or lecture reserved to scholars who had attained a certain level. Natural history sense is from 1753. Meaning "a division of society according to status" (upper, lower, etc.) is from 1772. Meaning "high quality" is from 1847. Class-consciousness (1903) is from German klassenbewusst.

Polyhedral dice

"A typical set of roleplaying dice in various colors. They consist of the five Platonic solids, along with a ten-sided die that is also used for generating percentages.
Around the end of the 1960s, non-cubical dice became popular among players of wargames,[22] and since have been employed extensively in role-playing games and trading card games. The numerals 6 and 9, which are reciprocally symmetric through rotation, are distinguished with a dot or underline."
War Games
Dungeons and Dragons is just an example of modern day war-gaming which dates back to the Prussia. We can now see how wars are really conducted. As war-games on sand tables.
“Drawing inspiration from chess, Hellwig, Master of Pages to the Duke of Brunswick, created a battle emulation game in 1780. According to Max Boot's book War Made New (2006, pg 122), sometime between 1803 and 1809, the Prussian General Staff developed war games, with staff officers moving metal pieces around on a game table (with blue pieces representing their forces and red pieces those of the enemy), using dice rolls to indicate random chance and with a referee scoring the results. Increasingly realistic variations became part of military training in the 19th century in many nations, and were called Kriegsspiel or "wargame". Wargames or military exercises remain an important part of military training today.”
“"The first specific non-military wargame club was started in Oxford, England, in the 19th century."[3] Naval enthusiast and analyst Fred T. Jane came up with a set of rules for depicting naval actions with the use of model ships, or miniatures around 1898 (Reprinted 2008). The 1905/6 edition of Jane's Fighting Ships includes a revised edition for "The Naval War Game".[4]
H.G. Wells' books Floor Games (1911) and Little Wars (1913) were attempts to codify rules for fighting battles with toy soldiers (miniatures), and make them available to the general public. They were very simple games, and in some ways just provide a context for shooting spring-loaded toy cannons at toy soldiers, but "in his Appendix to Little Wars, Wells speaks of the changes required to convert his admittedly simplistic rules into a more rigorous Kriegspiel."[5] However, Wells also states in his rules that combat "should be by actual gun and rifle fire and not by computation. Things should happen and not be decided," in opposition to the general nature of Kriegspiel play.
In 1940 Fletcher Pratt's Naval War Game was first published. The game started in New York, but other clubs formed around the USA. Jack Coggins was invited by Pratt to participate, and recalled that Pratt's game involved dozens of tiny wooden ships—built to a scale of about one inch to 50 feet—spread over the living room floor of his apartment. Their maneuvers and the results of their battles were calculated via a complex mathematical formula, with scale distances marked off with tape measures.[6] The game's popularity grew and moved to using a ballroom for games with 60 or more players per side.[7] The game was respected by the Naval War College and serving naval officers regularly participated in games[8] For an evaluation of the Fletcher Pratt Game versus reality see Chapter 10 of The Fletcher Pratt Naval Wargame book. link
All of these games were meant to be accessible to the general public, but actual play was made difficult owing to the expense of purchasing an army or navy's worth of miniatures. As leisure time and disposable income generally rose through the 20th Century, miniatures games slowly gained a following. Most gaming groups informally wrote and/or revised their own rules, which were never published.”
“Coupled with an aggressive advertising campaign, this caused a tremendous rise in the popularity of wargaming in the early 1970s, with a large number of new companies starting up. Two of these would last for some years: Game Designers' Workshop (GDW), and Tactical Studies Rules (TSR). TSR's medieval era miniatures game, Chainmail (1971) included a fantasy supplement that led to a new phenomenon that would become much bigger than its parent hobby, role-playing games (RPGs). (For a better look at these developments see the history of role-playing games.)”
https://en.wikipedia.org/wiki/Wargaming
"Kriegsspiel (German: [ˈkʁiːksˌʃpiːl], "war game") was a system used for training officers in the Prussian and German armies. The first set of rules was created in 1812[1] and named Instructions for the Representation of Tactical Maneuvers under the Guise of a Wargame. It was originally produced and developed further by Lieutenant Georg Leopold von Reiswitz and his son Georg Heinrich Rudolf von Reiswitz of the Prussian Army."
"von Reiswitz's system for simulating war was initially based around a specially designed table which he created for his King Friedrich Wilhelm III.[1] The table (see photos on page 65, 67, 69 and 70) divided the game field into a grid system, a core element of many later wargame and roleplaying systems, and included different pre-cast terrain types used in modular combinations, as well as making use of special gaming pieces and dice.[1][2] von Reiswitz' system also included the methods to simulate fog of war and communication difficulties, and a position of what he called a 'confidant', an impartial third party calculating and assessing the moves, analogous to the modern gamemaster.[1]
The rules set, which was modified several times[2] established several conventions for wargaming which hold true to the present day, such as the use of maps, color-coding the opposing armies as red and blue, using umpires, and uniform, complex rules for movement and combat.[3] The accepted map scale was 1:8000[4] (though Georg Leopold von Reisswitz' initial design used a 1:2373 scale),[1] and the time scale was 2 minutes per one turn. Blocks were used to represent units,[4] which had different movement speeds, measured with the use of special compass, and which could even engage in short sprints.[1] In addition to the 'gamemaster', a total of up to 10 players could play as a commander on one of two sides in the conflict. The rules assumed a hierarchy of command between the different players, and even stipulated that if different units were out of sight of each other, players would not be allowed to communicate commands.[1]
"Free" Kriegsspiel
Kriegsspiel in its original form was not particularly popular among the Prussian officer corps; The rules were cumbersome and games took much longer than the battles that they were supposed to represent.[5] It was not until 1876[5] that General Julius von Verdy du Vernois had the idea of placing more power in the hands of the gamemaster in order to speed up the game and reduce the number of rules. von Verdy's “Free” Kriegsspiel did away with many of the movement and combat rules in order to save time, giving the duty of deciding the effects of orders and combat to the gamemaster. This allowed players to play a game in real time, giving the players a better feel for the tension of actual combat. To retain military accuracy, von Verdy emphasized the necessity of using military experts as gamemasters.[6] The new “Free” Kriegsspiel soon gained more popularity than its predecessor (now known as “Strict” Kriegsspiel”); The Prussian (later German) General Staff used it both for its internal exercises and as a training tool.[7]
Later History
Kriegsspiel was first widely disseminated by Helmuth von Moltke the Elder, Chief of Prussian General Staff. Moltke made several reforms to the Prussian military with the backing of Otto von Bismarck, one of which made Kriegsspiel a teaching tool for officers. As a result, this allowed Prussian officers to become more independent and responsible.
After its initial development, this particular style of wargaming became very popular among the Prussian Army officer corps. After numerous successful Prussian campaigns in the late 1800s, Kriegsspiel became more widely adopted by many militaries.[8]
Kriegsspiel is still played today in both its original “Strict” format and Julius von Verdy du Vernois' “Free” format. The original 1824 rules by von Reisswitz, the supplementary 1862 rules by von Tschischwitz and several ancillary products such as authentic maps are still published in English by TooFatLardies, a wargames publishing company in England. Much of the renaissance enjoyed by Kriegsspiel is due to Bill Leeson's translation of the original German text in the early 1980s and his promotion of the system in the wargames hobby press."
Prussia is Home to The Invention of The Roleplaying War-Game & The Modern Educational/Indoctrination System
"The Prussian education system refers to the system of education established in Prussia as a result of educational reforms in the late 18th and early 19th century, which has had widespread influence since. It is predominantly used as an American political slogan in educational reform debates, since it was adopted by all American K–12 public schools and major universities as early as the late 18th century, and is often used as a derogatory term for education in the service of nation-building, teaching children and young adults blind obedience to authority, and reinforcing class and race prejudice.[1] The actual Prussian education system was introduced as a basic concept in the late 18th century and was significantly enhanced after Prussia's defeat in the early stages of the Napoleonic Wars. The Prussian educational reforms inspired other countries and remains important as a biopower in the Foucaultian sense for nation-building.[2] Compulsory education on the Prussian example was soon mirrored in Scandinavia, and US states started to adopt the Prussian example. Early American adopters include Daniel Coit Gilman, who set up The General Education Board, later renamed The Rockefeller Foundation, and first president of Johns Hopkins, John Dewey at the University of Chicago, James Cattell at The University of Pennsylvania and Columbia University, Henry Philip Tappan at The University of Michigan, James Earl Russell at the New York College for the Training of Teachers, and many more. France and the UK failed to introduce similar systems until the 1880s."
Role Playing Games - Theater and War-gaming Mixed- Just like in so-called ‘Reel’ Life.
“A role-playing game (RPG and sometimes roleplaying game[1][2]) is a game in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting or through a process of structured decision-making or character development.[3] Actions taken within many games succeed or fail according to a formal system of rules and guidelines”
“In 16th century Europe, traveling teams of players performed a form of improvisational theatre known as the Commedia dell'arte, with stock situations, stock characters and improvised dialogue. In the 19th and early 20th century, many board games and parlour games such as the game Jury Box included elements of role-playing. Mock trials, model legislatures, and the "Theatre Games" created by Viola Spolin arose, in which players took on the roles of characters and improvised, but without the formalised rules which would characterise modern role-playing games.[7]
There is some evidence that assassin-style games may have been played in New York city by adults as early as 1920. A simple version in which an assassination was performed by saying, "You're dead," was mentioned in Harpo Marx's autobiography, Harpo Speaks!, in a section covering the 1920s.
In the 1960s, historical reenactment groups gave rise to "creative history" games, which probably originate with the founding of the Society for Creative Anachronism in Berkeley, California on May 1, 1966. A similar group, the Markland Medieval Mercenary Militia, began holding events on the University of Maryland, College Park in 1969. These groups were largely dedicated to accurately recreating medieval history and culture, however, with only mild fantasy elements, and were probably mostly influenced by historical re-enactment.”
“The history of role-playing games begins with an earlier tradition of role-playing, which combined with the rulesets of fantasy wargames in the 1970s to give rise to the modern role-playing game.[1] A role-playing game (RPG) is a type of game in which the participants assume the roles of characters and collaboratively create stories. Participants determine the actions of their characters based on their characterization, and the actions succeed or fail according to a system of rules and guidelines. Within the rules, they may improvise freely; their choices shape the direction and outcome of the games.
Role-playing games are substantially different from competitive games such as ball games and card games. This has led to confusion among some non-players about the nature of fantasy gaming. The game Dungeons & Dragons was a subject of controversy in the 1980s when well-publicized opponents claimed it caused negative spiritual and psychological effects. Academic research has discredited these claims.[2] Some educators support role-playing games as a healthy way to hone reading and arithmetic skills.[3] Though role-playing has been accepted by some,[4] a few religious organizations continue to object.[5]
Media attention both increased sales and stigmatized certain games. In thirty years the genre has grown from a few hobbyists and boutique publishers to an economically significant part of the games industry, though grass-roots and small business involvement remains substantial. Games industry company Hasbro purchased fantasy game publisher Wizards of the Coast in 1998 for an estimated $325 million.”

The 666 Multimedia beast promotes the games they demonize in order to generate interest and sales.

Modern Day 'Satanic' War Gaming: The Bard Class
King Arthur, Aragorn, Aengus and so many other mythological figures, like modern pop stars, like Robert ‘Plant’ seem to metaphorically embody the concept of the artist as the one who is a trickster, a thief, a warrior and most importantly a charismatic leader who can act like a pied pipe, leading the people astray or to sanity and truth. This is the idea of the role playing game character class known as the “Bard”. The Bard has to have a relationship with nature. The Bard understands the way things really work and can either hide or reveal this truth.
"Dungeons & Dragons (abbreviated as D&D[2] or DnD) is a fantasy tabletop role-playing game (RPG) originally designed by Gary Gygax and Dave Arneson, and first published in 1974 by Tactical Studies Rules, Inc. (TSR). The game has been published by Wizards of the Coast (now a subsidiary of Hasbro) since 1997. It was derived from miniature wargames with a variation of the Chainmail game serving as the initial rule system.[3] D&D's publication is commonly recognized as the beginning of modern role-playing games and the role-playing game industry.[4]
D&D departs from traditional wargaming and assigns each player a specific character to play instead of a military formation. These characters embark upon imaginary adventures within a fantasy setting. A Dungeon Master serves as the game's referee and storyteller, while maintaining the setting in which the adventures occur and playing the role of the inhabitants. The characters form a party that interacts with the setting's inhabitants (and each other). Together they solve dilemmas, engage in battles and gather treasure and knowledge.[4] In the process the characters earn experience points to become increasingly powerful over a series of sessions."

Advanced Dungeons & Dragons 1st edition

"Bards in First Edition AD&D were a special class unavailable for initial character creation. A character could become a bard only after meeting specific and difficult requirements, achieving levels in multiple character classes, becoming a bard only later. The process of becoming a bard in the First Edition was very similar to what would later be standardized in D&D as the prestige class—the First Edition bard eventually became the Fochlucan Lyrist prestige class in the Third Edition supplement Complete Adventurer.[citation needed]
To become a bard, a human or half-elf had to begin with very high ability scores: Strength 15+, Wisdom 15+, Dexterity 15+ and Charisma 15+, Intelligence 12+ and Constitution 10+. These daunting requirements made bards one of the rarest character classes. Bards began the game as fighters, and after achieving 5th level (but before reaching 8th level), they had to change their class to that of thief, and after reaching 5th level as a thief (but before reaching 9th level), they had to change again, leaving off thieving and begin clerical studies as druids; but at this time they are actually bards and under druidical tutelage.
Bards gained a limited number of druid spells, and could be any alignment that was neutral on at least one axis. Because of the nature of dual-classing in AD&D, bards had the combined abilities of both fighters and thieves, in addition to their newly acquired lore, druidic spells, all level dependent druidic abilities, additional languages known, a special ability to know legendary information about magic items they may encounter, and a percentage chance to automatically charm any creature that hears the bard's magical music. Because bards must have first acquired levels as fighter and thief, they are more powerful at first level than any other class.
This version of the bard is a druidic loremaster, more than a wandering minstrel and entertainer, though the bard does have song and poetic powers as well."
Dungeons and Dragons is a role playing game that requires the players to map and navigate a maze like ‘dungeon’ and to gain power and knowledge through experience. The game is actually less about rolling the dice and more about using our heads to avoid the gamble in the first place. The real idea is to get the treasure from the monster without fighting, if this is possible. The idea is to use our ‘heads’ not our ’stats’ and ‘muscles’
The Force Awakens
c. 1300, "physical strength," from Old French force "force, strength; courage, fortitude; violence, power, compulsion" (12c.), from Vulgar Latin *fortia(source also of Old Spanish forzo, Spanish fuerza, Italian forza), noun use of neuter plural of Latin fortis "strong, mighty; firm, steadfast; brave, bold" (see fort).

Meanings "power to convince the mind" and "power exerted against will or consent" are from mid-14c. Meaning "body of armed men, a military organization" first recorded late 14c. (also in Old French). Physics sense is from 1660s; force field attested by 1920. Related: Forces.
c. 1300, forcen, also forsen, "exert force upon (an adversary)," from Old French forcer "conquer by violence," from force "strength, power, compulsion" (see force (n.)). From early 14c. as "to violate (a woman), to rape." From c. 1400 as "compel by force, constrain (someone to do something)." Meaning "bring about by unusual effort" is from 1550s. Card-playing sense is from 1746 (whist). Related: Forcedforcing."
The Jedi is just an Artist
The Star Wars films are clearly the stuff of mythology and literal yellow journalism, with its use of pseudoscience and obvious comic strip inspired imagery. The force however, refers to something that is very real. The very real and demonstrable fact that we are all part of this one creation.
The dark Sith represent the artists who use their craft to deceive and occult the truth and who use their art to hide nature. These dark lords represent the power of the mind to bind itself to systems of thought that do not serve nature nor humanity.
The Jedi represent art used to reveal the truth and art used to reveal and celebrate nature. Luke Skywalker finds Yoda, the last Jedi master, living in the natural world and not on some artificial 'Death' star.
In the film Return of The Jedi, the Artificial Empire of commerce, restriction and social control is defeated by nature as represented by teddy bear like creatures, the Ewoks. Innocence and nature win the day.
The Jedi master is a master of themselves. The Sith master is a master of other people.
Controlled Opposition replaces The Real illuminati
We can read how real movements get crushed and replaced with fake ones that only lead to more laws and control and restrictions over our behavior. We can see how and why we are less free today than we were in 1776.
"The Illuminati (plural of Latin illuminatus, "enlightened") is a name given to several groups, both real and fictitious. Historically, the name usually refers to the Bavarian Illuminati, an Enlightenment-era secret society founded on 1 May 1776. The society's goals were to oppose superstitionobscurantism, religious influence over public life and abuses of state power. "The order of the day," they wrote in their general statutes, "is to put an end to the machinations of the purveyors of injustice, to control them without dominating them."[1] The Illuminati—along with Freemasonry and other secret societies—were outlawed through edict, by the Bavarian ruler, Charles Theodore, with the encouragement of the Roman Catholic Church, in 1784, 1785, 1787 and 1790.[2] In the several years following, the group was vilified by conservative and religious critics who claimed that they continued underground and were responsible for the French Revolution."
We are encouraged to confuse symbol with that which the symbol refers to.

The illuminati

If we pay attention we will realize that the Illuminati were not all wiped out, whatever did or did not happen, their spirit lives on preserved in works of fiction. George Lucas was one of the camera men involved with the production of Gimme Shelter and of course he went on to become one of the most successful cultural manipulators of all time. George Lucas gave us Star Wars and with it an imaginary landscape that really explains the way the world really works and also shows us how fake wars and space is. 
J.J. Abrams latest sequel also made a point of showing us how fantastic and yellow journalistic so-called modern science really is. The Death Star Planet was able to fire its weaponry across the Galaxy in an instant, breaking the sacred laws of St. Einstein and many in the audience simply missed the reference.
Yellow Journalism and Nonsensical Science Warning!
This is how the multimedia beast works. On a film review website we have a supposed science expert who also happens to review films. He then spews forth all sorts of typical mainstream University misconceptions, deceptions and lies. We're not going to get into it here, the article index is the place to go for the specific criticisms we have. We are interested in showing how a review of Star Wars a fantasy film is used for yellow journalistic purpose in promoting a false and incorrect view of the natural world.
An actual view of reality is replaced with this augmented one. 
We can read the science gatekeeping being done here. The writer may or may not be aware that they are just parroting nonsense. It does not matter. This mind virus is evident throughout our culture and is the real problem with the world. It's not just the fantasy sold as science, it's the entire mind set that is completely upside -down.
We really have to work to free as many imaginations as we can- this cultural bondage is unnatural.
The elite and their yellow journal minions are supposed to be the ones who know how to think logically and we are supposed to be the victims of an inverted thinking system that rewards parroting over individual thought and expression.
J.J. Abram's produced television series, LOST is another example of a commercial work of fiction that hints at the fact that we are the ones who are LOST and do not understand the way the world really works.
The 'white hat' artists have been leaving clues in their commissioned works for centuries. We can use this technology that is here right at our fingertips and in front of our eyes to free our minds and to ignite a real revolution.

We can spread the word - with electrical fire!

The Internet Is Meant To Be The Tool Of Our Mental Captivity.

We Can Use It For Our Agenda.

A Promissory Note to The Queen? Satan’s slivered reptile tongue is coated with silver ink. We must free ourselves form this paper chain of childish fairy tale nonsense. 
“Promissory notes differ from IOUs in that they contain a specific promise to pay along with the steps and timeline for repayment as well as consequences if repayment fails.[14] IOUs only acknowledge that a debt exists.[15][16] In common speech, other terms, such as "loan", "loan agreement", and "loan contract" may be used interchangeably with "promissory note" but these terms do not have the same legal meaning.”
We are being ‘gipped’:
“A promissory note is very similar to a loan. Each is a legally binding contract to unconditionally repay a specified amount within a defined time frame. However, a promissory note is generally less detailed and rigid than a loan contract.[17] For one thing, loan agreements often require repayment in installments, while promissory notes typically do not. Furthermore, a loan agreement usually includes the terms for recourse in the case of default, such as establishing the right to foreclose, while a promissory note does not. Also, while a loan agreement requires signatures from both the borrower and the lender, a promissory note only requires the signature of the borrower.”
https://en.wikipedia.org/wiki/Promissory_note#History
Who is who and which witch is which? How have the Houses of the Holy Cards been shuffled over the years? We only know what we can read and what we’ve been told about these people. We cannot tell the straw from the gold. Who is really a Trump and who is really a jester? Who is really a Queen and Who a so-called King’?
crook (n.)
early 13c., "hook-shaped instrument or weapon," from Old Norse krokr "hook, corner," cognate with Old High German kracho "hooked tool," of obscure origin but perhaps related to a widespread group of Germanic kr- words meaning "bent, hooked." Meaning "swindler" is American English, 1879, from crooked in figurative sense of "dishonest" (1708). Crook "dishonest trick" was in Middle English.
See The Rainbow Reveal The Truth?
Charlie has won a contest at having a tour of Willy Wonka's Factory, while also competing to win a lifetime supply of chocolate. http://www.faithalivelc.org/ For entertainment purposes only.
Please pay attention to the dialogue and consider the Satanic use of lawyerly language and illogical contract as opposed to the natural world and the child curiosity we all possess and that is stifled by the patronized and crafted culture. We are not to be wise children who embrace our own nature and the natural world in an innocent manner. We are to be juvenile delinquents whose hormones overcome reason and logic. This is one reason why substances like alcohol are encouraged over safe and healthy substances like cannabis.
Please consider how the brilliant Gene Wilder plays the character ‘Willy Wonka’. Wonka is a Walt Disney, Doctor Who, Loki or Merlin like, trickster character. This character is a master craftsman, and trickster, like the proverbial ‘Bard’. He is testing Charlie and simply putting one a show. The end of this film actually reveals the illusion of the artificial world of cargo culture we take for granted. The chocolate factory could be a sausage factory or a government factory - it is metaphorical for the fake yellow journal world most of us live in.
(WW is MM upside down interestingly enough - like the so-called ‘Master Mason’ or ‘Master (stage) Magician’.)
Geese & Gold Eggs
Take a "Gander" at greed.
We Are The Proverbial Goose
“'To kill the Goose That Laid the Golden Eggs' is an idiom used of an unprofitable action motivated by greed. It refers to one of Aesop's Fables, numbered 87 in the Perry Index.”

“The English idiom, sometimes shortened to "Killing the golden goose", derives from this fable. It is generally used of a short-sighted action that destroys the profitability of an asset. Caxton's version of the story has the goose's owner demand that it lay two eggs a day; when it replied that it could not, the owner killed it.[6] The same lesson is taught by Ignacy Krasicki's different fable of "The Farmer:"

A farmer, bent on doubling the profits from his land,
Proceeded to set his soil a two-harvest demand.
Too intent thus on profit, harm himself he must needs:
Instead of corn, he now reaps corn-cockle and weeds.

There is another variant on the story, recorded by Syntipas (Perry Index 58) and appearing in Roger L'Estrange's 1692 telling as "A Woman and a Fat Hen" (Fable 87): A good Woman had a Hen that laid her every day an Egg. Now she fansy’d to her self, that upon a larger Allowance of Corn, this Hen might be brought in time to lay twice a day. She try’d the Experiment; but the Hen grew fat upon’t, and gave quite over laying. His comment on this is that 'we should set Bounds to our Desires, and content our selves when we are well, for fear of losing what we had.' Another of Aesop's fables with the moral of wanting more and losing everything is The Dog and the Bone.”
The screens of our prison can become the door to our freedom.
We must be reborn as the innocent children of the world that we are. We can then see and experience the real world that has been hidden by all the noise of the artifice.
The screen can become the doorway - just like the black obelisk in 2001: Space Odyssey does for Bowman.
To understand the whole process of oneself requires constant alertness, awareness, in the action of relationship. There must be a constant watching of every incident, without choice, without condemnation or acceptance, with a certain sense of dispassion, so that the truth of every incident is revealed.
Please watch this video from its beginning.
In This Video Alan Watts How we can Overcome the addiction of punishing ourselves with the juice we get from our pleasures .
Most High music video from Walking into Clarksdale album
Who guards the truth
Oh lord most high
A frightened dove in a starless sky, oh-oh, oh oh oh
So high, most high, so high
Who hides the east from the blind man's eye
In the land of peace
Where the righteous cry, oh-oh, oh oh oh
So high, most high, so high
[Chorus:]
Where are the words of the king
Who moves the stars and then the sun
To the light where my spirit was born
Bring this wanderer home
While mercy sleeps in the hearts of liars
And the olive tree is consumed by fire, oh-oh, oh oh oh
So high, most high, so high
[Chorus]
Where are the words of the king
Who moves the stars and then the sun
To the light where my spirit was born
Bring this wanderer home, come on, come on, come on
When David's seed talks
Through his paper crown
And he spits hot steel
See all the kids fall down
"See all the KIDS fall down"
Kids means Hoaxes.
"tease playfully," 1839, earlier, in thieves' cant, "to coax, wheedle, hoax" (1811), probably from kid (n.), via notion of "treat as a child, make a kid of." Related: Kiddedkidding. Colloquial interjection no kidding! "that's the truth" is from 1914.
http://www.etymonline.com/index.php?term=kid
One Myth That Rules Us All - Crafted By The SSame People For Centuries
The Many of the ‘Masks of God’ are just Astro-theological Sun symbols. Jesus, Horus, Attis and the rest all symbolize the Sun’s journey from the North part of the sky to the South and back again, defining the yearly cycle of what we call ‘time’.
The SON of God is the SUN of GOD! This is a revised and remastered version of the first half of zeitgeist. All materials here in belong to there rightful owners, and any use can be considered for educational purposes, as allowed under the copy-right act.
We can see why the sun centered Heliocentric model is the basis for modern cosmology as this was the age old mythology of our so-called culture and collective civilization. The thing is that the truth of the matter is the Earth is our Mother and the Earth is also the Mother of the Sun and Moon. 
The Sun is the Son of the Mother Earth. The Earth itself is our creator and ground of our being. This is the truth that has been historically denied to us all. The truth is there is no evidence that Ptolomy's Geo-Centric model is wrong. The evidence all tells us that the Earth does not move. See article index for why we claim that. The article index lists all the specific articles that cover the various aspects of this historical con job.
Jordan Maxwell - Astrotheology - The Root of All Religion (Teaser/Trailer) For more information go to www.jordanmaxwell.com
Saturn is the Old Sun, Saturn is equivalent to Jesus in the Book of Revelations.
We can see the truth. Do you?
The year ends, the Sun grows weak, stands still for days on End, then begins to grow strong again.
This is also metaphorical for a change in human consciousness. Will we die to our old minds and be reborn as new 'children'?
"Saturnalia was an ancient Roman festival in honour of the deity Saturn, held on 17 December of the Julian calendar and later expanded with festivities through to 23 December. The holiday was celebrated with a sacrifice at the Temple of Saturn, in the Roman Forum, and a public banquet, followed by private gift-giving, continual partying, and a carnival atmosphere that overturned Roman social normsgambling was permitted, and masters provided table service for their slaves.[1] The poet Catullus called it "the best of days"
"In Roman mythology, Saturn was an agricultural deity who was said to have reigned over the world in the Golden Age, when humans enjoyed the spontaneous bounty of the earth without labor in a state of innocence. The revelries of Saturnalia were supposed to reflect the conditions of the lost mythical age, not all of them desirable. The Greek equivalent was the Kronia.[3]
Although probably the best-known Roman holiday, Saturnalia as a whole is not described from beginning to end in any single ancient source. Modern understanding of the festival is pieced together from several accounts dealing with various aspects.[4] The Saturnalia was the dramatic setting of the multivolume work of that name by Macrobius, a Latin writer from late antiquity who is the major source for information about the holiday. In one of the interpretations in Macrobius's work, Saturnalia is a festival of light leading to the winter solstice, with the abundant presence of candles symbolizing the quest for knowledge and truth.[5] The renewal of light and the coming of the new year was celebrated in the later Roman Empire at the Dies Natalis Solis Invicti, the "Birthday of the Unconquerable Sun", on 23 December.[6]
The popularity of Saturnalia continued into the 3rd and 4th centuries AD, and as the Roman Empire came under Christian rule, many of its customs were recast into or at least influenced the seasonal celebrations surrounding Christmas and the New Year."
"The statue of Saturn at his main temple normally had its feet bound in wool, which was removed for the holiday as an act of liberation.[8] The official rituals were carried out according to "Greek rite" (ritus graecus). The sacrifice was officiated by a priest,[9] whose head was uncovered; in Roman rite, priests sacrificed capite velato, with head covered by a special fold of the toga.[10] This procedure is usually explained by Saturn's assimilation with his Greek counterpart Cronus, since the Romans often adopted and reinterpreted Greek myths, iconography, and even religious practices for their own deities, but the uncovering of the priest's head may also be one of the Saturnalian reversals, the opposite of what was normal.[11]
Following the sacrifice the Roman Senate arranged a lectisternium, a ritual of Greek origin that typically involved placing a deity's image on a sumptuous couch, as if he were present and actively participating in the festivities. A public banquet followed (convivium publicum).[12]
The day was supposed to be a holiday from all forms of work. Schools were closed, and exercise regimens were suspended. Courts were not in session, so no justice was administered, and no declaration of war could be made.[13]
After the public rituals, observances continued at home.[14] On 18 and 19 December, which were also holidays from public business, families conducted domestic rituals. They bathed early, and those with means sacrificed a suckling pig, a traditional offering to an earth deity.[15]

Io Saturnalia[edit]

The phrase io Saturnalia was the characteristic shout or salutation of the festival, originally commencing after the public banquet on the single day of 17 December.[16] The interjection io (Greek ἰώǐō) is pronounced either with two syllables (a short iand a long o) or as a single syllable (with the i becoming the Latin consonantal j and pronounced ). It was a strongly emotive ritual exclamation or invocation, used for instance in announcing triumph or celebrating Bacchus, but also to punctuate a joke."
"Saturnalia is the best-known of several festivals in the Greco-Roman world characterized by role reversals and behavioral license.[19] Slaves were treated to a banquet of the kind usually enjoyed by their masters. Ancient sources differ on the circumstances: some suggest that master and slave dined together,[20] while others indicate that the slaves feasted first, or that the masters actually served the food. The practice might have varied over time,[21] and in any case slaves would still have prepared the meal.[citation needed]
Saturnalian license also permitted slaves to disrespect their masters without the threat of a punishment. It was a time for free speech: the Augustan poet Horace calls it "December liberty".[22] In two satires set during the Saturnalia, Horace has a slave offer sharp criticism to his master.[23] Everyone knew, however, that the leveling of the social hierarchy was temporary and had limits; no social norms were ultimately threatened, because the holiday would end."
Doctor Who at the End of Time
A modern Saturn Figure
The long running yellow journal BBC science fiction series Doctor Who is full of mythological themes and the Time Lords are clearly supposed to be the Royal elites who dress up in fancy robes and have pretentious titles like “Cardinal”  & “President”. The Time Lords represent the power of revisionist history over the imaginations of us the mass public. The elite so-called Time Lords are the keepers of the Matrix, the totality of all knowledge. They can revise this history as desired as the Doctor himself often does. The term ‘Doctor’ refers to the church Doctors of course.
The doctor as a Wizard or Bard type character - Alias "The Doctor" - A Doctor of the Church or Circle of Time
Quite apart from his name, why the Doctor uses the title of "The Doctor" has never been fully explained on screen. The Doctor, at first, said that he was not a physician, often referring to himself as a scientist or an engineer.[26] However, he does occasionally show medical knowledge and has stated on separate occasions that he studied under Joseph Lister and Joseph Bell. In The Moonbase, the Second Doctor mentions that he studied for a medical degree in Glasgow during the 19th century. The Fourth Doctor was awarded an honorary degree from St. Cedd's College, Cambridge in 1960.[note 5] He has also been mocked by his fellow Time Lords for adhering to such a "lowly" title as "Doctor", although in The Armageddon Factor Drax congratulates him on achieving his doctorate, indicating it was at least a somewhat respectable title. In "The Girl in the Fireplace" (2006), he draws an analogy between the title and Madame de Pompadour's.
In The Mutants (1972) an official asks the Third Doctor if he is, in fact, a doctor, to which the Doctor replies "I am, yes"; when asked what he is qualified in, the Doctor replies, "Practically everything." The Fourth Doctor states that his companion, Harry Sullivan, is a Doctor of medicine, while he is "a doctor of many things" (Revenge of the Cybermen, 1975). The Fifth Doctor claims to be a doctor "of everything" in Four to Doomsday (1982), and a message is related from the Tenth Doctor in "Utopia" (2007). In talking with Harry in Robot (1974–1975) the Doctor states "You may be a doctor, but I'm the Doctor. The definite article, you might say." In The Ark in Space, aired later that year, the Doctor states that his doctorate is only honorary; the Tenth Doctor, however, considers the name to be his legitimate academic rank in "The Waters of Mars" (2009), describing his "name, rank and intention" as "The Doctor; doctor; fun.".
In "A Good Man Goes to War" (2011), Dr River Song explains that, as the Doctor has travelled throughout space and time, cultures have adopted his name as a word for "healer" and "wise man". In some worlds, however, "Doctor" has an entirely different definition. To the people of the Gamma Forests, his name came to mean "mighty warrior." (Episode writer Moffat publicly suggested this as a fan in 1995, nine years before he began writing for the show.[29]) In The End of Time (2009–2010) it is mentioned that after he smote a demon in the 13th century, the residents of a convent called the Doctor the "sainted physician."
To make up for his lack of a practical name, the Doctor often relies upon convenient pseudonyms. In The Gunfighters, the First Doctor uses the alias Dr. Caligari. In The Highlanders, the Second Doctor assumes the name of "Doctor von Wer" (a German approximation of "Doctor Who"), and signs himself as "Dr. W" in The Underwater Menace. He similarly poses as "the Great Wizard Quiquaequod" in The Dæmons; 'Qui', 'quae', and 'quod' being, respectively, the masculine, feminine and neuter Latin translation of the nominative form of 'who' -- the Master was utilising Latin translation in the same serial, posing as "Mr Magister". 

The Eighth Doctor's companion Grace briefly refers to him by the alias "Dr. Bowman" in the 1996 Doctor Who television movie.


In The Wheel in Space, his companion Jamie McCrimmon, reading the name off of some medical equipment, tells the crew of the Wheel that the Doctor's name is "John Smith." The Doctor subsequently adopts this alias numerous times over the course of the series, sometimes prefixing the title "Doctor" to it.
In the audio adventure, The Sirens of Time, when the Fifth Doctor is asked his name, this conversation ensues:
"I'm the Doctor."
"Doctor? That's a profession, not a name."
"It's all I have."
Doctors of the Churches or Circles or Chakras:
The Churches of Asia are simply a reference to the Circles of The Sun or Time.  Asia just means ‘east’. The Seven Churches of Asia in the Book of Revelations is equivalent to the SevenHindu Kundalini Chakras of the Human Body.
The Seven Churches of Revelation, also known as The Seven Churches of the Apocalypse and The Seven Churches of Asia(referring to the Roman province of Asia, not the entire continent), are seven major churches of Early Christianity, as mentioned in the New Testament Book of Revelation. In early part of the Revelation, on the Greek island of PatmosJesus Christ instructs his servant John of Patmos, through an angelic intermediary, to: "Write on a scroll what you see and send it to the seven churches: to Ephesus, and to Smyrna, and to Pergamum, and to Thyatira, and to Sardis, and to Philadelphia, and to Laodicea.”
Seven Churches of The Sun, Seven Chakras, Seven colors of the rainbow, seven musical notes of the octave.
Wheels Keep Turning - Maya The Illusion of Time and Space
The word Chakra (चक्र) derives from the Sanskrit word meaning "wheel," as well as "circle" and "cycle".[1] It's described by many as a spinning wheel of light. Of the many chakras within the human body, seven have been identified as major.
M. N. Roy's review of tantric history says that the word chakra is used to mean several different things in the Sanskrit sources:[2]
  1. "Circle," used in a variety of senses, symbolising endless rotation of shakti.
  2. A circle of people. In rituals, there are different cakrasādhanās in which adherents assemble and perform rites. According to the Niruttaratantra, chakras in the sense of assemblies are of 5 types.
  3. The term chakra is also used to denote yantras (mystic diagram)s, variously known as trikoṇa-cakraaṣṭakoṇa-cakra, etc.
  4. Different nerve plexuses within the body.
In Buddhism, the Sanskrit term cakra (Pali cakka) is used in a different sense of "circle," referring to the conception of rebirthconsisting of six states in which beings may be reborn.”
"Māyā (Sanskrit: माया) is a word with unclear etymology, probably comes from the root [10][11][12] which means "to measure".[13][14]
According to Monier Williamsmāyā meant "wisdom and extraordinary power" in an earlier older language, but from the Vedic period onwards, the word came to mean "illusion, unreality, deception, fraud, trick, sorcery, witchcraft and magic".[4][7] However, P. D. Shastri states that the Monier Williams' list is a "loose definition, misleading generalization", and not accurate in interpreting ancient Vedic and medieval era Sanskrit texts; instead, he suggests a more accurate meaning of māyā is "appearance, not mere illusion".[15]
According to William Mahony, the root of the word may be man- or "to think", implying the role of imagination in the creation of the world. In early Vedic usage, the term implies, states Mahony, "the wondrous and mysterious power to turn an idea into a physical reality".[13][16]
Franklin Southworth states the word's origin is uncertain, and other possible roots of māyā include may- meaning mystify, confuse, intoxicate, delude, as well as māy- which means "disappear, be lost".[17]
Jan Gonda considers the word related to , which means "mother",[10] as do Tracy Pintchman[18] and Adrian Snodgrass,[12] serving as an epithet for goddesses such as Lakshmi.[10][19] Maya here implies art, is the maker’s power, writes Zimmer, "a mother in all three worlds", a creatrix, her magic is the activity in the Will-spirit.[20]
A similar word is also found in the Avestan māyā with the meaning of "magic power"."
The Virgin Birth is Just a Symbol of Reborn Human Consciousness Freed From the Bondage of Culture - Below a Great Song About the Birth of The Sun after Winter Solstice.
This natural phenomena is used as metaphor for the new born consciousness of the freed human imagination. A virgin cannot actually give birth of course. That contradiction is meant to point towards the fact that the concept is not mean to be taken literally but that there is a death to ‘personas’ and a rebirth as the natural humans without artificial social masks. The so called rulers and governors dress up as the Sun and other mythical symbols and pretend to have power over us and they do because most of us believe they do. This is the power of Government and the 666 Multimedia Yellow Journal Beast Mind Control.  The Christmas Tree is a version of the cosmic tree image - Yggdrasil, the Norse symbol of existence or the World itself.
Yggdrasil (/ˈɪɡdrəsɪl/ or /ˈɪɡdrəzɪl/; from Old Norse Yggdrasill, pronounced [ˈyɡːˌdrasilː]) is an immense mythical tree that connects the nine worlds in Norse cosmology.
Yggdrasil is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central and considered very holy. The godsgo to Yggdrasil daily to assemble at their things. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations; one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. Creatures live within Yggdrasil, including the wyrm (dragon) Níðhöggr, an unnamed eagle, and the stags Dáinn, Dvalinn, Duneyrr and Duraþrór.
Conflicting scholarly theories have been proposed about the etymology of the name Yggdrasill, the possibility that the tree is of another species than ash, the relation to tree lore and to Eurasian shamanic lore, the possible relation to the trees Mímameiðr and LæraðrHoddmímis holt, the sacred tree at Uppsala, and the fate of Yggdrasil during the events of Ragnarök.”
The Gallows Pole & The Second Tree From The Garden of Eden Revealed:
“The generally accepted meaning of Old Norse Yggdrasill is "Odin's horse", meaning "gallows". This interpretation comes about because drasill means "horse" and Ygg(r) is one of Odin's many names. The Poetic Edda poem Hávamál describes how Odin sacrificed himself by hanging from a tree, making this tree Odin's gallows. This tree may have been Yggdrasil. Gallows can be called "the horse of the hanged" and therefore Odin's gallows may have developed into the expression "Odin's horse", which then became the name of the tree.[1]
Nevertheless, scholarly opinions regarding the precise meaning of the name Yggdrasill vary, particularly on the issue of whether Yggdrasill is the name of the tree itself or if only the full term askr Yggdrasil (where Old Norse askr means "ash tree") refers specifically to the tree. According to this interpretation, askr Yggdrasils would mean the world tree upon which "the horse [Odin's horse] of the highest god [Odin] is bound". Both of these etymologies rely on a presumed but unattested *Yggsdrasill.[1]
A third interpretation, presented by F. Detter, is that the name Yggdrasill refers to the word yggr ("terror"), yet not in reference to the Odinic name, and so Yggdrasill would then mean "tree of terror, gallows". F. R. Schröder has proposed a fourth etymology according to which yggdrasill means "yew pillar", deriving yggia from *igwja (meaning "yew-tree"), and drasill from *dher- (meaning "support”).”
https://en.wikipedia.org/wiki/Yggdrasil
In Germanic mythologyOdin (from Old Norse Óðinn) is a widely revered god. In Norse mythology, from which stems most of our information about the god, Odin is associated with healing, death, royalty, the gallows, knowledge, battle, sorcery, poetry, frenzy, and the runic alphabet, and is the husband of the goddess Frigg. In wider Germanic mythology and paganism, Odin was known in Old English as Wōden, in Old Saxon as Wōdan, and in Old High German as Wuotan or Wōtan, all stemming from the reconstructed Proto-Germanic theonym *wōđanaz.”
https://en.wikipedia.org/wiki/Odin
Daryl Hall and John Oates sing the traditional Christmas song "Children, Go Where I Send Thee" on an episode of Live from Daryl's House.
Jesus as the Sun is born anew during the Winter Solstice. Jesus, the Sun rises in the East and sets in the West.  This song is a 'round' or circle where each member of the band gets a chance to sing. Xmas = Saturnalia.
This song is about spreading the word. This song is about spreading the good news that we are free and that history is a lie. The Four Horsemaen are the lie. War is the lie. This song is about spreading the Gospel the fire of the freed imagination as depicted as the Halo or fire or flame around or above the human head. This Solar fire represents the power of the freed human imagination and it shows us exactly what we need to do. We must ‘Get This Fire Started’.
Intro to the Astrology/Zodiac & how it relates holidays, the Bible, Freemasons, etc.. i.e. 12 disciples/Jesus, 12 labors/Hercules, 4 Horseman{Rev 6}, Hiram Abiff, Passover, X-mas & more.
The final installment of my Time War Chronicles.
Doctor Who Freezing Time - Or Stopping History Dead in Its Tracks.
“Arcadia (Greek: Αρκαδία, Arkadía) is one of the regional units of Greece. It is part of the administrative region of Peloponnese. It is situated in the central and eastern part of the Peloponnese peninsula. It takes its name from the mythological character Arcas. In Greek mythology, it was the home of the god Pan. In European Renaissance arts, Arcadia was celebrated as an unspoiled, harmonious wilderness.”
“In Greek mythologyArcas (/ˈɑːrkəs/; Ἀρκάς) was the son of Zeus and Callisto.[1] Callisto was a nymph in the retinue of the goddess Artemis. As she would not be with anyone but Artemis, Zeus cunningly disguised himself as Artemis and seduced Callisto. The child resulting from their union was called Arcas.[2][3][4]
Hera became jealous, and in anger, she transformed Callisto into a bear. She would have done the same or worse to her son, but Zeus hid Arcas in an area of Greece, which would come to be called Arcadia, in his honor. There, Arcas safely lived until one day, during one of the court feasts held by king Lycaon (Arcas' maternal grandfather), Arcas was placed upon the burning altar as a sacrifice to the gods. He then said to Zeus, "If you think that you are so clever, make your son whole and un-harmed". Zeus became enraged and made Arcas whole and directed his anger toward Lycaon, turning him into the first werewolf.[5]
Then, Arcas became the new king of Arcadia and the country's greatest hunter. One day, when Arcas went hunting in the woods, he came across his mother. Seeing her son after so long, she went forth to embrace him. Not knowing that the bear was his mother, he went to kill her with an arrow. Zeus, taking pity upon the two, decided to avert the tragedy and put them both up in the heavens, and their constellations are now referred to as Ursa Major and Ursa Minor, the big and little bears. When Hera heard of that, she became so angry that she asked Tethys to keep them in a certain place so that the constellations would never sink below the horizon and receive water.[6]
Arcas was remembered for having taught people the art of weaving and baking bread. He was married to either Laodamia (Leaneira), daughter of Amyclas; Meganeira, daughter of Crocon; the nymph Chrysopeleia; or the Dryad Erato. He also left a number of children, including the sons ApheidasElatusAzan and Triphylus, also an illegitimate son Autolaus and at least two daughters, Hyperippe and Diomeneia.”
King Arthur = Artos or Bear. Arthur is an author (authority) with his magic sword. King Arthur is a Bard king. Arthur of course becomes King after living a life much lower down the feudal pyramid structure. Overnight he goes from squire to King.
Saturn Laughs As He Uses The Internet to End Time!
Do you get the clever joke and reference? The weapon that will end the Time War is metaphorical for the very tool you are using to read this very page. Arcadia refers to Eden, or the Natural creative world of nature and human imagination, free from the shackles of the lie that is history.
The scythe or sickle is the internet itself. This is the sword of Revelation.
"The presence of the Zygons and UNIT is more easily justified; the former’s centuries-long, painting-dependent invasion planwould make for a good story in its own right, and it works well as narrative and thematic support for the central Time War story. And Steven Moffat finds a funny way to split the difference with the payoff to the long-running Queen Elizabeth gag, revealing that the Doctor’s apparent courtship of and marriage to Joanna Page’s monarch was part of a botched effort to expose Zygon infiltrators.
Yellow Journal  Queen:
"During the last years of her reign, Elizabeth came to rely on the granting of monopolies as a cost-free system of patronage, rather than asking Parliament for more subsidies in a time of war.[158] The practice soon led to price-fixing, the enrichment of courtiers at the public's expense, and widespread resentment.[159] This culminated in agitation in the House of Commons during the parliament of 1601.[160] In her famous "Golden Speech" of 30 November 1601 at Whitehall Palace to a deputation of 140 members, Elizabeth professed ignorance of the abuses, and won the members over with promises and her usual appeal to the emotions:[161]"
"The Elizabethan era is the epoch in English history marked by the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia was first used in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over the Spanish — at the time, a rival kingdom much hated by the people of the land."
"This "golden age"[2] represented the apogee of the English Renaissance and saw the flowering of poetry, music and literature. The era is most famous for theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repulsed. It was also the end of the period when England was a separate realm before its royal union with Scotland"
But that still leaves Tom Baker. The final scene between the 11th Doctor and the Curator rests somewhere outside the normal storytelling parameters of Doctor Who. Whoever this man is, he probably isn’t the 4th Doctor, though he might be a far-future incarnation who has, as he put it, decided to revisit some of the favorite old faces. Even 30 years removed from his last on-screen performance as the Doctor—not counting “Dimensions In Time,” because nobody in their right mind counts “Dimensions In Time”—Baker is able to recapture some of the old magic of the 4th Doctor, a figure alternately playful and terrifying. He manages to out-alien Matt Smith, which is no small feat; the 11th Doctor’s joy is palpable when he gazes upon this impossible man and hears his cryptic promise of Gallifrey’s survival. Really, Tom Baker is the only person in the universe capable of providing a sufficiently bonkers ending to an already insane anniversary special. He’s not the 4th Doctor, but he’s not just the Curator either; in that scene, he is the entire Doctor Who mythos personified, here in human (or Time Lord) form to take a bow and offer congratulations to those who were there when the show passed the half-century mark."
The Doctor as symbol of a cure for the insanity.
The Old (Saturn or Sun) Doctor Meets His Young (Son/Sun) Self.
Please note the obvious reference to oil paintings and art as a malleable ‘screen’ of history that can either reveal or occult the truth.
curator (n.) 
mid-14c., from Latin curator "overseer, manager, guardian," agent noun from curatus, past participle of curare (see cure (v.)). Originally of those put in charge of minors, lunatics, etc.; meaning "officer in charge of a museum, library, etc." is from 1660s.”
The Doctor or Curator needs to take care of the Royals and the rest of the insane clown posse, not us the normal people who do not feel the need to play constant Halloween dress up - make believe.
With Gallifrey saved (they hope) the Doctors say their goodbyes, but left alone with the painting, the current Doctor meets a very familiar face. Subscribe here for more exclusive Doctor Who clips and content http://www.youtube.com/subscription_center?add_user=doctorwho The Brand New Doctor Who Website - http://www.doctorwho.tv Doctor Who YouTube Channel http://www.youtube.com/user/doctorwho Doctor Who Facebook: https://www.facebook.com/DoctorWho Doctor Who Twitter https://twitter.com/bbcdoctorwho This is a channel from BBC Worldwide who help fund new BBC programmes.
Star Trek: The Cage - Great Shades Of Plato’s Cave
Gene Roddenberry’s Television script for ‘Star Trek: The Cage’ has Captain Pike Tempted by an Illusionary woman, or “Maya” much like the temptations of Buddha and Christ. We understand the metaphor for our own zoo-like and animal or child like cultural existence with its temptations of sex and other sorts of riotous behavior that are designed to distract us from the fact we are in a Cage.
https://en.wikipedia.org/wiki/The_Cage_(Star_Trek:_The_Original_Series)

We know modern University Cosmology is wrong and that the truth is there is no evidence the spherical Earth moves.

See article index for more information about why we would make such a claim.

Most of what we know is wrong.

As far as we can tell the unmoving Earth is not only the center of the Universe, it is the source and totality of the Universe. This is all anyone has ever been able to actually prove. There are no satellites nor need for them, NASA is a Hollywood stage magic hoax and example of yellow journal pseudoscience. Again, please see the article index for more, and please try to keep an open mind, the fact seems to be that we really are victims of a long standing mafia crime racket - that has us all brainwashed.
Alan Watts explains the lie that is history. History is yellow journal myth more so than not. Please listen.
Fun with words and meanings:
Halos and Helio and Suns and Sol
helio- Look up helio- at Dictionary.com
word-forming element meaning "sun," from Greek helio-, comb. form of helios "sun" (see sol).
Apollo
Olympian deity, god of music, poetry, medicine, etc., later identified with Helios, the sun god; the name is a Latin form of Greek Apollon, said to be perhaps related to an obsolete Greek verb meaning "to drive away" (evil, etc.)
Sol (n.) Look up Sol at Dictionary.com
"the sun personified," mid-15c. (also in Old English), from Latin sol "the sun, sunlight," from PIE *s(e)wol-, variant of root *saewel- "the sun" (source also of Sanskrit suryah, Avestan hvar "sun, light, heavens;" Greek helios; Lithuanian saule; Old Church Slavonic slunice; Gothic sauil, Old English sol "sun," swegl "sky, heavens, the sun;" Welsh haul, Old Cornish heuul, Breton heol "sun;" Old Irish suil "eye"). 
The PIE element -*el- in the root originally was a suffix and had an alternative form -*en-, yielding *s(u)wen-, source of English sun (n.). French soleil (10c.) is from Vulgar Latin *soliculus, diminutive of sol; in Vulgar Latin diminutives had the full meaning of their principal words.
halo (n.) Look up halo at Dictionary.com
1560s, "ring of light around the sun or moon," from Latin halo (nominative halos), from Greek halos "disk of the sun or moon; ring of light around the sun or moon" (also "disk of a shield"); ""threshing floor; garden," of unknown origin. The sense "threshing floor" (on which oxen trod out a circular path) probably is the original in Greek. The development to "disk" and then to "halo" would be via roundness. Sense of "light around the head of a holy person or deity" first recorded 1640s. As a verb from 1791 (implied in Haloed).
Part of the documentary series "Joseph Campbell and the Power of Myth". Excerpt of episode 6 "Masks of Eternity". (unfortunately the sound quality is not good)
Halo, Holy, Hall, Hell, Cell
holy (adj.) Look up holy at Dictionary.com
Old English halig "holy, consecrated, sacred; godly; ecclesiastical," from Proto-Germanic *hailaga- (source also of Old Norse heilagr, Danish hellig, Old Frisian helich "holy," Old Saxon helag, Middle Dutch helich, Old High German heilag, German heilig, Gothic hailags "holy"), from PIE *kailo- "whole, uninjured" (see health). Adopted at conversion for Latin sanctus. 
Primary (pre-Christian) meaning is not possible to determine, but probably it was "that must be preserved whole or intact, that cannot be transgressed or violated," and connected with Old English hal (see health) and Old High German heil "health, happiness, good luck" (source of the German salutation Heil). Holy water was in Old English. 
Holy has been used as an intensifying word from 1837; in expletives since 1880s (such as holy smoke, 1883, holy mackerel, 1876, holy cow, 1914, holy moly etc.), most of them euphemisms for holy Christ or holy Moses. Holy Ghost was in Old English (in Middle English often written as one word). Holy League is used of various European alliances; the Holy Alliance was that formed personally by the sovereigns of Russia, Austria, and Prussia in 1815; it ended in 1830.
Uploaded by sharon watts on 2016-09-29.
This is highly recommended. please listen to it from the beginning, thank you
hallow (v.) Look up hallow at Dictionary.com
Old English halgian "to make holy, sanctify; to honor as holy, consecrate, ordain," related to halig "holy," from Proto-Germanic *hailagon (source also of Old Saxon helagon, Middle Dutch heligen, Old Norse helga), from PIE root *kailo- "whole, uninjured, of good omen" (see health). Used in Christian translations to render Latin sanctificare. Related: Hallowed; hallowing.
hall (n.) Look up hall at Dictionary.com
Old English heall "spacious roofed residence, house; temple; law-court," any large place covered by a roof, from Proto-Germanic *hallo "covered place, hall" (source also of Old Saxon, Old High German halla, German halle, Dutch hal, Old Norse höll "hall;" Old English hell, Gothic halja "hell"), from PIE root *kel- (2) "to hide, cover, conceal" (see cell). 
Sense of "passageway in a building" evolved 17c., from the time when the doors to private rooms opened onto the large public room of the house. Older sense preserved in town hall, music hall, etc., in use of the word in Britain and Southern U.S. for "manor house," also "main building of a college" (late 14c.). French halle, Italian alla are from Middle High German. Hall of fame attested by 1786 as an abstract concept; in sporting sense first attested 1901, in reference to Columbia College; the Baseball Hall of Fame opened in 1939. Related: Hall-of-famer.
cell (n.) Look up cell at Dictionary.com
early 12c., "small monastery, subordinate monastery" (from Medieval Latin in this sense), later "small room for a monk or a nun in a monastic establishment; a hermit's dwelling" (c. 1300), from Latin cella "small room, store room, hut," related to Latin celare "to hide, conceal." 
The Latin word represents PIE root *kel- (2) "to cover, conceal" (source also of Sanskrit cala "hut, house, hall;" Greek kalia "hut, nest," kalyptein "to cover," koleon "sheath," kelyphos "shell, husk;" Latin clam "secret;" Old Irish cuile "cellar," celim "hide," Middle Irish cul "defense, shelter;" Gothic hulistr "covering," Old English heolstor "lurking-hole, cave, covering," Gothic huljan "cover over," hulundi "hole," hilms "helmet," halja "hell," Old English hol "cave," holu "husk, pod"). 
Sense of monastic rooms extended to prison rooms (1722). Used in 14c., figuratively, of brain "compartments;" used in biology by 17c. of various cavities (wood structure, segments of fruit, bee combs), gradually focusing to the modern sense of "basic structure of living organisms" (which OED dates to 1845). 
Electric battery sense is from 1828, based on original form. Meaning "small group of people working within a larger organization" is from 1925. Cell body is from 1851; cell division from 1846; cell membrane from 1837 (but cellular membrane is 1732); cell wall from 1842.
Old English hælþ "wholeness, a being whole, sound or well," from Proto-Germanic *hailitho, from PIE *kailo- "whole, uninjured, of good omen" (source also of Old English hal "hale, whole;" Old Norse heill "healthy;" Old English halig, Old Norse helge "holy, sacred;" Old English hælan "to heal"). With Proto-Germanic abstract noun suffix *-itho (see -th (2)). Of physical health in Middle English, but also "prosperity, happiness, welfare; preservation, safety." An abstract noun to whole, not to heal. Meaning "a salutation" (in a toast, etc.) wishing one welfare or prosperity is from 1590s. Health food is from 1848.
Old English hælan "cure; save; make whole, sound and well," from Proto-Germanic *hailjan (source also of Old Saxon helian, Old Norse heila, Old Frisian hela, Dutch helen, German heilen, Gothic ga-hailjan "to heal, cure"), literally "to make whole," from PIE *kailo-"whole" (see health). Intransitive sense from late 14c. Related: Healedhealing.
late Old English, "one who heals," especially "savior, Jesus," agent noun from heal (v.). As "a curative medicine" from late 14c. The usual Old English noun for Jesus as savior was hæland (Middle English healend), a noun use of a present participle, being a rough translation of the name (see Joshua) or of Latin salvator.
Old English hælþ "wholeness, a being whole, sound or well," from Proto-Germanic *hailitho, from PIE *kailo- "whole, uninjured, of good omen" (source also of Old English hal "hale, whole;" Old Norse heill "healthy;" Old English halig, Old Norse helge "holy, sacred;" Old English hælan "to heal"). With Proto-Germanic abstract noun suffix *-itho (see -th (2)). Of physical health in Middle English, but also "prosperity, happiness, welfare; preservation, safety." An abstract noun to whole, not to heal. Meaning "a salutation" (in a toast, etc.) wishing one welfare or prosperity is from 1590s. Health food is from 1848.
c. 1300, "one who delivers or rescues from peril," also a title of Jesus Christ, from Old French sauveour, from Late Latin salvatorem(nominative salvator) "a saver, preserver" (source also of Spanish salvador, Italian salvatore), from salvatus, past participle of salvare"to save" (see save (v.)). In Christian sense, a translation of Greek soter "savior." Replaced Old English hælend, literally "healing," noun use of present participle of hælan (see heal).
Jesus Tells Us We & The Divine Are One - We & Nature Are One
Please take the time listen to this part of this Alan Watts Lecture, it is very important. Please listen for about 7 minutes or so, thank you. 
The Royals Run The Show. Seems the Cross is their symbol.
It does not matter whether the Royal is the Queen herself or an aristocrat appointed Cardinal or Pope. A religious institution changing hands is like a Burger King franchise changing hands. We must not let the puppet show confuse us. It is all the same and all meant as a system of control. 
Religions are designed to screen spirituality from us. Any experience we have is our own and due to our own nature. In the Garden of Eden myth, God is in the cool of the Garden. In other words, God or rather the Divine Presence is not to be found in any book or Temple or Church. No authority can experience the Divine Presence for us. The Divine is to be found in Nature, and we are part of Nature. The so-called fall from the garden is the lie of religion. “The Kingdom of Heaven is spread upon the Earth and most do not see it.” We haven’t fallen from grace and we are not born with original sin. These are the tools of the yellow journal minion and the chains of old religious slavery. We have been tricked into believing the various authorities are needed by us to define our own limitations and boundaries. We need no such authority. We must reject these halloween costumed grown adolescents who insist on retarding the development of humanity. If we abide by the basic concept of not forcing our will onto others we could build sane and rationale societies. The governments are the ones who commit the crime of forcing their will onto us and they do so for social manipulation and control and the laws they make are not meant to keep us safe as we are told and sold. We must continue to think we need to have to pay taxes to support County, State and Federal Governments when we just need logical civil procedures and simple bureaucracies that are not concerned with telling us what to do with our own bodies, and other such juvenile & unnecessary demands.
We must end things like the War on Drugs. It is an unlawful pay for pay prison racket and nobody has the right to jail anyone over personal choices. Education and not jail time, is the more effective way to go about things. The Drug War is a prime example of the crime that government is. (See article index for more) Cannabis, a true miracle plant, being scheduled as poison for over a century, at the behest of Big Pharma,  is also a crime.
We have to experience our own natures for ourselves, obviously. The secret is that our inner nature is the outer nature, or in other words we are on with existence. We are ‘whirlpools in and of the proverbial Aether’.
“The Supreme Governor of the Church of England is a title held by the British monarch that signifies titular leadership over the Church of England.[1] Although the monarch's authority over the Church of England is largely ceremonial, the position is still very relevant to the church and is mostly observed in a symbolic capacity. The Supreme Governor formally appoints high-ranking members of the church on the advice of the Prime Minister of the United Kingdom, who is in turn advised by church leaders.”
https://en.wikipedia.org/wiki/Supreme_Governor_of_the_Church_of_England
hell (n.)
also Hell, Old English hel, helle, "nether world, abode of the dead, infernal regions, place of torment for the wicked after death," from Proto-Germanic *haljo "the underworld" (source also of Old Frisian helle, Old Saxon hellia, Dutch hel, Old Norse hel, German Hölle, Gothic halja "hell"). Literally "concealed place" (compare Old Norse hellir "cave, cavern"), from PIE *kel- (2) "to cover, conceal" (see cell). 
The English word may be in part from Old Norse mythological Hel (from Proto-Germanic *halija "one who covers up or hides something"), in Norse mythology the name of Loki's daughter who rules over the evil dead in Niflheim, the lowest of all worlds (nifl "mist"). A pagan concept and word fitted to a Christian idiom. In Middle English, also of the Limbus Patrum, place where the Patriarchs, Prophets, etc. awaited the Atonement. Used in the KJV for Old Testament Hebrew Sheol and New Testament Greek Hades, Gehenna. Used figuratively for "state of misery, any bad experience" since at least late 14c. As an expression of disgust, etc., first recorded 1670s. 
To have hell break loose is from 1630s. Expression Hell in a handbasket is attested by 1867, in a context implying use from a few years before, and the notion of going to Heaven in a handbasket is from 1853, implying "easy passage" to the destination. Hell or high water (1874) apparently is a variation of between the devil and the deep blue sea. To wish someone would go to hell is in Shakespeare ("Merchant of Venice"). Snowball's chance in hell "no chance" is from 1931; till hell freezes over "never" is from 1832. 
To do something for the hell of it "just for fun" is from 1921. To ride hell for leather is from 1889, originally with reference to riding on horseback. Hell on wheels is from 1843 as the name of a steamboat; its general popularity dates from 1869 in reference to the temporary workers' vice-ridden towns along the U.S. transcontinental railroad. Scottish had hell-wain (1580s) "a phantom wagon seen in the sky at night."
Uploaded by sharon watts on 2016-09-01.
late 14c., "young fowl" (late 13c. as a surname), from Anglo-French pullet, Old French poulettepoilette, diminutive of poulepoille "hen," from Vulgar Latin *pulla, fem. of Latin pullus "young animal," especially "young fowl" (source also of Spanish pollo "chicken," Italian pollo "fowl;" see foal (n.)). Technically, a young hen from the time she begins to lay until the first molt.
1837, from Greek hoi polloi (plural) "the people," literally "the many" (plural of polys; see poly-). Used in Greek by Dryden (1668) and Byron (1822), in both cases preceded by the, even though Greek hoi means "the," a mistake repeated often by subsequent writers who at least have the excuse of ignorance of Greek. Ho "the" is from PIE *so- "this, that" (nominative), cognate with English the and Latin sic.
Another Tribe

Another tribe... another brother
Torn between his lover and the gun
Another god... another mother
Weeps to justify the damage done

I wonder through the lies and dirt
I wonder, will the meek inherit all the earth?
As truth collides with propaganda
Just another victim on the run

The world outside, all fluff and candour
Seeks to justify the damage done
No wonder, so much pain and hurt
I wonder, will the meek inherit all the earth?

I think there may be..a war in heaven
Paradise beneath the smoking gun
As every saint and small town saviour
Race to justify their chosen one

I wonder, as our world collides
I want to reach out there
Across the great divide
"Ananias Baptizes Saul
17So Ananias went to the house, and when he arrived, he placed his hands on Saul. “Brother Saul,” he said, “the Lord Jesus, who appeared to you on the road as you were coming here, has sent me so that you may see again and be filled with the Holy Spirit.” 18 At that instant, something like scales fell from Saul’s eyes, and his sight was restored. He got up and was baptized,19and after taking some food, he regained his strength. And he spent several days with the disciples in Damascus.…"
Who is who and which witch is which? How have the Houses of the Holy Cards been shuffled over the years? We only know what we can read and what we’ve been told about these people. We cannot tell the straw from the gold. Who is really a Trump and who is really a jester? Who is really a Queen and Who a so-called King’?
“Oh - The Reign is Falling…”
“It will rattle your Doors (mind)”.
"House Of Cards"
(originally by Richard & Linda Thompson)
Oh the rain is falling (blow blow down)
And the wild wind roars (blow blow down)
It'll shake your windows (blow blow down)
And rattle your doors (blow blow down)
Ah blow down this house of cards
Blow down this house of cards
They're washing the streets (blow blow down)
With the blood of your kind (blow blow down)
Ah look over your shoulder (blow blow down)
They are right behind (blow blow down)
Oh blow down this house of cards
Blow down this house of cards
The birds are wheeling (blow blow down)
Up above your head (blow blow down)
Ah your days are numbered (blow blow down)
You're as good as dead (blow blow down)
Ah blow down this house of cards
Blow down this house of cards
This very fine house (blow blow down)
Of great renown (blow blow down)
It's cracked and shaking (blow blow down)
And a-tumbling down (blow blow down)
Ah blow down this house of cards
Blow down this house of cards
Blow down this house of cards
Oh blow down this house of cards
The first single from this seminal folk band. Issued in the UK on the Track label in 1968, featuring the voice of Judy Dyble.
“Toto, I don't think we’re not in Kansas anymore…”
The symbolism of the Wizard of OZ becomes apparent when we consider that the Cowardly Lion represents the Global ‘British’ Economic Power. The scarecrow is a brainless literally empty-headed shadow meant to scare crows away from the fields of gold or corn or maize (corn maze). The tin man is an emotionless heartless robot and the Wizard himself is a fraud who hides behind myth, smoke & magic and mirror - this phony hides behind a literal screen of both all power and all knowing and all of it is a hoax and prank. He is revealed as nothing but a PT Barnum like showman which is all he ever was. The real power was represented by the various female witches and “God Mother” figures who symbolize the power of Mother Earth or Nature herself in both negative and positive aspects.
The poppy fields represent the various opiates for the masses, meant to lull us to sleep so we are not aware of the historical con. The supposed road of gold is paved with the blood of our kind.
All The Money In The World
All of the money in the world

Your living in a house of glass
There's no place left you can hide
Your running from the sea and the crash
where everything beautiful died

Your living in a house of cods
your waiting for the weather to turn
i dont know how you made it this far
and i'll feel my bridges are burned

all of the money, the money in the world
wont bring you back your reason
wont bring you back your world

you waited till the last resort
to mix some of the truth with the lying
your waiting for the damage report
its there in the smoke without frying

Yeah, you want to think its house of cards, thats called word twisting. Or, poetry. 
 The resort, the sea, everything beautiful died, damage report...
All of the money in the world

Your living in a house of glass
There's no place left you can hide
Your running from the sea and the crash
where everything beautiful died

Your living in a house of cods
your waiting for the weather to turn
i dont know how you made it this far
and i'll feel my bridges are burned

all of the money, the money in the world
wont bring you back your reason
wont bring you back your world

you waited till the last resort
to mix some of the truth with the lying
your waiting for the damage report
its there in the smoke without frying


Yeah, you want to think its house of cards, thats called word twisting. Or, poetry. 
The resort, the sea, everything beautiful died, damage report...
Eyes of the World by the Grateful Dead. Off of their sixth album, Wake of the Flood, released in 1973.
Please Notice that the cover of the Grateful Dead album has a Saturn figure with a sickle Harvesting the wheat. We have a reference to a harvest of humanity like, Bobby Darin’s song ‘the Harvest’ and the cloaked hermit like figure reminds us of the Hermit Tarot Card art from Led Zeppelin’s fourth runic album, where we also get Stairway To Heaven & The Feather Symbol or Logo for Robert Plant. It’s interesting how all those symbols come back around again. The rationale explanation would have to do with how prevalent and how reinforced and repeated these icons have been throughout history and this is another example of our mutual mirror neural networking. “Monkey See Monkey Do” “Parrot Hear Parrot Say” describes humanity. This is how we work. Our very basic neural natures have been used to enslave us, perhaps we can use it to now free ourselves once and for all.
We can make more of us aware of the crime that is government and the lies of history. We are all wage slaves in a historical Royal Mafia run Pyramid scheme. This is why we have so many references to this symbol. It is an obvious and overlooked con job joke.
ce555c5f364be20a5a56318647a69f06.jpg
Please watch this live and film version of the song, The Song Remains The Same - Sir Parsifal, the Celtic Elf Prince  Sings & Swings a sword of 'gold'.
Robert Plant’s mythic persona as a Faerie Strider Bard King is all part of the show, no?
We hear the song’s meaning loud and clear. “The Song DOES Remain The Same”.
“Any little song that you know
Everything that's small has to grow
And it's gonna grow, push push, yeah”
“Do it! Push!”
This always reminded us of a birthing coach. We think the metaphor is apt.
The birth is of new human consciousness. What grows is the fire of the burning human imagination, unleashed and freed from cultural bondage. Human neurology is nature. Our bodies are nature. Our brains continue to grow as we age. The human brain continues to make more and more neural networked connections. Small ideas can grow into huge movements that can change the world. Each of us is a living and conscious node in a greater network of nature.

All songs and myth and symbol all sing the same song. All are the same. We have push the system back.
We can make more of us aware of the crime that is government and the lies of history. We are all wage slaves in a historical Royal Mafia run Pyramid scheme. This is why we have so many references to this symbol in modern pop and even historical  culture. It is an obvious and overlooked con job joke.
 We have to use our golden tongues, our words, to change the world. The metaphor of the forked or silver(slivered) tongue means a mouth that speaks lies. The Golden Sword that Springs from the mouth of the returned Christ at the end of Time is the Good Word or Gospel - The GOOD NEWS. The Gold is the meaning of the words and not the words or symbols themselves.
The reptile silver tongued ‘prophets’ care only about profit. ‘Profit’ is how we stay bound to the Royal Run Mafia Banking Ring. 
SPREAD THE WORD
Video extraido de "The Song Remains The Same", película (1975). Y el concierto filmado en el Madison Square Garden de Nueva York, durante la gira de 1973. "The Rain Song" es una balada de amor, de 7 minutos y 23 segundos de duración, del quinto disco de la banda inglesa Led Zeppelin, Houses of the Holy, editado en 1973.
The Rain “Reign” Song.
Robert Plant continues his adventures as a Celtic Strider. He is clearly depicted as some kind of hidden Royalty or faerie Bardic King Arthur. It’s almost like watching footage of the British Royals, horse backing riding and walking around their elaborate estates. Here we see that “Strider” is a Natural born ‘King’ whose ‘domain’ would seam to be Nature. This symbol actually refers to all of us of course.
Don’t Be an April Fool! WORDS HAVE MULTIPLE MEANING:
The Jokers Like To Jest About Scary Ghost Clowns “Kid” Napping You!
"tease playfully," 1839, earlier, in thieves' cant, "to coax, wheedle, hoax" (1811), probably from kid (n.), via notion of "treat as a child, make a kid of." Related: Kiddedkidding. Colloquial interjection no kidding! "that's the truth" is from 1914.
Old English hnappian "to doze, sleep lightly," of unknown origin, apparently related to Old High German hnaffezan, German dialectal nafzen, Norwegian napp. Related: Nappednapping.
1520s, "to speak in a trifling manner;" 1550s, "to joke, say or do something meant to amuse," from Middle English gesten "recite a tale" (late 14c.), from geste "action, exploit" (see jest (n.)). Related: Jestedjesting.
early 13c.geste, "narrative of exploits," from Old French geste "action, exploit," from Latin gesta "deeds," neuter plural of gestus, past participle of gerere "to carry, behave, act, perform" (see gest, which preserves the original sense). Sense descended through "idle tale" (late 15c.) to "mocking speech, raillery" (1540s) to "joke" (1550s). Also "a laughing-stock" (1590s). Jest-book is from 1690s.
mid-14c., gestourjestour "a minstrel, professional reciter of romances," agent noun from gesten "recite a tale" (a jester's original function), from geste "action, exploit" (see jest (n.)). Sense of "buffoon in a prince's court" is from c. 1500. Sterne (1759) uses jestee, but it is rare.
"famous deed, exploit," more commonly "story of great deeds, tale of adventure," c. 1300, from Old French gestejeste "action, exploit, romance, history" (of celebrated people or actions), from Medieval Latin gesta "actions, exploits, deeds, achievements," noun use of neuter plural of Latin gestus, past participle of gerere "to carry on, wage, perform," of unknown origin. Now only as a deliberate archaism. Jest (n.) is the same word, with a decayed sense.
1590s, from Late Latin edibilis "eatable," from Latin edere "to eat," from PIE root *ed- "to eat" (source also of Sanskrit admi "I eat;" Greek edo "I eat;" Lithuanian edu "I eat;" Hittite edmi "I eat," adanna "food;" Old Irish ithim "I eat;" Gothic itan, Old Swedish and Old English etan, Old High German essan "to eat;" Avestan ad- "to eat;" Armenian utem "I eat;" Old Church Slavonic jasti "to eat," Russian jest "to eat").
Old English gist "yeast, froth," from Proto-Germanic *jest- (source also of Old Norse jastr, Swedish jäst, Middle High German gest, German Gischt "foam, froth," Old High German jesan, German gären "to ferment"), from PIE root *yes- "to boil, foam, froth" (source also of Sanskrit yasyati "boils, seethes," Greek zein "to boil," Welsh ias "seething, foaming").
Old English gæstgiest (Anglian gest) "an accidental guest, a chance comer, a stranger," from Proto-Germanic *gastiz (source also of Old Frisian jest, Dutch gast, German Gast, Gothic gasts "guest," originally "stranger"), from PIE root *ghos-ti- "stranger, guest; host" (source also of Latin hostis, in earlier use "a stranger," in classical use "an enemy," hospes "host," from *hosti-potis "host, guest," originally "lord of strangers;" Greek xenos "guest, host, stranger;" Old Church Slavonic gosti "guest, friend," gospodi "lord, master"); the root sense, according to Watkins, probably is "someone with whom one has reciprocal duties of hospitality," representing "a mutual exchange relationship highly important to ancient Indo-European society." But as strangers are potential enemies as well as guests, the word has a forked path. 

Spelling evolution influenced by Old Norse cognate gestr (the usual sound changes from the Old English word would have yielded Modern English *yest). Meaning "person entertained for pay" (at an inn, etc.) is from late 13c. Old English also had cuma "stranger, guest," literally "a comer." Phrase be my guest in the sense of "go right ahead" first recorded 1955.
1660s, "mocking, scoffing," from Greek skoptikos "given to mockery," from skoptein "to mock, jest."
1540s, from Middle French caviller "to mock, jest," from Latin cavillari "to jeer, mock; satirize, argue scoffingly" (also source of Italian cavillare, Spanish cavilar), from cavilla "jest, jeering," related to calumnia (see calumny).
Old English gast "breath; good or bad spirit, angel, demon; person, man, human being," in Biblical use "soul, spirit, life," from Proto-Germanic *gaistaz (source also of Old Saxon gest, Old Frisian jest, Middle Dutch gheest, Dutch geest, German Geist "spirit, ghost"). This is conjectured to be from a PIE root *gheis-, used in forming words involving the notions of excitement, amazement, or fear (source also of Sanskrit hedah "wrath;" Avestan zaesha- "horrible, frightful;" Gothic usgaisjan, Old English gæstan "to frighten").
c. 1300, "Holy Ghost," from Old French esprit "spirit," from Latin spiritus (see spirit (n.)). From mid-14c. as "immaterial being; angel, demon, elf, fairy; apparition, ghost."

MUSIC IS iMPORTANT!
12 Houses of the Zodiac and 12 Months and 12 Musical Keys
“A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, …Pedal keyboards have from 12 keys (home spinet organs) to 25 keys (many Hammond organs) to 32 or more (pipe organs in churches).”
7 Days of the Week and 7 whole notes (A,B,C,D,E,F,G) in the musical octave. With flats and sharps we get: A. A#,B,C,C#,D,D#,E,F,F#,G,G#. (THE 12 MONTHS OR HOUSES)

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